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Saturn Awards: Frank Oz talks “Star Wars,” George Lucas and the possibility of a Yoda spinoff

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Frank Oz has worn many different hats in Hollywood. He’s a staple of the Jim Henson Company, voicing many memorable characters from “The Muppets,” directing “Dark Crystal” and even playing the Wiseman in “Labyrinth.” He’s directed “Little Shop of Horrors” and “Death at a Funeral.” Heck, he even voiced three of “Sessame Street’s” main characters — Bert, Grover and the Cookie Monster — for almost four decades.

But Oz’s work as the voice of Yoda will always be what we love him most for. The little green Jedi has become a staple of George Lucas’s “Star Wars” universe, and was one of the main reasons that Oz received a Life Career Award from the Saturn Awards on Thursday. IFC had the chance to speak with Oz on the red carpet for the event and asked him about the impact that “Star Wars” has had on his life.

“I’ve been blessed that George gave me the opportunity to do Yoda and to work with him. George and Lucasfilms, they’re like a second family, a professional family. You know, it’s not a day job. You do it every fifteen years,” he said with a laugh that had a hint of Yoda in it. “But every time you do it, George just wants to make it better and it’s just a joy to bring that character to life. I know that character inside out. I know that character. And working with George is always a pleasure. He’s very specific. He knows what he wants. And it’s a joy.”

When asked why he thinks that “Star Wars” has remained so relevant over the decades since its release, he said, “I think it’s the mythology. I think the underground current of that larger mythology, that touches us all. ”

Yoda is a character who has appeared in five of the six main “Star Wars” movies, but whose origins were never explained. Of course, fans got to understand more about the Jedi master thanks to “Star Wars” novels, comic books and games, but Oz admitted that he created his own backstory for the character.

“When I was creating the character of Yoda, I got everything in the script and I really marked everything down from the script — what people knew about Yoda, what Yoda knew about people, what others didn’t, etc. — and I created a biography for him. So I have it in my head, but there hasn’t been an opportunity to work on it if there was [a spinoff],” he said.

When we asked if he’d ever want to work on something that explored more of Yoda as a character, he said, “Oh sure, sure, but it’s not one of those things that you want to [force]. It’s one of those things that you want to sit down with somebody at a bar and talk about.”

Oh how we would love to be sitting opposite him in that bar.

Would you ever want to see a “Star Wars” project explore more of Yoda’s backstory? What is your favorite thing that Oz has worked on? Tell us in the comments section below or on Facebook and Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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