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The 10 essential Cary Grant comedies

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Has there ever been a more charismatic leading man than Cary Grant? From Clark Gable to George Clooney, no screen star ever radiated affable likability and suave charm like the former Archie Leach. He was a movie star back in the era when being a movie star meant something beyond being derided for expressing political opinions (something Grant himself always opposed), and many consider him to be the greatest movie star of all time. He was quick with his wit as he was with a smile, and his comedies are every bit as entertaining as his dramas. Now this list is certainly not a comprehensive one – most Grant fans will tell you that all of his comedies are essential, and you should check them all out when you have the time. It’ll be time amusingly spent – and here’s a list of ten great Cary Grant comedies to start with, in chronological order.


1. “The Awful Truth” (1937)

Director Leo McCarey’s screwball comedy about a divorcing couple who spend their time trying to completely undermine each other’s attempts to move on to new loves was the first time Grant’s trademark light-comic bantering style hit the silver screen, opposite the fantastically game Irene Dunne. In fact, McCarey is credited with helping develop that persona of Grant’s. Even though there was tension on the set between the two, Grant would work with McCarey three more times. This is also one of three ‘couples on the verge of divorce rediscovering their love’ comedies on this list alone.


2. “Bringing Up Baby” (1938)

This Howard Hawks farce was a revelation of Katherine Hepburn’s comic talents, as she plays Susan Vance, a free-spirited heiress who’s been given a tamed leopard named Baby to deliver to her aunt on behalf of her brother. Grant, meanwhile, plays uptight paleontologist David Huxley, who is slated to get married the next day to a less-than-charming woman named Alice Swallow. Susan thinks he’s some kind of animal expert rather than a fossil expert, and she conspires to rope him into her shenanigans once she realizes she’s in love with the exasperated man. While this didn’t do exceptional business at the box office, it’s since grown into one of Grant’s most beloved films.


3. “His Girl Friday (1940)”

Another Hawks effort, this time pitting Grant’s hard-nosed Morning Post newspaper editor Walter Burns opposite Rosalind Russell’s Hildy Johnson, ex-star reporter and Burns’ ex-wife. It seems she’s got marriage plans he’s out to ruin by, among other things, getting her fiancé repeatedly arrested for ridiculous reasons. What proves to be the winning formula, however, is when the case of an escaped death-row convict falls into her lap, and the lure of her job proves too much to resist. The dialog is absolutely rapid-fire here, and although Russell’s part was originally written for a man, and then for several other actresses before she stepped in, she was so determined to make her mark on this picture that she hired her own writer to punch up her scripted lines, disguised as ad-libs, in order to be a match for Grant.


4. “The Philadelphia Story” (1940)

Another remarriage comedy that teamed Grant up with Hepburn once again by director George Cukor, this time with Jimmy Stewart thrown into the mix. Stewart is Mike Connor, a writer and reluctant society reporter with more intellectual aspirations assigned to cover the impending marriage of socialite Tracy Haven (Hepburn) to the newly rich George Kittredge (John Howard), something which both Connor and Tracy’s ex-husband C.K. Dexter Haven (Grant) have seen fit to sabotage. The ensuing back and forth and forth and back again has Tracy torn between the three men. Although Grant and Hepburn had worked together often, she had the reputation of being box office poison for a long while until this film gave her the hit she needed – and the hit she deserved, quite frankly. Aside from the comedy, it’s one of the absolutely classic romantic movies of all time as well.


5. “Arsenic and Old Lace” (1944)

One of the most popular Cary Grant performances is also one he didn’t think was very good. He’s very frenetic in this macabre comedy as Mortimer Bewster, the newlywed author who discovers that his brother thinks he’s Teddy Roosevelt and his aunts have taken up the habit of poisoning lonely old men. Throw in Mortimer’s other brother Jonathan (Raymond Massey in a role written for Boris Karloff) and his alcoholic partner Dr. Einstein (Peter Lorre) trying to find a place to dispose of a body they’ve killed (and eventually decide they want to kill Mortimer), all while his wife Elaine (Priscilla Lane) is waiting to start their honeymoon, and you’ve got a really twisted gem from Frank Capra.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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