Against The Superhero Fatigue Argument


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Are audiences experiencing “superhero fatigue”? At the outset it should be noted in passing that this sickness unto death, this alleged superhero fatigue, is a year old argument. That would make it a manageable medical condition, this superhero fatigue. The studios have not, so far as I know, called a halt to all the superhero movies presently in the pipeline. Quite the contrary, it would seem. In the next few years there will be another Iron Man film, another “Avengers film,” another “Thor,” “Wolverine” and even “Captain America.” And that’s just a handful of the Marvel-based characters getting another close-up. It would seem that reports about the death of superhero films are a bit exaggerated.

Second, even before this summer began, critics were diagnosing this alleged malady, finding symptoms of this superhero fatigue in every box office underperform.  They even went so far as to diagnose superhero fatigue in films that were commercially successful – but not box office smashes. Their measure of the success of a superhero film, it would seem, was to be wildly successful or risk fall into – and here I cannot resist the reference — the negative zone. It is almost as if a certain type of critic, perhaps one that didn’t grow up on comic books, perhaps one who finds their mythology odious, is engaging what can only be properly construed as a form of wish fulfillment. Any excuse to hasten the genre’s demise.

Despite the glut of death-of-the-superhero-movie-genre stories online, by normally intelligent film writers mind you, the numbers, quite frankly, do not support their argument.  “The Avengers” is the third highest domestic and globally earning film of all time.” The Amazing Spider-Man,” released in July, has made over $260 million domestically. And “The Bourne Legacy” – superhero-ish, to be sure  — which underperformed in its release, broke $103.7 million in week five.

Rewind to one year ago, at the origin of the superhero fatigue.  Yes, many superhero movies have underperformed in the past year or so — I’m looking at you, “Green Lanter”n — many more, however, did well.  But there is always a tendency to go for the snarky post, especially when it involves Nick Cage playing Ghost Riser. There was – and I can think of no other way to say this – an almost villainous delight in the spectacular failure of Green Lantern. In some of the reviews one can almost hear the devilish laughter and the twisting of mustaches as the critics concocted this superhero fatigue meme out of naught else but thin air and their own personal distaste for the whole superhero genre. An entire multi-billion dollar act of escapist entertainment cannot be laid to rest on the shoulders of Ryan Reynolds.

It was a rough summer. With the usual distractions of electronic devices, 24/7 cable and the Olympics – real life superheroes this summer  – there were plenty of reasons to stay home and not buy a ticket at the cineplex. This was also, more to our present timeline, not a good week for the movie industry. A recent week saw the lowest cumulative ticket sales in a decade. The top film – “The Possession” – took in less than ten million in its opening weekend. Further, New York Mayor Michael Bloomberg’s ban on soda over 16 ounces – if it becomes as influential around the country as his indoor smoking ban – could really eat into movie theater revenues.  These three examples may be why the chorus of superhero naysayers appears to be growing rather than receding, becoming emboldened despite the genre’s solid numbers. It was a bad week for all films, not just those involving super-powers and cosmic adventures in spandex and elaborate origin backstory.

“The Dark Knight Rises,” though not as financially as successful as the previous Chris Nolan Batman films, was still a success. Not only that, but “Dark Knight Rises” had, no pun intended, an incredible uphill climb. “The Dark Knight Rises,” which had one of the most challenging opening weekends of any film ever, has a cumulative box office of over $437 million by September 9th, and is on track to pull in a half a billion dollars. That is not bad for an entertainment experience that involved, in its first few weeks, a serious police presence around the nation as well as, in some cases, intrusive bag searches.

It was indeed a cruel summer for movies. But the superhero genre, spawned from the comics of our youth, has faced tougher adversaries than the web, the fall TV schedule or even a soda ban by a super-villainous Mayor who essentially bought his office (cue the devilish laughter). The superhero film genre is just getting its second wind. And I can’t wait.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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