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The 10 essential Cary Grant comedies

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Has there ever been a more charismatic leading man than Cary Grant? From Clark Gable to George Clooney, no screen star ever radiated affable likability and suave charm like the former Archie Leach. He was a movie star back in the era when being a movie star meant something beyond being derided for expressing political opinions (something Grant himself always opposed), and many consider him to be the greatest movie star of all time. He was quick with his wit as he was with a smile, and his comedies are every bit as entertaining as his dramas. Now this list is certainly not a comprehensive one – most Grant fans will tell you that all of his comedies are essential, and you should check them all out when you have the time. It’ll be time amusingly spent – and here’s a list of ten great Cary Grant comedies to start with, in chronological order.


1. “The Awful Truth” (1937)

Director Leo McCarey’s screwball comedy about a divorcing couple who spend their time trying to completely undermine each other’s attempts to move on to new loves was the first time Grant’s trademark light-comic bantering style hit the silver screen, opposite the fantastically game Irene Dunne. In fact, McCarey is credited with helping develop that persona of Grant’s. Even though there was tension on the set between the two, Grant would work with McCarey three more times. This is also one of three ‘couples on the verge of divorce rediscovering their love’ comedies on this list alone.


2. “Bringing Up Baby” (1938)

This Howard Hawks farce was a revelation of Katherine Hepburn’s comic talents, as she plays Susan Vance, a free-spirited heiress who’s been given a tamed leopard named Baby to deliver to her aunt on behalf of her brother. Grant, meanwhile, plays uptight paleontologist David Huxley, who is slated to get married the next day to a less-than-charming woman named Alice Swallow. Susan thinks he’s some kind of animal expert rather than a fossil expert, and she conspires to rope him into her shenanigans once she realizes she’s in love with the exasperated man. While this didn’t do exceptional business at the box office, it’s since grown into one of Grant’s most beloved films.


3. “His Girl Friday (1940)”

Another Hawks effort, this time pitting Grant’s hard-nosed Morning Post newspaper editor Walter Burns opposite Rosalind Russell’s Hildy Johnson, ex-star reporter and Burns’ ex-wife. It seems she’s got marriage plans he’s out to ruin by, among other things, getting her fiancé repeatedly arrested for ridiculous reasons. What proves to be the winning formula, however, is when the case of an escaped death-row convict falls into her lap, and the lure of her job proves too much to resist. The dialog is absolutely rapid-fire here, and although Russell’s part was originally written for a man, and then for several other actresses before she stepped in, she was so determined to make her mark on this picture that she hired her own writer to punch up her scripted lines, disguised as ad-libs, in order to be a match for Grant.


4. “The Philadelphia Story” (1940)

Another remarriage comedy that teamed Grant up with Hepburn once again by director George Cukor, this time with Jimmy Stewart thrown into the mix. Stewart is Mike Connor, a writer and reluctant society reporter with more intellectual aspirations assigned to cover the impending marriage of socialite Tracy Haven (Hepburn) to the newly rich George Kittredge (John Howard), something which both Connor and Tracy’s ex-husband C.K. Dexter Haven (Grant) have seen fit to sabotage. The ensuing back and forth and forth and back again has Tracy torn between the three men. Although Grant and Hepburn had worked together often, she had the reputation of being box office poison for a long while until this film gave her the hit she needed – and the hit she deserved, quite frankly. Aside from the comedy, it’s one of the absolutely classic romantic movies of all time as well.


5. “Arsenic and Old Lace” (1944)

One of the most popular Cary Grant performances is also one he didn’t think was very good. He’s very frenetic in this macabre comedy as Mortimer Bewster, the newlywed author who discovers that his brother thinks he’s Teddy Roosevelt and his aunts have taken up the habit of poisoning lonely old men. Throw in Mortimer’s other brother Jonathan (Raymond Massey in a role written for Boris Karloff) and his alcoholic partner Dr. Einstein (Peter Lorre) trying to find a place to dispose of a body they’ve killed (and eventually decide they want to kill Mortimer), all while his wife Elaine (Priscilla Lane) is waiting to start their honeymoon, and you’ve got a really twisted gem from Frank Capra.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

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IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

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IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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