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“Jaws” co-writer Carl Gottlieb discusses the legacy of Universal

JAWS Car Gottlieb Headshot

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When Carl Gottlieb was asked by Steven Spielberg to redraft his script for “Jaws,” he likely had no idea how big a cultural phenomenon the film would become. But now, 37 years later, he’s happy to reflect back on the most successful movie of his career in light of its debut on Blu-Ray August 14.

“You never know in advance. You find out afterwards. In some respect, it’s almost like a live performance,” Gottlieb told IFC when we spoke to him at the press day for the Blu-Ray release. “In film, when it’s locked, if it’s good, you don’t really know how good it is until it’s played for a few million people, and then after the fact you go, ‘Oh my god, we created at least a pop culture icon, if not a work of art.’ It’s not the ‘Mona Lisa,’ it’s not the cure for cancer, but it is one of the most popular movies ever, so there’s that.”

There certainly is that. Gottlieb, who also plays Meadows in the film, went on to write the book “The Jaws Log” about the movie’s long, difficult journey through production. That book and “Jaws” itself are things that modern filmmakers like Bryan Singer have looked back on to help them in their own careers.

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“The ‘Jaw Log’ puts the process in context,” Gottlieb said. “When you put it into the larger context of the history of movies and how everything that we do is built on the foundation laid by people who came before us, there’s not anything startling or revolutionary was done in ‘Jaws,’ but a number of things were done either for the first time or done as well as they could be done, given the technology of the time.”

In fact, what’s interesting about the production of “Jaws” is that the way Spielberg made the film is very different from how movies are made today. The lack of CGI meant that Spielberg could only rely on mechanical effects. The studio system and acting process were very different than how they are today. And yet there’s something to be gleaned from how Spielberg went on to make his masterpiece.

Part of that can be attributed to Spielberg’s meticulousness. Since they couldn’t use CGI to, say, erase a boat in the background of a shot being filmed on location in Nantucket Sound, Spielberg and his crew had to wait for it to sail out of frame. That’s likely why the movie ended up being over time and budget by the end of its production.

“That wasn’t the technology of the time so they made due with what they had and with Steven’s insistence on the guys have to be alone. We can’t see land and we can’t see boats, because otherwise why don’t they just turn around and get help?” Gottlieb explained. “So that’s an aesthetic decision that creates production problems but when you stay true to the decision, you wind up with a product that works for the audience.”

“Jaws” is a movie that has remained popular long after its release, which is part of the reason Universal chose to honor it with a Blu-Ray remastering during the studio’s 100-year anniversary. As “The Shark Is Still Working” producer J. Michael Roddy told IFC, the film created the summer blockbuster. We asked Gottlieb why he thinks “Jaws” is something that’s stood the test of time.

“The problems are pretty much the same that everybody faces in their life,” he said. “These three very different people have to cooperate or die because their enemy is this implacable villain who can’t be reasoned with, who can’t be outguessed because it only does one thing, and in the case of ‘Jaws,’ it’s keep after their ass. So these are really timeless elements.”

He continued, “All these elements are kind of universal. They’re constant. I mean, you could set the film on a beach in the Black Sea resort, you could do it in Cape Town, South Africa, you could do it in South Asia. If those elements are all present, the story is universal, and that’s what great stories are: they appeal to everybody across time, and ‘Jaws’ does that.”

“Jaws” is due out on Blu-Ray this Tuesday.

Do you plan on buying “Jaws” on Blu-Ray when it comes out? Tell us in the comments section below or on Facebook and Twitter.

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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