DID YOU READ

Tim Grierson on the Return of Colin Farrell

Colin Farrell

Posted by on

When you think of Colin Farrell, what comes to mind? Do you picture the Hollywood heartthrob who’s constant tabloid fodder? Or do you remember the fine actor who’s done everything from “The New World” to “In Bruges”? The betting is that, for most people, it’s the former. Lately, Farrell is trying his best to make it the latter.

On Friday, Farrell stars in the remake of “Total Recall,” the latest film in the Irish actor’s years-long project to rehabilitate his image. For a guy who only recently turned 36, he has already experienced several significant career ups and downs in the 12 years since he came to the world’s attention in “Tigerland.” It’s hardly been a smooth road from there to here, but it sure hasn’t been dull.

Farrell made his Hollywood debut in 2000’s “Tigerland,” a nervy change of pace from director Joel Schumacher who at that point was best known for making blockbuster John Grisham and Batman movies. But “Tigerland” was a gritty, low-budget character piece about young men preparing to be shipped off to the Vietnam War, and it starred the unknown Farrell as the rebellious, antiwar Private Roland Bozz. The actor gave the movie an immediate weight and authenticity — he seemed like a star with real chops.

And thus began the first phase of Farrell’s career, that of a serious actor with movie-star looks. It’s entirely possible that he could have chosen to use that momentum as a springboard for thought-provoking roles, Oscar nominations and critics’ accolades. Instead, he quickly transitioned to more Hollywood films, which proved to be a very mixed bag for him. Usually, he was slotted as the up-and-comer next to the established pro (with Tom Cruise in “Minority Report,” with Al Pacino in “The Recruit”), but too often he was involved in dull studio action films like “S.W.A.T.” and “Daredevil,” the token “respected actor” added to the ensemble to give it a little more prestige. This period of Farrell’s career was capped by 2003’s “Phone Booth,” which found him reuniting with Schumacher for a nasty little thriller about a man forced to stay on the phone with an unseen sniper, lest he be killed. While “Phone Booth” wasn’t great, it suggested the kind of star presence Farrell had, even if it didn’t show off his acting skill to its fullest potential.

But by this point, audiences arguably knew Farrell better from his off-camera exploits than by anything he had done on film. He was linked to starlets like Britney Spears and Lindsay Lohan. He had a problem with drugs and alcohol. And by all accounts, he was pretty miserable. “I had created an environment for myself, a way of living for myself which, on the outside, seemed incredibly gregarious and vivacious,” he later told interviewer Jonathan Ross. “I don’t believe I have any chemical predisposition towards depression, but let’s just say I was suffering from a spiritual malady for years and I indulged it.” If there was a low point, it might have been “Alexander,” the critically savaged 2004 Oliver Stone historical epic that Farrell spent more than a year filming. A few weeks after “Alexander’s” release, which was met with audience apathy, Farrell hosted “Saturday Night Live” for the first time, and in his opening monologue he joked about the film’s failure and then did a bit where he played into his persona as an arrogant womanizer who got by on his looks and accent. In the span of a few years, Farrell had gone from being viewed as a promising young star to being dismissed as a hopeless party boy.

If it became easy to write Farrell off, there were still signs that he had the goods as an actor. At the time, his turn in “The New World” was deemed by some a surprise: What was a lightweight like him doing anchoring a film by the great Terrence Malick? But it was a nuanced, grieving performance that gave the film’s central love story a soul. And even if “Miami Vice” was an overblown thriller, Farrell’s haunted cop helped cut through the macho bluster elsewhere. Very quietly, Farrell was honing his soulful side.

That came through even more gloriously in two films released in 2008. In the underrated Woody Allen drama “Cassandra’s Dream,” he plays a luckless London lad who can’t live with himself after he commits murder to help pay off his gambling debts. Showing none of the sharp swagger of his earlier roles, Farrell was touchingly, painfully vulnerable in “Cassandra’s Dream” — it felt like seeing him for the first time. Then came “In Bruges,” a tart crime comedy-thriller that once again featured Farrell as a would-be tough guy who simply doesn’t have the stomach for the dark side. (He plays a hitman who inadvertently kills a boy on his first job.) This newfound lack of cockiness didn’t make Farrell dull; rather, it revealed depths that something like “S.W.A.T.” simply didn’t. Critics warmed up to him again, and he won a Golden Globe for his “In Bruges” performance.

