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Tim Grierson on the Return of Colin Farrell

Colin Farrell

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When you think of Colin Farrell, what comes to mind? Do you picture the Hollywood heartthrob who’s constant tabloid fodder? Or do you remember the fine actor who’s done everything from “The New World” to “In Bruges”? The betting is that, for most people, it’s the former. Lately, Farrell is trying his best to make it the latter.

On Friday, Farrell stars in the remake of “Total Recall,” the latest film in the Irish actor’s years-long project to rehabilitate his image. For a guy who only recently turned 36, he has already experienced several significant career ups and downs in the 12 years since he came to the world’s attention in “Tigerland.” It’s hardly been a smooth road from there to here, but it sure hasn’t been dull.

Farrell made his Hollywood debut in 2000’s “Tigerland,” a nervy change of pace from director Joel Schumacher who at that point was best known for making blockbuster John Grisham and Batman movies. But “Tigerland” was a gritty, low-budget character piece about young men preparing to be shipped off to the Vietnam War, and it starred the unknown Farrell as the rebellious, antiwar Private Roland Bozz. The actor gave the movie an immediate weight and authenticity — he seemed like a star with real chops.

And thus began the first phase of Farrell’s career, that of a serious actor with movie-star looks. It’s entirely possible that he could have chosen to use that momentum as a springboard for thought-provoking roles, Oscar nominations and critics’ accolades. Instead, he quickly transitioned to more Hollywood films, which proved to be a very mixed bag for him. Usually, he was slotted as the up-and-comer next to the established pro (with Tom Cruise in “Minority Report,” with Al Pacino in “The Recruit”), but too often he was involved in dull studio action films like “S.W.A.T.” and “Daredevil,” the token “respected actor” added to the ensemble to give it a little more prestige. This period of Farrell’s career was capped by 2003’s “Phone Booth,” which found him reuniting with Schumacher for a nasty little thriller about a man forced to stay on the phone with an unseen sniper, lest he be killed. While “Phone Booth” wasn’t great, it suggested the kind of star presence Farrell had, even if it didn’t show off his acting skill to its fullest potential.

But by this point, audiences arguably knew Farrell better from his off-camera exploits than by anything he had done on film. He was linked to starlets like Britney Spears and Lindsay Lohan. He had a problem with drugs and alcohol. And by all accounts, he was pretty miserable. “I had created an environment for myself, a way of living for myself which, on the outside, seemed incredibly gregarious and vivacious,” he later told interviewer Jonathan Ross. “I don’t believe I have any chemical predisposition towards depression, but let’s just say I was suffering from a spiritual malady for years and I indulged it.” If there was a low point, it might have been “Alexander,” the critically savaged 2004 Oliver Stone historical epic that Farrell spent more than a year filming. A few weeks after “Alexander’s” release, which was met with audience apathy, Farrell hosted “Saturday Night Live” for the first time, and in his opening monologue he joked about the film’s failure and then did a bit where he played into his persona as an arrogant womanizer who got by on his looks and accent. In the span of a few years, Farrell had gone from being viewed as a promising young star to being dismissed as a hopeless party boy.

If it became easy to write Farrell off, there were still signs that he had the goods as an actor. At the time, his turn in “The New World” was deemed by some a surprise: What was a lightweight like him doing anchoring a film by the great Terrence Malick? But it was a nuanced, grieving performance that gave the film’s central love story a soul. And even if “Miami Vice” was an overblown thriller, Farrell’s haunted cop helped cut through the macho bluster elsewhere. Very quietly, Farrell was honing his soulful side.

That came through even more gloriously in two films released in 2008. In the underrated Woody Allen drama “Cassandra’s Dream,” he plays a luckless London lad who can’t live with himself after he commits murder to help pay off his gambling debts. Showing none of the sharp swagger of his earlier roles, Farrell was touchingly, painfully vulnerable in “Cassandra’s Dream” — it felt like seeing him for the first time. Then came “In Bruges,” a tart crime comedy-thriller that once again featured Farrell as a would-be tough guy who simply doesn’t have the stomach for the dark side. (He plays a hitman who inadvertently kills a boy on his first job.) This newfound lack of cockiness didn’t make Farrell dull; rather, it revealed depths that something like “S.W.A.T.” simply didn’t. Critics warmed up to him again, and he won a Golden Globe for his “In Bruges” performance.

Since then, he’s bravely bounced from role to role, seemingly freed of the expectations of his early career. Also undoubtedly helpful, he got sober. (“You develop such f***ed-up attachments that you need to be confused and in pain and high to create art,” he said in 2010 by way of explaining his earlier bad-boy behavior.) Not all of those roles have been successful — he’s enjoyably game, if a bit one-note, as the jerk boss in “Horrible Bosses” — but you can forgive a few misfires for something as eloquent as his turn as the successful country sensation in “Crazy Heart.” For as much praise as Jeff Bridges received for that film — not to mention the Oscar — Farrell’s sweetness and casual confidence in the drama make it one of his very finest performances.

This brings us to this weekend’s “Total Recall,” where he’ll play the role that was originated by Arnold Schwarzenegger in the 1990 film. (It’s hard to think of two more different actors, which is probably the point.) Despite all his ups and downs, Farrell has emerged as an actor who audiences are still willing to take seriously: a regular guy who’s got a bit of gravitas to him. But for Farrell, “Total Recall” also represents his most concerted attempt in the last few years to prove himself as a box office draw in his own right. Are moviegoers ready to see him that way? That remains to be seen, but considering where Farrell’s career was just a few years ago, it’s achievement enough that he’s come this far to even have that be a legitimate question.

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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