Rashida Jones on writing “Celeste and Jesse Forever,” her cinematic role models and more

Rashida Jones and Andy Samberg in Celeste and Jesse Forever

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By Jennifer Vineyard

When Celeste, as played by Rashida Jones in “Celeste and Jesse Forever,” notices things, she’s very particular. A guy she’s just met hits on her at a yoga class, and with a glance, she’s able to deliver this high-powered assessment: “You traded in your Porsche for an Audi because the economy’s still tanking, and you’re afraid you’ll lose your job. You just bought a Droid cell phone because you think it makes you seem more business-oriented instead of an iPhone, which you think is for teenage girls. You go to yoga because you went to a sub-Ivy League school, and you spent the last ten years working long hours and drinking all weekend and you thought it was time to do something spiritual.” Chris Messina, the guy who’s just failed at asking her out, is dumbfounded, because she was right. And as Holly Hunter told us in “Broadcast News,”‘ it’s awful to always believe you know better, to always be right.

Celeste belongs in the same league as Hunter’s classic Jane Craig character as well as Meg Ryan’s Sally Albright from “When Harry Met Sally… “– she’s a complex, difficult, articulate character whose primary relationship is with her male best friend. Jones, who also co-wrote “Celeste and Jesse” with her writing partner Will McCormack, told IFC that they were her role models.

“We watched ‘When Harry Met Sally…’ so many times, ad nauseum, while writing,” Jones said. “And ‘Annie Hall,’ ‘Husbands and Wives,’ and ‘Broadcast News,’ because they are perfect. I just watched ‘Broadcast News’ again two days ago. The performances are perfect. I was so surprised and elated by Holly Hunter’s performance, which still feels so fresh. It’s like nothing I’ve ever seen before.”

The way Sally orders food in a restaurant or Jane gives directions to a D.C. cabbie — even if in real life, those directions make no sense — speak volumes about their characters. “They feel empowered by their sense of the world,” Jones said. “They created an identity based on this somewhat flawed perception of what’s right, what’s wrong, and you can see it very clearly, very quickly, by someone ordering a sandwich, and how it works for them. They are so particular.”

It’s a trait that someone could hate — call it high-maintenance — or something that could become lovable, as Harry discovers with Sally’s tendency to get everything “on the side.” Both characters, by the way, are based on real-life counterparts — CBS news producer Susan Zirinsky for Jane Craig, and the late writer/director Nora Ephron for Sally Albright. Jones, who was “thrilled” and “excited” to meet Zirinsky at the White House Correspondents Dinner, said that’s what helps make both characters relatable. “That reads,” she said. “Those are real people, and the characters feel real, you know?”

So Jones wanted to take elements of her own character and dating life, and add them to that model, to pay homage to Jane and Sally, “and hopefully add something to it,” she explained. “In our story, as much as that way of being has made Celeste’s life successful, it doesn’t mean she can control everything. And when life happens to her, she’s forced to revaluate how she perceives the world, you know? It all blends together, because she’s making snap judgments about somebody at work, and she’s wrong about it, and she learns from it.”

Jones said that it’s something she battles, too — “my own sense of right, and how myopic that can make me at times” — because it was a survival tool that worked for her and helped her become successful, but it also stands in her way. “I’ve spent enough time in therapy to know that!” she laughed. “This movie was an exorcism of a certain kind of flaw that I don’t like about myself, because I can be very black and white, and make decisions about things, and then once I’ve decided, I’m decided, and it was very hard to change my mind. I don’t really think that way anymore. Getting older is about realizing that you’re never going to know what it’s about, and you have to kind of accept that, you know?”

In Celeste’s situation, she was married to her best friend Jesse (played by Andy Samberg), and when the movie starts, the couple are separated and getting a divorce — yet still hang out all the time together. Unlike traditional romantic comedies, or even romantic dramedies, this one is about learning to let go of romantic fantasies about happily ever after. “I think part of being an adult is leaving the fairytale behind,” Jones said. “I think rom-coms have reflected that over the ages. We kind of got stuck in a box in the ’90s and ‘2000s, but we’re coming out of it again. We’re telling new stories. Judd Apatow is telling romantic stories from the slacker guy’s point of view. And now we have slacker girls, and all these indie comedies like ‘(500) Days of Summer’ where it’s about loving somebody and changing their life because you love them instead.”

Two other post rom-coms this summer, “Lola Versus” and “Take This Waltz,” also explored the similar terrain of complex women trying to find themselves after the breakup, with varying results. “It’s weird,” Jones said. “How does something end up in the zeitgeist? It’s a perfect storm of the people who do it and the people who want it. I hope it’s not just a passing trend, because women have been complex and interesting and dynamic and smart forever, and they will continue to be.”

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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