Since then, he’s bravely bounced from role to role, seemingly freed of the expectations of his early career. Also undoubtedly helpful, he got sober. (“You develop such f***ed-up attachments that you need to be confused and in pain and high to create art,” he said in 2010 by way of explaining his earlier bad-boy behavior.) Not all of those roles have been successful — he’s enjoyably game, if a bit one-note, as the jerk boss in “Horrible Bosses” — but you can forgive a few misfires for something as eloquent as his turn as the successful country sensation in “Crazy Heart.” For as much praise as Jeff Bridges received for that film — not to mention the Oscar — Farrell’s sweetness and casual confidence in the drama make it one of his very finest performances.

This brings us to this weekend’s “Total Recall,” where he’ll play the role that was originated by Arnold Schwarzenegger in the 1990 film. (It’s hard to think of two more different actors, which is probably the point.) Despite all his ups and downs, Farrell has emerged as an actor who audiences are still willing to take seriously: a regular guy who’s got a bit of gravitas to him. But for Farrell, “Total Recall” also represents his most concerted attempt in the last few years to prove himself as a box office draw in his own right. Are moviegoers ready to see him that way? That remains to be seen, but considering where Farrell’s career was just a few years ago, it’s achievement enough that he’s come this far to even have that be a legitimate question.

Watch More
Weird Al Conan O’Brien

Off the Wall

Watch “Weird Al” Talk About Parodying Michael Jackson and Paul McCartney

Comedy Bang! Bang! gets weird starting Friday, June 3rd at 11P on IFC.

Posted by on
Photo Credit: Conan / TBS

Song parodist and Comedy Bang! Bang!’s newest bandleader “Weird Al” Yankovic dropped by Conan to chat about the upcoming season of the IFC series and drop a few bits of trivia from his past. For example, did you know meeting Michael Jackson is a lot like meeting an alien? Well, you probably did, but “Weird Al” confirms it! Also, Yankovic discusses how he had a little artistic dispute with Paul McCartney over the use of “Live and Let Die” for a parody titled “Chicken Pot Pie”. (We’ll let Al fill you in on details.)

Check out “Weird Al” talking about his odd encounters with Michael Jackson and Paul McCartney’s joke-ruining suggestions in the video below. And be sure to catch Al on the new season of Comedy Bang! Bang! premiering Friday, June 3rd with back-to-back episodes at 11P and 11:30P.

Watch More
Ron-burgendy-big-pic-drinking-milk

Bottoms Up

10 Movies That Make Hitting Rock Bottom Look Like Fun

Maron hits rock bottom tonight at 9P on IFC.

Posted by on
Photo Credit: Dreamworks Pictures

This season on Maron, Marc is hitting rock bottom. He’s lost his career, his home and even his cats. But since Marc is involved, we figure he’ll be good for a few laughs on the way down. Thankfully, Marc’s in good company here. Some of our favorite movies feature characters who have hit the emotional basement face first. We’re glad we’re not them, but we definitely enjoy watching them fall apart.

10. Office Space

Office Space

If you’re going to flame out, at least do it with some panache. That’s the lesson office drone Peter Gibbons teaches us in Mike Judge’s cult classic, when a hypnotism gone wrong allows him to gain a little perspective on life. Soon he’s phoning in his job, and happily telling his superiors the ugly truth to their faces. This, of course, only makes him more popular around the office, a place he now has no need for. Peter has a mental breakdown with a smile on his face, and a bounce in his step, showing us that there is life beyond the cubicle.


9. The Weather Man

Weather Man

Sure, your job’s a joke, your kids are a mess and your father is disappointed in you, but there’s a shortcut to self-esteem that no one tells you about. It’s like a cheat code for when you want to turn your midlife crisis into a midlife adventure. That secret is arming yourself to the teeth. In local weatherman David Spritz’s case, that means carrying a bow and arrow around with him wherever he goes. Nicolas Cage has made a cottage industry of playing people in the midst of nervous breakdowns, from Leaving Las Vegas to The Family Man, but here he really separates David from the pack by going full Hawkeye on us. The lessons is, it doesn’t matter how bad you’re feeling on the inside when everyone is scared to death of you on the outside.


8. Trainwreck

Universal Pictures

Amy Schumer seems to have flipped the script when it comes to bottoming out. Sure, your life may be an unending stream of stripper heels, hangovers and one night stands. If you keep telling yourself everything awful about your life is completely awesome, who’s to say it isn’t? Mind equals blown. That, ladies and gentlemen, is called empowerment. Or delusion. It’s called something, and either way, Schumer knows how to make it hilarious. We may not want to be blackout drunk on a weeknight, but Amy sure makes it look like it doesn’t have to be the worst thing ever. You go girl.


