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Tony Scott: Our five favorite movies

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The passing of director Tony Scott is a tragic one, and also marks one of the first deaths of a major Hollywood blockbuster filmmaker. Scott had been producing quality entertainment for years, with films like “Top Gun” putting his name on the map and later projects like “Enemy of the State” solidifying his place there.

Scott isn’t only known for his directing work, as he’s also one of the main producers behind TV shows like “Numb3rs,” “The Pillars of the Earth” and “The Good Wife,” as well as documentaries like “Gettysburg” and “Life in a Day” and films like “The Grey, “Cyrus” and “The A-Team.” As our list of celebrity responses to Scott’s suicide has shown, Scott influenced, supported and launched the careers of many current Hollywood talents, and his impact will certainly be felt for years to come.

But for now it’s time to reflect on the legacy Scott made for himself and honor the work he created. It’s hard to say what his best movies are, but it’s easy to pick out our favorites. Keep reading to see our five favorite Tony Scott movies.

“Top Gun”
The second movie of Scott’s career is also undeniably his biggest. “Top Gun” introduced us to Tom Cruise and, though it wasn’t loved by critics at the time, later went on to be one of the films of the 1980s. It proved that Scott was a director who could meld action with comedy and romance easily, and put one of the world’s biggest movie stars on the map. Plus, we will never get sick of watching it.

“True Romance”
But it’s his Quentin Tarantino-scripted movie “True Romance” that we really adore him for. “True Romance” is sort of the odd man out of Scott’s filmography, but the 1993 crime thriller showcases what Scott and Tarantino are both best at. Tarantino was hot off the success of 1992’s “Reservoir Dogs,” and “True Romance” proved that he wasn’t a one-trick auteur. Scott similarly got to have fun with the project, bringing together a fantastic cast including Christian Slater, Patricia Arquette, Val Kilmer, Gary Oldman, Christopher Walken, Samuel L. Jackson and a very young, very hilarious Brad Pitt.

“Crimson Tide”
Scott’s first film collaboration with Denzel Washington might not have launched the actor’s career, but it certainly greatly influenced it. Washington had just come off a successful three years that included “Malcolm X,” “The Pelican Brief” and “Philadelphia,” and then Scott swept him up and turned him into a bonafide movie star. The duo went on to make five movies together, but “Crimson Tide” stands up as one of our favorites.

“Deja Vu”
“Deja Vu” might not be the best movie of Scott’s career, but it arguably is his most interesting. As Scott’s professional relationship with Washington became stronger, the two experimented more and more with their projects. “Deja Vu” was one of the most experimental, and followed Washington as an FBI agent who travels back in time to save a woman from being murdered. The time travel element isn’t anything new, but the way it was presented certainly was, showing that Scott wasn’t afraid to take risks the older he got.

“Unstoppable”
Scott’s most recent movie also ended up being one of the highest grossing and most critically beloved of his career. While some of Scott’s best films didn’t get the critical love they deserved (look at “Top Gun” and “Deja Vu” for prime examples), at least “Unstoppable” manages to stand as a great final work. The director again teamed up with Washington and also brought in up-and-coming action star Chris Pine. Like “Deja Vu,” “Unstoppable” took a major risk by having the entire movie set on a runaway train, with Pine and Washington trying to stop it from crashing. It makes us sad to think of what interesting projects he could have made next, and now never can. Hopefully the film he just completed, “Out of the Furnace,” will do his legacy justice.

Which of Scott’s films were your favorite? Tell us in the comments section below or on Facebook and Twitter.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.