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Hugo Weaving is “very passionate” about “Last Ride”

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It’s been three years in the making, but Hugo Weaving‘s 2009 Australian indie “Last Ride” has finally made its way to American shores.

Even though he’s made many movies since like “Cloud Atlas,” both parts of “The Hobbit” and “The Wolfman,” it’s clear that “Last Ride” is a project that stuck close to Weaving’s heart. He easily could have passed up the opportunity to talk about the project with journalists when he learned that Music Box Films would be distributing it in the US, but instead he opted to conduct phone interviews from his home with an array of outlets including IFC in order to promote interest in the small project.

“I’m very pleased to be talking about it,” he said. “It’s great that it’s getting a release in the States. There aren’t many films that you do that you feel very passionate about and strongly about, but this is certainly one of them, so it’s nice to know that it’s getting a release even if it’s two and a half, three years later than it was here.”

“Last Ride” follows Weaving as the fugitive father Kev who goes on the run with his 10-year-old son Chook (played by Tom Russell) after committing a terrible crime. Instead of focusing on the chase, “Last Ride” tells its story through the eyes of those being chased. Kev realizes the weight of what he’s done wrong long before Chook even realizes they’re being followed, and Chook’s reaction to the realization of his father’s crime forever changes both of their lives.

On US shores, Weaving is best known for his collaborations with the Wachowskis in projects like “The Matrix” and “V for Vendetta,” and with Peter Jackson on his five “Lord of the Rings” films. Needless to say, his performance in “Last Ride” is a bit of a departure from all of those projects. But it’s these little-known Australian movies that Weaving finds himself feeling the closest to.

“Most of the films I’ve done have been small, Australian films, a lot of which haven’t seen too much light of day. A little bit here and there,” he said. “But it’s always very hard for Australian films, because of the nature of the world in which we live in, the dominance of the American film industry even you know as far away as Australia. It’s quite hard for an Australian film to get much of a look even in Australia, let alone in the rest of the world.”

Weaving gives a powerful performance in “Last Ride” and critics have responded to that, nominating him for awards from both the Australian Film Institute and Film Critics Circle of Australia. But it’s Russell, his young costar, who really lays on the wow factor. “Last Ride” deals with seemingly every dark topic imaginable, from murder to child molestation to suicide, and Russell seemed to have taken it all in stride. It’s all the more impressive knowing that it was the first feature film he starred in.

Russell was 10 at the time he filmed “Last Ride,” and Weaving acknowledged that it was hard at times to shoot those scenes with someone who wasn’t as seasoned an actor as he was.

“It was difficult in some ways. Difficult because he wasn’t used to the film set, wasn’t used to working,” Weaving said. “But with Tom, he’s so present and he’s so there … And he’s a delightful boy, a lot of fun, and just a kid, you know? Just a kid who you point the camera at him and whatever he’s doing is interesting.”

He continued, “But yeah, it did mean that there were some other scenes that were quite –particularly some intensely dramatic scenes — there were a couple where he was not in that mood to be intensely dramatic and you think well, he’s a 10-year-old kid, and you’ve got to try to find that in him in another way. No, he’s great. He’s absolutely wonderful. It was a real treat to work with him.”

“Last Ride” came out in New York and on VOD on June 29.

Are you interested in seeing more of Weaving’s smaller films come to US shores? Tell us in the comments section below or on Facebook and Twitter.

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Brock Hard

Brockmire’s Guide To Grabbing Life By The D***

Catch up on the full season of Brockmire now.

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“Lucy, put supper on the stove, my dear, because this ballgame is over!”

Brockmire has officially closed out its rookie season. Miss the finale episode? A handful of episodes? The whole blessed season?? You can see it all from the beginning, starting right here.

And you should get started, because every minute you spend otherwise will be a minute spent not living your best life. That’s right, there are very important life lessons that Brockmire hid in plain sight—lessons that, when applied thoughtfully, can improve every aspect of your awesome existence. Let’s dive into some sage nuggets from what we call the Book of Jim.

Life Should Be Spiked, Not Watered Down.

That’s not just a fancy metaphor. As Brockmire points out, water tastes “awful. 70% of the water is made up of that shit?” Life is short, water sucks, live like you mean it.

