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The five most kick-ass R. Lee Ermey movie roles

R Lee Ermy in Full Metal Jacket

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If there’s a character actor on the planet that’s better at yelling loudly at people onscreen than R. Lee Ermey, I’d be very surprised. The retired United States Marine Corps Drill Instructor-turned actor has been around for a long time and has racked up some of the most easily recognizable performances in cinematic history. In honor of Ermey’s most famous role (as Gunnery Sergeant Hartman) in Stanley Kubrick’s “Full Metal Jacket” hitting Blu-ray this week in a fabulous 25th Anniversary Digibook Collection, we decided to run down the actor’s top five greatest, and most memorable, performances. Company…. Halt!


“Willard” (2003)

Glen Morgan’s 2003 re-imagining of the 1971 rat-loving film “Willard” is easily one of the most underrated horror films of the last decade. A true slow burn of a film, “Willard” boasts amazing performances by the ultra-creepy Crispin Glover, R. Lee Ermey, Laura Elena Harring, and hundreds of rats both real and CGI. And while Glover’s offbeat performance as the eccentric outsider tasked with taking care of his sickly, cantankerous mother is often praised as the film’s greatest asset (and for good reason), R. Lee Ermey’s turn as Willard’s jerk of a boss is nearly as impressive. If there’s anything that Ermey does well, it’s berate people, humiliate them, and play up the mean old crank in his characters, and Frank Martin is no exception. By the time he eventually bites it, at the hands of many an angry rat, the audience is thrilled to see him go. It’s a testament to Ermey’s performance that he not only effectively gets under the skin of his fellow characters, but he also drives the audience equally as mad. Bonus points goes to “Willard” for an ingenious and absolutely perfect use of Michael Jackson’s classic song “Ben.”


“The Texas Chainsaw Massacre” (2003)

Nobody really wanted to give Marcus Nispel and Michael Bay’s remake of Tobe Hooper’s horror classic “The Texas Chainsaw Massacre” a shot, and I don’t really blame them. The 1974 original is a seminal film in the genre and one that is nearly possible to replicate. What audiences didn’t count on, however, was that Nispel’s vision would actually be pretty interesting. His version of “The Texas Chainsaw Massacre” might not be the original, but it doesn’t have to be. It’s a fun re-imagining of the film and one that stands on its own pretty well. And much of that success is due to R. Lee Ermey’s turn as the no-nonsense Sheriff Hoyt. He’s loud, angry, and obnoxious but he’s also one of the highlights of the film. Ermey makes the character evil to the core and, again, it’s a relief when he’s finally dispatched (this time via the hulking mass of a car being driven over his body repeatedly).


“Toy Story” Series (1995, 1999, 2010)

And so we come to the softer side of R. Lee Ermey. Since the film “Toy Story” film in 1995 until the most recent entry in the series hit theaters in 2010, Ermey has played the leader of the plastic Army men, Sarge, to perfection. It’s not nearly the biggest part in a huge ensemble of excellent voice actors (the Army men don’t exactly have a ton of screen time in the series), but it’s a memorable one that helped introduce the grizzled voice of the character actor to a whole new generation of kids raised on Pixar awesomeness. Imagine an extremely toned-down version of Gunnery Sergeant Hartman and you’ll have a good idea of what Ermey is doing here. Fun stuff.


“Se7en” (1995)

Probably one of the most overlooked roles in Ermey’s illustrious career is that of the police captain in David Fincher’s 1995 hit “Se7en.” Ermey takes the limited role and makes it his own in a way that only R. Lee Ermey could do. The captain is quick-witted, impatient, and smarmy in a way that’s completely unique and captivating. He’s a no-nonsense guy that doesn’t want to deal with all the B.S. and just wants to close his cases – something that neither Mills (Brad Pitt) nor Somerset (Morgan Freeman) are making easy for him. Ermey’s role in “Se7en” is another one of those character actor parts that might make audiences say, “Hey, I know that guy! He’s that guy from that movie!” but it’s also an important one that’s help make the Fincher thriller a classic.


“Full Metal Jacket” (1987)

R. Lee Ermey’s role as Gunnery Sergeant Hartman in Stanley Kubrick’s 1987 film “Full Metal Jacket” is easily the actor’s (and, I would argue, cinema’s) most memorable characters. The foul-mouthed, sharp-tongued Marine is the piece of the puzzle that keeps the first half of Kubrick’s film together and has become so ubiquitous in pop culture that it’s been parodied, copied, and even turned into an Internet meme numerous times. What is perhaps most amazing in all of this, however, is the fact that Ermey wasn’t even supposed to play the drill instructor role when Kubrick was first putting together his classic. He was simply a technical advisor on the film until the legendary director heard the actor going on a drill instructor tirade and knew he was perfect for Hartman. So impressed, Kubrick even relinquished some of his storied control of the product by letting Ermey write and ad-lib much of his own dialogue. We’d say it worked. Ermey’s scenes in “Full Metal Jacket” are some of the most recognizable in cinematic history.


What’s your favorite R. Lee Ermey movie role? Tell us in the comments below or on Facebook and Twitter.

 

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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