DID YOU READ

“V/H/S” co-director Joe Swanberg talks horror, beer and independent filmmaking

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IFC: One of the things I noticed about the anthology and I’m sure was sort of a goal was that it took familiar horror conceits and subverts them. I’m curious what your inspiration was as someone who hasn’t done much other horror work beyond, say, “Silver Bullets.”

JS: And even “Silver Bullets” was very sort of abstractly related to horror, but definitely the closest thing I’ve done up until this point. Inspiration-wise, definitely YouTube videos, and imagery-wise, we just kind of tried to make it as realistic-feeling and looking as possible. And, honestly, the biggest influences for me right now in terms of that stuff are like Ti West and Adam and Simon, sort of like interesting filmmakers who I consider them to be filmmakers first and horror filmmakers second, you know? You could talk to Ti and Adam as much about boring art films as you could about horror films, and they know about all of it.

What these guys have been doing within horror is super interesting and, because they’re friends of mine and collaborators of mine, I’ve sort of gotten a window into their thought process and sort of why they work in the horror genre and what they feel like they can accomplish through that. And additionally, just in my own career, I’ve been making a lot of movies lately and I was fearing that they were all sort of starting to hit the same audience over and over and over, and that there wasn’t a lot of new ground being covered. That’s like my biggest fear as a filmmaker is to just sort of get comfortable within a certain zone and then kind of keep doing the same thing.

So this movie came along right at a time where I was really excited to kind of challenge myself and try something new, so I really went in rather than, for instance, subverting the genre by doing a mumblecore version of horror, “V/H/S” seemed like a really good opportunity to do horror horror, and to really surprise people. And so I took it really seriously, the opportunity to like really make something scary and not make something that was like more realistic than less scary.

IFC: You still stuck a little bit of the relationship stuff you love in there, so that was fun.

JS: Yeah, I can’t help it. [laughs]

IFC: Are there any other genres that you are interested in trying soon?

JS: Definitely. It’s all interesting to me at this point. I had a real sort of revelation experience working on this movie called “You’re Next” that I acted in that Adam Wingard directed. It was really cool to be on the set of my friend’s movie and to see him sort of like taking on a really big task of making an action thriller and sort of having to visualize and shoot these really elaborate action setups with multiple cameras and stunts and all these kinds of things and I realized as a director I really want to have that skill set.

Even if I never make an action movie, I would still love to know how to shoot an action sequence. How to effectively cover a chase scene, or something like that. So I’m kind of open to all of it right now. I would be happy to dive into more genre stuff and just keep learning as a filmmaker and as a director how to get better at certain things. And I feel like all of that carries over even to relationship movies. Knowing how to shoot an action sequence certainly would help me also know how to shoot a dinner table conversation in a more interesting way.

IFC: You’ve been a big part of the independent filmmaking and mumblecore community, and that’s a community that’s changed a lot in the past decade. What elements of the process do you think are the most important to preserve?

JS: For me, the independent films that inspired me and that I fell in love with were tackling stories that were too small or bizarre or whatever for Hollywood to tell. That was kind of like, in the ’70s and ’80s, that was where American independent filmmaking fit into the picture was like everybody wanted to make studio movies but certain stories weren’t going to be told by studios, so if you wanted to tell that story you had to figure out a way to do it yourself.

That’s changed a lot. So now I feel like a lot of independent films are just Hollywood movies told on a smaller budget, and oftentimes with the same actors that are in the Hollywood movies. So I’ve been really still interested in attempting to use independent films to tell stories that just don’t make sense on a bigger scale. Like I only need $20,000 to tell this story, for instance. I don’t need to try to go out and raise $2 million and get big-name actors. It’s been a really fertile sort of practice stage for me to be active as a filmmaker, and I believe the only way to get better at something is to keep doing it and practicing as much as possible.

On the bigger scale where it takes several years between projects, those directors are busy all the time but they’re not necessarily busy on set directing actors, and that’s the kind of thing I’m trying to be good at. The last three or four years for me have just been about making as much work as possible and really just trying to be active in that community as a director, as an actor, as an editor or whatever else it is. As I’m getting old — I have a son now, I have a family and a house — there are practical concerns that are starting to come in that will probably necessitate a change from doing just $20,000 movies.

IFC: I was going to say, it’s interesting you’re saying that about the big stars because “Drinking Buddies” has Anna Kendrick, Olivia Wilde, Jake M. Johnson and Ron Livingston. Those are really big names right now.

JS: Yeah, absolutely. “Drinking Buddies,” I would almost call it my first film. It’s like a reset for me of taking all the things that I’ve learned and all the work that I’ve made over the past seven or eight years and now trying to apply that skill set to a movie that is a conventional movie. It’s still low budget and it’s still improvised and sort of taking the process that I’ve developed and applying it to a bigger movie. But it’s not “Silver Bullets” or it’s not “Art History,” these very sort of intensely rigorous art films that are very obviously going to appeal to a very small art house audience. Like, “Drinking Buddies” is a movie that’s meant to appeal to everybody, and it’s been fun to see if I can take the same way of working and apply that to a movie that’s aimed at everybody, including the art house audience.

IFC: Can you talk a bit about what “Drinking Buddies” is about?

JS: Sure. Olivia Wilde and Jake Johnson play friends who work at a brewery in Chicago and Anna Kendrick plays Jake’s girlfriend and Ron Livingston plays Olivia’s boyfriend. I won’t say much: it’s a relationship movie about couples. It’s about craft beer and love. [laughs]

IFC: What more does a movie need?

JS: That’s what I’m talking about! It was a blast for me to be able to shoot a movie in a brewery. I’m a home brewer and a real beer geek, so it was really just a dream come true for me to make that movie.

What do you think of Swanberg’s thoughts on independent filmmaking? Do you plan to see “V/H/S”? Tell us in the comments section below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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