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Shelf Life: Jane Fonda’s “Barbarella”

Jane Fonda in Barbarella

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One of the great things about revisiting movies that you love – or even if you don’t – is seeing how your appreciation either converges or diverges from their technical merits. Moviewatching is a purely intuitive experience, no matter how much one knows about the technique required to actually create and assemble a film, and ultimately there are probably just as many expertly-constructed movies that are crap as there are clumsily-engineered ones that leave you devastated.

All of which brings me to “Barbarella.” For myriad reasons, including Roger Vadim’s legendary prowess with beautiful actresses, Jane Fonda’s effortless combination of sensuality and naivete and just the idea of a goofy sexed-up sci-fi movie, it’s always been one of my favorites. But is it well put-together? Perhaps not. But this week’s “Shelf Life” intends to bridge that divide between well-made and enjoyable and figure out if one trumps the other.


The Facts

Released October 18, 1968, “Barbarella” was a decidedly mixed success. Although it maintains a 74 percent fresh rating on Rotten Tomatoes, the film earned a lot of pans from major publications such as Variety. Its grosses are unavailable but the film cost approximately $9 million, and ended up bringing in $5.5 million in rentals domestically. Although the film received few awards, Fonda was recognized with a nomination for Female Comedy Performance at the Laurel Awards.


What Still Works

It isn’t meant as a backhanded compliment or a pass of any kind, but “Barbarella” is about the best kind of brainless fun you can have as a moviegoer. From its iconic opening credits sequence to its finale, the film is a visual marvel, even when the technology used to achieve those visuals occasionally lacks the kind of authenticity we associate with great special effects. Vadim’s grasp on the material’s tongue-in-cheek tone is effortless and yet assured, and he allows those set pieces and the sets themselves to have a kind of camp that winks at the audience and then dares them not to embrace it anyway.

As Barbarella, Fonda is absolutely magical. There’s a perfect kind of innocence to her performance that makes the character never seem to be exploited or exploitable – she’s nude, she finds herself in sexual misadventures, but she is less a victim than simply naively complicit in the fun. It certainly doesn’t hurt that Fonda is fearless in her body and soul-baring, by which I mean she leaps with both feet into the role and never lets us know she’s in on the joke – which makes it that much funnier. But there are few actresses today who could pull off that kind of pure sensuality and absolute obliviousness to precisely how alluring they are, and Fonda consequently becomes a sort of iconic performer for what she pulls off here.

As Dildano, David Hemmings is the film’s MVP, mostly because he knows exactly how to play this campy material and just makes it work so beautifully. His “hand sex” scene with Barbarella is a comic marvel, augmented by some cinematic sleight of hand, but it’s his sleepy-eyed consummation that makes it genuinely hilarious. Meanwhile, John Philip Law is perfectly humorless as the statuesque Pygar, and while his performance isn’t “good” per se, he provides the right profile for his character and never lets up on trying to make him a pure and beautiful creature.

As indicated above, the sets and production design are all a little bit cheap, to say the least, and scarcely hold up today as solid examples of good special effects. But it’s that cardboard flimsiness that also sort of sells the universe as a whole, because there are few flourishes that transcend the technical or conceptual complexity of the inflated plastic bags or conspicuous miniatures that make up the majority of the production design.


What Doesn’t Work

Well, it’s just not a well-made or well-told movie. The plot is flimsy to say the least, and even though the set pieces are rich in entertainment value, they hold together with a clothesline’s sense of cohesion. As indicated above the special effects really skirt the line between cheap-charming and just cheap, and it’s entirely reasonable to be too distracted by how bad they are to be able to enjoy the movie. (It doesn’t help that so many of the designs are very indistinct, so there’s not even a sort of conceptual appeal that maybe wasn’t quite executed strongly.) Moreover, while Barbarella is an icon, she’s not much of an agent of her own destiny, and she frequently makes clumsy mistakes or otherwise gets herself into trouble that someone else has to get her out of – unfortunately, usually a man.


The Verdict

Cheesy but charming, “Barbarella” holds up – albeit primarily if you already love the film and have enough of a sweet tooth to appreciate its empty calories. There’s nothing especially unique or original here, but the characters are all fun and interesting, whether or not the film utilizes them well, and what happens manages to be mostly engaging if again it’s not especially cohesive. Ultimately, Fonda’s so great as Barbarella that most of those shortcomings become irrelevant. But it’s certainly a film whose appeal is linked to a personal connection with the performers or the material rather than the way in which it’s been executed. Regardless, however, the new Blu-ray looks absolutely gorgeous – Fonda’s naughty bits have never been clearer – so love it or hate it, there’s never been a better reason to watch it.

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Brock Hard

Brockmire’s Guide To Grabbing Life By The D***

Catch up on the full season of Brockmire now.

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“Lucy, put supper on the stove, my dear, because this ballgame is over!”

