“V/H/S” co-director Joe Swanberg talks horror, beer and independent filmmaking


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If you’re a fan of horror movies, you’ll probably love “V/H/S.” The Sundance darling was the brainchild of indie filmmakers Adam Wingard, Ti West, Joe Swanberg, David Bruckner, Glenn McQuaid and the directing quartet known as Radio Silence, and features five various shorts that, when combined, present a stare-at-your-lap-for-a-third-of-the-movie tapestry of found-footage terror.

The film is finally hitting On Demand on August 30 and is due in theaters on October 5, and in anticipation of its arrival for public consumption, IFC had the chance to catch up with Swanberg to chat about his segment of the movie. His 17-minute-long short, “The Sick Thing That Happened To Emily When She Was Younger,” tells the chilling story of a college student who turns to her long-distance medical school boyfriend when she begins to fear she is haunted by a ghost. The story is told through recorded Skype conversations, and ends up being one of the most unique takes on a classic horror trope that I personally have seen in many years.

Swanberg is best known for his work in the mumblecore genre thanks to films like “LOL,” “Hannah Takes the Stairs” and “Silver Bullets,” so it was a bit of a surprise to see his name on the roster for “V/H/S.” But, as he explained during our conversation, his involvement in the anthology was just his way of starting off on a new direction of his career.

IFC: What inspired you to use a Skype conversation to tell your story?

JOE SWANBERG: I’ve been trying with a lot of my films to sort of chart the way communication’s been changing. So my second feature “LOL” that I made is kind of all about technology and cell phones and laptops and how that stuff is helping and hindering communication. “Uncle Kent,” a movie that I made two years ago, is about a guy who’s sort of heavily into Chatroulette and Craigslist, so it’s just interesting to me.

It’s tricky stuff for films to deal with because the technology’s changing so quickly that I think Hollywood is hesitant to invest a lot of money and research into movies that use technology that may not be relevant in a year or two. But with independent film and shorter stuff like the “V/H/S” segment, it’s a really good opportunity to dive into something that may not be all that interesting for a feature film, like using Skype. I feel like getting to do a 17-minute segment in “V/H/S” was a lot more realistic — and having the whole thing taking place over Skype — than thinking about doing a feature film involving Skype.

IFC: But at the same time it was one of the most surprising because the bait-and-switch came out of nowhere, and that was largely based out of our preconceived notions of long-distance relationships. Can you talk a bit about the inspiration for that?

JS: Simon Barrett wrote the segment that I did and he’s somebody who I’ve collaborated with as an actor. I’ve acted in a bunch of films that he’s written that Adam Wingard has directed. So they sort of brought me into the project. I had acted in Ti [West]’s “V/H/S” segment, but it was really Adam and Simon sort of lobbying on my behalf so the producers would sign off, because I’m like nobody’s first choice for a horror anthology. They believed in me and gave me that shot, but Simon wrote it knowing that I would direct it. We kind of talked about different ways to shoot it and felt like just going full in for the Skype thing made a lot of sense.

Also, it is one of these kind of things where basically everything on the Internet is an illusion or could be fabricated. It was really fun to play with that idea for this long-distance couple. And it’s really scary to think that the person you’re talking to who you’re thinking is a long way away is actually right next-door. I think that’s kind of an old horror conceit. That kind of goes back to the old scary story of the babysitter who is getting prank phone calls and they call the police and they say the calls are coming from inside the house or something. I feel like that’s a great classic, and it’s still really scary. The idea is still really scary. I think it’s more scary when it’s somebody you love and trust. That makes it way worse.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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