DID YOU READ

The five best rain scenes in movies

Spider-Man

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There’s just something special about watching Gene Kelly gleefully dance and sing his way through what is, arguably, the most iconic rain scene ever laid to celluloid in 1952’s “Singin’ in the Rain.” It’s an instant feel-good moment in an endlessly fun movie that made its Blu-ray debut on July 17 (the “Ultimate Collector’s Edition” even comes with a real umbrella). Starring Kelly, Donald O’Connor, and Debbie Reynolds, the film has never looked better and its release gave us a great excuse to run down some of the most awesomely rain-soaked scenes in cinematic history. Grab your raincoat and galoshes. It’s about to get very slippery in here.


“Jurassic Park” (1993)

Steven Spielberg’s 1993 blockbuster “Jurassic Park” might not have been the first time the legendary director changed the face of modern cinema (and it certainly wouldn’t be the last time), but the film’s stunning use of computer-generated imagery set the bar for visual effects higher than anyone imagined it could go. Based on the novel of the same name by Michael Crichton, and starring Sam Neill, Laura Dern, Jeff Goldblum, and Richard Attenborough, “Jurassic Park” went on to make an obscene amount of money at the box office while also thrilling audiences young and old alike.

And there may be no more thrilling scene than the memorable one that takes place in the pouring rain. With power to the electric fences out and their park-guided touring SUVs stalled outside the dinosaur enclosure. The scene is punctuated by the iconic shot of a glass of water vibrating from the thundering boom of a T. rex’s footsteps. From there on, we’re treated to one of the most suspenseful and breathtaking animal attack scenes ever created. I don’t need to tell you what happens. You’ve probably seen it numerous times. It’s a nearly perfect scene that’s only made more frightening and claustrophobic by the seemingly endless rain pouring down. It’s enough to give you chills.


“The Matrix Revolutions” (2003)

It’s a shame “The Matrix Revolutions” is mostly a terrible movie because its rain scene is an absolute classic. Neo and Smith finally go hand-to-hand in a completely drenched street, clomping through at least an inch of the wet stuff en route to punching each other in the face. What makes the scene so great, however, isn’t just the fact that it’s a well-orchestrated, exciting fight scene (it is, in fact, all those things), but it’s also the way the Wachowski’s employ their patented brand of “bullet time” slow-motion and signature color palette. The visuals liven up any semblance of frustration viewers may have had throughout most of the film (at least for this very brief respite) and gives “Matrix” fans something to cheer about for the first time since… well… really the end of the first film. It’s a great rain scene that deserves a better movie around it.


“Poltergeist” (1982)

So Carol Anne’s been dragged into that damned TV several times already by the end of the film and, when the rain starts pouring, things are really about to go berserk. The Freelings have been through hell, learned how to throw a tennis ball through an alternate plane of existence (where everything seems to come out covered in a red, goopy mess), and watched tiny Tangina Barrons tell them that their house is “clean.” Little did they know that, before long, JoBeth Williams would be slipping into a muddy mess of a pool hole and screaming for her life as skeletons began to rise up around her.

The rain scene in Tobe Hooper’s “Poltergeist” is not only absolutely terrifying, but it’s also a major plot point, in that it reveals one of the major things that’s been causing all the paranormal activity in the Freeling’s house. You see, those skeletons that Diane Freeling ends up swimming with near the end of the film are from the Indian burial ground that lies underneath their home in Cuesta Verde. And those spirits, my friend, are mighty pissed off. All of which eventually prompts Craig T. Nelson to utter one of cinema’s all-time finest lines: “You moved the headstones, but you forgot to move the bodies!” Talk about a serious oversight.


“Spider-Man” (2002)

It’s hard to believe that Sam Raimi’s “Spider-Man” is now ten years old. The film that helped launch the latest superhero film craze still stands as one of the genre’s best efforts (even if Raimi slightly outdid himself with his “Spider-Man 2” follow-up). It’s nearly as rousing and fun today as it was ten years ago and, despite what the naysayers will tell you (especially after the “Spider-Man 3” debacle), Tobey Maguire and Kirsten Dunst have some serious chemistry.

Take, for instance, the very rain scene that’s become a pop culture staple over the past decade. After Spider-Man helps vanquish a few thugs that have been bothering Mary-Jane, all in the midst of a steady pouring rain, the webslinger hangs upside down and waits as Mary-Jane moves in to… how shall we put this… say thanks. Dripping wet from head to toe, Mary-Jane moves in, pulls down Spider-Man’s mask just enough to plant a big sloppy kiss on our hero. It’s a passionate, heartfelt, and downright sexy kiss that’s a true payoff. It’s also one that movie fans have seen endless times in the past ten years, and will probably continue to see for a very long time.


“The Shawshank Redemption” (1994)

Is there a more uplifting movie on the planet than “The Shawshank Redemption?” If so, I dare you to find it. Sure, there are plenty of feel-good movies out there, but there’s just something about Frank Darabont’s masterpiece that could take someone on the bring of a depressive breakdown and turn them into a shining beacon of hope. It might not appear that way throughout its two hour twenty minute runtime but, by the end of the film, if you’re not getting “busy living,” then there’s something wrong with you.

And there’s maybe no other rain scene in the history of movies that so embodies everything about the character caught in the middle of it. When Andy Dufresne finally found his way to freedom (“through five hundred yards of shit-smelling foulness I can’t even imagine,” in the words of Morgan Freeman’s “Red”), he’s greeted by a rain so hard and strong, you’d think it was delivered God himself directly to Dufresne to cleanse himself of not only the physical grossness he just experienced, but also the emotional filth he’d been wallowing in for years behind the walls of Shawshank Prison. Dufresne rips off his shirt, closes his eyes, and raises his hands to the sky as if to say “thank you” for the most beautiful, refreshing, and powerful rain he’d ever felt. It’s an absolutely glorious moment for one of cinema’s greatest characters, and easily one of the best rain scenes of all time.


What’s your favorite cinematic rain scene? Tell us in the comments below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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