DID YOU READ

Shelf Life: Arnold Schwarzenegger’s “Total Recall”

Arnold Schwarzenegger in Total Recall

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“At that age” movies are not just a phenomenon that I’ve mentioned (or coined, perhaps) before in Shelf Life columns, they’re almost literally the reason for it at all. There’s a whole universe of films we see when we’re kids, adolescents, or during other formative moments in our lives that stick with us or mean something. Needless to say that doesn’t mean they’re good, no matter how much we love them. But one part of being an adult is distinguishing between the things we embrace emotionally, and the things we process intellectually.

All of which brings us to “Total Recall.” In 1990, I was 14 years old, and by then I’d been introduced to the world of R-rated entertainment, and in particular the oeuvre of Arnold Schwarzenegger. He was in so many ways – including literally – larger than life, and his films kind of exploded in my brain as a kind of adult escapism that I’d never encountered before. Nevertheless, my mom had to buy my ticket for “Recall,” but it became yet another watershed moment in my evolution as a moviegoer. With the release of a remake and a spanking-new Blu-ray this week, it seemed like high time to revisit the film and see whether my halcyon memories held up.


The Facts:

After opening on June 1, 1990, “Total Recall” was a massive hit upon its release, earning more than $260 million during its theatrical run. Its development was a labyrinth of false starts and revisions: David Cronenberg and Dino DeLaurentis were both attached at different times in the 1980s, before screenwriters Ronald Shusett and Dan O’Bannon finally found a game collaborator in Paul Verhoeven. Verhoeven recruited several of his former collaborators, including actor Ronny Cox to play Cohaagen, cinematographer Jost Vacano and special effects designer Rob Bottin, who effectively used this film as a showcase for some of the last miniature and practical effects the industry would use before the advent of CGI permanently changed special effects.

Bottin, Eric Brevig, Tim McGovern and Alex Funke received Oscars – an Academy Special Achievement Award for visual effects. The film was also nominated for Academy Awards for Best Sound Effects Editing, and Best Sound.Meanwhile, the film maintains an 81 percent positive rating on Rotten Tomatoes.


What Still Works:

Viscerally, “Total Recall” is still a blast. Verhoeven, coming off of “Robocop,” was working on all cylinders as a purveyor of gritty, gruesome action that actually possessed a thoughtful undercurrent, and like its predecessor, “Recall” satirizes consumerism, totalitarian control as well as examines man’s control of his own body. The action is spectacularly violent – so much so that I literally remember reading local reviews talking about its violent content – but the glib and almost fun way that it indulges this not only resembles the tone of the action in “Robocop,” but enhances the audience’s embrace of such exaggerated and fantastical scenarios.

By 1990, Schwarzenegger was one of the biggest stars in the world, and he’d eased into a screen persona that didn’t seem altogether far from his real personality – or at the very least, didn’t require him to do a lot of heavy lifting, at least acting-wise. But as Roger Ebert observes in his review of the remake, Schwarzenegger’s lumbering presence really complements this film’s underlying concepts in an odd way, because he seems disoriented in a world (cinematically speaking) that functions so cerebrally. That’s not to say that Schwarzenegger gives a bad performance, or he’s unconvincing in the role, but that as Douglas Quaid, the actor is at once comfortable commanding the screen and out of his element working with material that’s intellectually more complex than most of what he’d done before.

Finally, the greatest thing about “Total Recall” is that it’s entirely possible that everything that happens in the film is in fact straightforward fulfillment of the “ego trip” Quaid pays for when he visit Rekall. As Malena, Rachel Ticotin appears on the viewscreen when he’s choosing a companion for his vacation. He asks to go to Mars as a secret agent deep undercover who finds himself on the run from killers. And in the end, he saves the planet and gets the girl. Even the backgrounds and landscapes of Mars are viewed in the Rekall sequence, giving further credence to the possibility that he’s simply acting out his fantasy and the story is not as multi-layered as it otherwise seems.


What Doesn’t Work:

Although the special effects are slightly outdated – especially in an era of CGI – the practical make-up and other prosthetics are all top-notch, so I suppose that isn’t necessarily a complaint. The film is oddly bright in its photography which seems to undermine the rest of its detail and style, but it’s also a film which seems eager to hold nothing back and almost create a cartoonish, exaggerated depiction of this fantastical world.


What’s the Verdict:

“Total Recall” may or may not be a movie that newcomers to it embrace, at least if they’re more conventionally familiar with current special effects techniques and/or the more gritty and humanized approach of modern action movies. But everything that worked in 1990 continues to work now, and it retains all of the entertainment value it ever held, thanks in no small part to the collaboration between Schwarzenegger and Verhoeven. Ultimately, the film is a smart, fun, exciting and engaging sci-fi adventure that examines some deeper ideas – from biological to philosophical – without becoming either simplistic or didactic. In short, “Total Recall” is a great film, which is the only reason why it should even be considered for a remake – to get to recall all of those great qualities all over again.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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Draught Pick

Sam Adams “Keeps It Brockmire”

All New Brockmire airs Wednesdays at 10P on IFC.

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From baseball to beer, Jim Brockmire calls ’em like he sees ’em.

via GIPHY

It’s no wonder at all, then, that Sam Adams would reach out to Brockmire to be their shockingly-honest (and inevitably short-term) new spokesperson. Unscripted and unrestrained, he’ll talk straight about Sam—and we’ll take his word. Check out this new testimonial for proof:

See more Brockmire Wednesdays at 10P on IFC, presented by Samuel Adams. Good f***** beer.

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