“V/H/S” co-director Joe Swanberg talks horror, beer and independent filmmaking


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If you’re a fan of horror movies, you’ll probably love “V/H/S.” The Sundance darling was the brainchild of indie filmmakers Adam Wingard, Ti West, Joe Swanberg, David Bruckner, Glenn McQuaid and the directing quartet known as Radio Silence, and features five various shorts that, when combined, present a stare-at-your-lap-for-a-third-of-the-movie tapestry of found-footage terror.

The film is finally hitting On Demand on August 30 and is due in theaters on October 5, and in anticipation of its arrival for public consumption, IFC had the chance to catch up with Swanberg to chat about his segment of the movie. His 17-minute-long short, “The Sick Thing That Happened To Emily When She Was Younger,” tells the chilling story of a college student who turns to her long-distance medical school boyfriend when she begins to fear she is haunted by a ghost. The story is told through recorded Skype conversations, and ends up being one of the most unique takes on a classic horror trope that I personally have seen in many years.

Swanberg is best known for his work in the mumblecore genre thanks to films like “LOL,” “Hannah Takes the Stairs” and “Silver Bullets,” so it was a bit of a surprise to see his name on the roster for “V/H/S.” But, as he explained during our conversation, his involvement in the anthology was just his way of starting off on a new direction of his career.

IFC: What inspired you to use a Skype conversation to tell your story?

JOE SWANBERG: I’ve been trying with a lot of my films to sort of chart the way communication’s been changing. So my second feature “LOL” that I made is kind of all about technology and cell phones and laptops and how that stuff is helping and hindering communication. “Uncle Kent,” a movie that I made two years ago, is about a guy who’s sort of heavily into Chatroulette and Craigslist, so it’s just interesting to me.

It’s tricky stuff for films to deal with because the technology’s changing so quickly that I think Hollywood is hesitant to invest a lot of money and research into movies that use technology that may not be relevant in a year or two. But with independent film and shorter stuff like the “V/H/S” segment, it’s a really good opportunity to dive into something that may not be all that interesting for a feature film, like using Skype. I feel like getting to do a 17-minute segment in “V/H/S” was a lot more realistic — and having the whole thing taking place over Skype — than thinking about doing a feature film involving Skype.

IFC: But at the same time it was one of the most surprising because the bait-and-switch came out of nowhere, and that was largely based out of our preconceived notions of long-distance relationships. Can you talk a bit about the inspiration for that?

JS: Simon Barrett wrote the segment that I did and he’s somebody who I’ve collaborated with as an actor. I’ve acted in a bunch of films that he’s written that Adam Wingard has directed. So they sort of brought me into the project. I had acted in Ti [West]’s “V/H/S” segment, but it was really Adam and Simon sort of lobbying on my behalf so the producers would sign off, because I’m like nobody’s first choice for a horror anthology. They believed in me and gave me that shot, but Simon wrote it knowing that I would direct it. We kind of talked about different ways to shoot it and felt like just going full in for the Skype thing made a lot of sense.

Also, it is one of these kind of things where basically everything on the Internet is an illusion or could be fabricated. It was really fun to play with that idea for this long-distance couple. And it’s really scary to think that the person you’re talking to who you’re thinking is a long way away is actually right next-door. I think that’s kind of an old horror conceit. That kind of goes back to the old scary story of the babysitter who is getting prank phone calls and they call the police and they say the calls are coming from inside the house or something. I feel like that’s a great classic, and it’s still really scary. The idea is still really scary. I think it’s more scary when it’s somebody you love and trust. That makes it way worse.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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