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Five questions “The Dark Knight Rises” didn’t answer about Batman’s future

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This weekend’s premiere of “The Dark Knight Rises” has already answered a lot of questions regarding the box-office reception to Christopher Nolan’s third and final Batman movie, with screenings selling out across the country over the last few days.

While the tragic events of Thursday evening’s shooting at the screening in Colorado loom large over the film’s debut, it’s evident that “The Dark Knight Rises” has transcended standard movie fare and become a bona fide cultural event, bringing the record-breaking trilogy to a close in dramatic fashion. But that doesn’t mean we get all our questions answered in the concluding chapter of Nolan’s franchise.

Here are five big questions about Batman’s future that “The Dark Knight Rises” left us asking — but be warned: there are MAJOR SPOILERS ahead!

1. What happens to Wayne Enterprises and the city of Gotham?

By the time the credits roll in “The Dark Knight Rises,” most of Wayne Enterprises’ board of directors are dead, various pieces of “secret” tech developed by the company for Batman have been abandoned throughout the streets, and Bruce Wayne is both bankrupt and no longer running the company. This seems like a lot of problems to overcome before the company can ever — if at all — get back into business. Even so, we see Lucius Fox examining one of the remaining Batwing planes late in the film, with the help of some technicians who don’t seem to be very secretive about what they’re doing. So… what happened?

On top of everything that happened to Wayne Enterprises, the bridges into Gotham have been destroyed, the chief financial center is a smoldering ruin, and most of the city’s businessmen and executives are either riddled with bullets, beaten senseless, or frozen underneath the river. Oh, and the city’s worst criminals are roaming the streets, hoping to avoid the small number of policemen still breathing after a winter spent underground and a valiant charge into a spray of bullets in downtown Gotham. I’m pretty sure this is a situation calling for federal disaster-response aid, but is that even enough?

2. So is John Blake the new Batman… or the new Robin?

Christopher Nolan made sure everyone caught the “Robin” reference at the end of “The Dark Knight Rises” (so much so that it was one of the more unintentionally funny moments of the film), but given everything else that occurred during the film, the future hinted at for Joseph Gordon-Levitt’s character remains a little uncertain. Sure, his real name is Robin and he now has access to the Bruce Wayne’s secret hideout, but Bale’s character spent most of the film indicating that John Blake could be the heir to Batman’s cape and cowl. Bruce Wayne’s recurring tutelage of John Blake in the ways of being Batman, plus his comment about how the face under the mask doesn’t matter, plus the final scene in which John Blake “rises” in the cave would all seem to point toward him becoming Gotham’s new Dark Knight. So where does that leave Robin?

3. Who doesn’t know Batman’s identity at this point?

I might be missing a few people here, but at last count the list of people who know that Bruce Wayne is Batman includes: Alfred Pennyworth, Lucius Fox, Selina “Catwoman” Kyle, Bane, all of Bane’s henchmen who watched his fight with Batman, all of the inmates in the prison where Bruce Wayne recovered from his injuries, the technicians who worked on the Batwing (not certain, but since they noticed that Bruce Wayne was the last person to work on the vehicle, it’s likely), Talia al Ghul (who’s probably dead), whatever members of the League of Assassins are still around (since Talia, Bane, and Ra’s al Ghul all targeted Bruce at one point or another), the various thugs who apprehended Bruce Wayne during Bane’s reign in Gotham and were later pummeled by him just before Batman returned, and anyone else who connects the dots between Wayne Enterprises’ collection of secret tech and the timing of Bruce Wayne’s disappearance/return and that of Batman.

Not much of a secret identity at this point, is it?

4. Will the next Batman movie be a reboot or a sequel?

Warner Brothers execs seem to be keeping their cards close to their collective vests on this question, with news hitting the wire a while back that the studio planned to reboot the franchise after Nolan concluded his trilogy, but the end of “The Dark Knight Rises” clearly leaves the door open for another sequel. Whether the next film will relaunch the franchise, continue on with a new Batman, return with the old Batman and a new Robin, or simply create an ongoing franchise set apart from its plans for Superman and the rest of the Justice League remains to be heard — and with all the flak “The Amazing Spider-Man” received for rebooting that franchise, one can’t help wondering if the studio would risk a similar response.

5. Does the rest of the DC universe exist yet?

At this point, it’s a little surprising that Nolan didn’t include even the slightest mention of some of DC’s other superheroes in his trilogy, given that the first trailers for “Man of Steel” debuted in front of “The Dark Knight Rises.” Sure, “Green Lantern” didn’t exactly solidify that character’s place on a potential “Justice League” movie’s roster, but with Superman’s impending return to the big screen, as well as upcoming movies based on The Flash and other DC heroes, it feels like the time is right to start bringing these universes together. Marvel has already proven it can work, so with Nolan’s trilogy coming to a close and the potential for a fresh start with a new franchise — or simply a new Batman — I can’t help wondering when the Warner Brothers movie-verse is going to get a little bigger.

Where do you think Batman is headed after “The Dark Knight Rises”? Chime in below or on Facebook or Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.