There Are Only Three Types of People

“Poor people, rich people and famous people. Rich people are just poor people with money, so the only worthwhile thing is being famous.” So next time your rich friends act all high and mighty, politely remind them that they’re worthless in the eyes of even the most minor celebrities.

There’s Always A Reason To Get Out Of Bed

And 99% of the time that reason is the urge to pee. It’s nature’s way of saying “seize the day.”

There’s More To Life Than Playing Games

“Baseball can’t compete with p0rnography. Nothing can.” Nothing you do or ever will do can be more important to people than p0rn. Get off your high horse.

A Little Empathy Goes A Long Way

Especially if you’ve taken someone else’s Plan B by mistake.

Our Weaknesses Can Be Our Greatest Strengths

Tyrion Lannister said something similar. Hard to tell who said it with more colorful profanity. Wise sentiments all around.

Big Things Come To Those Who Wait

When you’re looking for a sign, the universe will drop you a big one. You’re the sh*t, universe.

And Of Course…

Need more life lessons from the Book of Jim? Catch up on Brockmire on the IFC App.

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Oh Mama

Mommie May I?

Mommie Dearest Is On Repeat All Mothers Day Long On IFC

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The cult-classic movie Mommie Dearest is a game-changer. If you’ve seen it even just once (but come on, who sees it just once?), then you already know what we’re talking about.

But if you haven’t seen it, then let us break it down for you. Really quick, we promise, we’ll even list things out to spare you the reading of a paragraph:

1. It’s the 1981 biopic based on the memoir of Christina Crawford, Hollywood icon Joan Crawford’s adopted daughter.
2. Faye Dunaway plays Joan. And boy does she play her. Loud and over-reactive.
3. It was intended as a drama, but…
4. Waaaaaay over-the-top performances and bargain-basement dialogue rendered it an accidental comedy.
5. It’s a cult classic, and you’re the last person to see it.

Not sold? Don’t believe it’s going to change your life? Ok, maybe over-the-top acting isn’t your thing, or perhaps you don’t like the lingering electricity of a good primal scream, or Joan Crawford is your personal icon and you can’t bear to see her cast in such a creepy light.

But none of that matters.

What’s important is that seeing this movie gives you permission to react to minor repeat annoyances with unrestrained histrionics.

That there is a key moment. Is she crazy? Yeah. But she’s also right. Shoulder nipples are horrible, wire hangers are the worst, and yelling about it feels strangely justified. She did it, we can do it. Precedent set. You’re welcome.

So what else can we yell about? Channel your inner Joan and consider the following list offenses when choosing your next meltdown.

Improperly Hung Toilet Paper

Misplaced Apostrophes

Coldplay at Karaoke

Dad Jokes

Gluten Free Pizza

James Franco

The list of potential pedestrian grievances is actually quite daunting, but when IFC airs Mommie Dearest non-stop for a full day, you’ll have 24 bonus hours to mull it over. 24 bonus hours to nail that lunatic shriek. 24 bonus hours to remember that, really, your mom is comparatively the best.

So please, celebrate Mother’s Day with Mommie Dearest on IFC and at IFC.com. And for the love of god—NO WIRE HANGERS EVER.

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Breaking News

From Canada With Love

Baroness von Sketch Show comes to IFC.

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Breaking news that (finally) isn’t apocalyptic!

IFC announced today that it acquired acclaimed Canadian comedy series Baroness von Sketch Show, slated to make its US of A premiere this summer. And yes, it’s important to note that it’s a Canadian sketch comedy series, because Canada is currently a shining beacon of civilization in the western hemisphere, and Baroness von Sketch Show reflects that light in every way possible.

The series is fronted entirely by women, which isn’t unusual in the sketch comedy world but is quite rare in the televised sketch comedy world. Punchy, smart, and provocative, each episode of Baroness von Sketch Show touches upon outrageous-yet-relatable real world subjects in ways both unexpected and deeply satisfying: soccer moms, awkward office birthday parties, being over 40 in a gym locker room…dry shampoo…

Indiewire called it “The Best Comedy You’ve Never Seen” and The National Post said that it’s “the funniest thing on Canadian television since Kids In The Hall.” And that’s saying a lot, because Canadians are goddamn hilarious.

Get a good taste of BVSS in the following sketch, which envisions a future Global Summit run entirely by women. It’s a future we’re personally ready for.

Baroness Von Sketch Show premieres later this summer on IFC.

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