7. American Beauty

American Beauty

Lester Burnham is just an ordinary guy with nothing to lose, and boy does he know how to quit a job. It involves admitting to masturbating in the company bathroom, and then blackmailing your boss into a year’s pay with benefits. If you’re going to hit rock bottom, you may as well get a little cash for the way down.


6. Rachel Getting Married

Rachel Getting Married

You can’t really hit rock bottom unless you take a few people down with you. That’s the lesson of this 2008 indie drama, in which Anne Hathaway plays a destructive addict inadvertently laying waste to her sister’s wedding. Sure, that doesn’t sound like a barrel of laughs, but Hathaway’s “I don’t give a f*ck” performance makes her character Kym feel like the cool girl we all wanted to hang out with in high school. Sure, she’s probably going to end up dead or in jail, but what a time she’ll have before she gets there.


5. Anchorman

Anchorman

There’s nothing quite like chugging milk on a hot summer day to remind you that you’ve made some bad choices in life. Out of work, friendless, womanless, and mustacheless, legendary local newsman Ron Burgundy finds out the hard way that nobody loves you when you’re on the bottom. Not even your weatherman, who seems like he’d give up just about anything for one weekend alone in a New England B&B with you. Fortunately, Mr. Burgundy has a secret up his sleeve, and no, we’re not talking about his jazz flute. With a conch shell, a baby panda news story, and some swagger, Ron Burgundy reminds us that the only way to stop a downward spiral is with the help of your friends and fellow anchorpeople.


4. 28 Days

28 Days

Yes, the opening moments of 28 Days are supposed to be a cautionary tale. An out of control Sandy Bullock shows up drunk to her sister’s wedding and delivers a rambling speech, before destroying the wedding cake. In a panic, she steals a limo, and crashes it into a house while trying to find a cake store. Now, granted, if you’re planning a wedding, this is pretty much the worst case plus one we can imagine. But, if you’re a guest, well, this kind of sounds like fun. As days go, taking a limo joy ride in desperate search of cake sounds like time well spent.


3. Kill Bill

Kill Bill

Okay, being buried alive isn’t fun. That’s a given. But what if you were a master ninja who ate black belts for breakfast looking for some vengeance? Well, then waking up six feet under might just be the thing. Sure, The Bride had a bad run, with a massacre at her wedding rehearsal and the whole coma thing, but this is the moment she turned from a wronged heroine into an ass-kicking machine. Everything she did after this was thanks to her premature funeral, and the folks behind it.


2. Bridesmaid

Bridesmaids

Weddings bring out a lot of emotions. Happiness, joy, regret, bitter jealously, a need to find the open bar. But for Annie, who lost her job, her apartment, and her boyfriend, only to see a fellow bridesmaid get the credit for a bridal shower she planned, it’s just too much. And when life throws a punch at you, you need to punch back, preferably if there’s a giant cookie nearby asking for a beating. Meltdowns aren’t fun in and of themselves, but going commando on a giant chocolate fountain is a dream we’ve had since childhood.


1. Fight Club

Fight Club

Yes, a schizophrenic breakdown, precipitated by the existential pain of a life left unlived, isn’t the most desirable way to spend a weekend. But what if you found out that the coolest guy you knew, the best looking, the guy you dreamed of being was actually (spoiler alert for a 17 year-old movie!) YOU? What if YOU planned the fight club? YOU had a six-pack? YOU were a freaking legend? Well, maybe blowing up a few buildings and crashing this whole system would be worth it. It certainly beats voting for Trump.

Watch More
Marc Maron on Tonight Show with Jimmy Fallon

Kool Keith

Watch Marc Maron Talk About Sharing a Cigarette With Keith Richards

Maron returns tonight at 9P on IFC.

Posted by on
Tonight Show / NBC Universal

If there was anyone who’d geek out over a chance to meet Keith Richards, it’d be Marc Maron. The host of the WTF Podcast and star of IFC’s Maron appeared on The Tonight Show With Jimmy Fallon to talk about the time he broke a ten-year hiatus from smoking and shared a cigarette with the Rolling Stones guitarist. A garage rock star in his own right, Maron related how he couldn’t pass up the opportunity to partake with a music legend and how grateful he was that he “caught Keith at the right time” — given the other substances he could’ve been carrying in his younger days.

Watch Marc share his Keith Richards story — as well as discuss the preparation that went into his landmark interview with President Obama (snipers are involved) — in the video below. And catch the season premiere of Maron tonight at 9pm ET/PT on IFC.

Watch More
Powered by ZergNet