Brockmire has officially closed out its rookie season. Miss the finale episode? A handful of episodes? The whole blessed season?? You can see it all from the beginning, starting right here.

And you should get started, because every minute you spend otherwise will be a minute spent not living your best life. That’s right, there are very important life lessons that Brockmire hid in plain sight—lessons that, when applied thoughtfully, can improve every aspect of your awesome existence. Let’s dive into some sage nuggets from what we call the Book of Jim.

Life Should Be Spiked, Not Watered Down.

That’s not just a fancy metaphor. As Brockmire points out, water tastes “awful. 70% of the water is made up of that shit?” Life is short, water sucks, live like you mean it.

There Are Only Three Types of People

“Poor people, rich people and famous people. Rich people are just poor people with money, so the only worthwhile thing is being famous.” So next time your rich friends act all high and mighty, politely remind them that they’re worthless in the eyes of even the most minor celebrities.

There’s Always A Reason To Get Out Of Bed

And 99% of the time that reason is the urge to pee. It’s nature’s way of saying “seize the day.”

There’s More To Life Than Playing Games

“Baseball can’t compete with p0rnography. Nothing can.” Nothing you do or ever will do can be more important to people than p0rn. Get off your high horse.

A Little Empathy Goes A Long Way

Especially if you’ve taken someone else’s Plan B by mistake.

Our Weaknesses Can Be Our Greatest Strengths

Tyrion Lannister said something similar. Hard to tell who said it with more colorful profanity. Wise sentiments all around.

Big Things Come To Those Who Wait

When you’re looking for a sign, the universe will drop you a big one. You’re the sh*t, universe.

And Of Course…

Need more life lessons from the Book of Jim? Catch up on Brockmire on the IFC App.

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Oh Mama

Mommie May I?

Mommie Dearest Is On Repeat All Mothers Day Long On IFC

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The cult-classic movie Mommie Dearest is a game-changer. If you’ve seen it even just once (but come on, who sees it just once?), then you already know what we’re talking about.

But if you haven’t seen it, then let us break it down for you. Really quick, we promise, we’ll even list things out to spare you the reading of a paragraph:

1. It’s the 1981 biopic based on the memoir of Christina Crawford, Hollywood icon Joan Crawford’s adopted daughter.
2. Faye Dunaway plays Joan. And boy does she play her. Loud and over-reactive.
3. It was intended as a drama, but…
4. Waaaaaay over-the-top performances and bargain-basement dialogue rendered it an accidental comedy.
5. It’s a cult classic, and you’re the last person to see it.

Not sold? Don’t believe it’s going to change your life? Ok, maybe over-the-top acting isn’t your thing, or perhaps you don’t like the lingering electricity of a good primal scream, or Joan Crawford is your personal icon and you can’t bear to see her cast in such a creepy light.

But none of that matters.

What’s important is that seeing this movie gives you permission to react to minor repeat annoyances with unrestrained histrionics.

That there is a key moment. Is she crazy? Yeah. But she’s also right. Shoulder nipples are horrible, wire hangers are the worst, and yelling about it feels strangely justified. She did it, we can do it. Precedent set. You’re welcome.

So what else can we yell about? Channel your inner Joan and consider the following list offenses when choosing your next meltdown.

Improperly Hung Toilet Paper

Misplaced Apostrophes

Coldplay at Karaoke

Dad Jokes

Gluten Free Pizza

James Franco

The list of potential pedestrian grievances is actually quite daunting, but when IFC airs Mommie Dearest non-stop for a full day, you’ll have 24 bonus hours to mull it over. 24 bonus hours to nail that lunatic shriek. 24 bonus hours to remember that, really, your mom is comparatively the best.

So please, celebrate Mother’s Day with Mommie Dearest on IFC and at IFC.com. And for the love of god—NO WIRE HANGERS EVER.

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Breaking News

From Canada With Love

Baroness von Sketch Show premieres this summer on IFC.

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Breaking news that (finally) isn’t apocalyptic!

IFC announced today that it acquired acclaimed Canadian comedy series Baroness von Sketch Show, slated to make its US of A premiere this summer. And yes, it’s important to note that it’s a Canadian sketch comedy series, because Canada is currently a shining beacon of civilization in the western hemisphere, and Baroness von Sketch Show reflects that light in every way possible.

The series is fronted entirely by women, which isn’t unusual in the sketch comedy world but is quite rare in the televised sketch comedy world. Punchy, smart, and provocative, each episode of Baroness von Sketch Show touches upon outrageous-yet-relatable real world subjects in ways both unexpected and deeply satisfying: soccer moms, awkward office birthday parties, being over 40 in a gym locker room…dry shampoo…

Indiewire called it “The Best Comedy You’ve Never Seen” and The National Post said that it’s “the funniest thing on Canadian television since Kids In The Hall.” And that’s saying a lot, because Canadians are goddamn hilarious.

Get a good taste of BVSS in the following sketch, which envisions a future Global Summit run entirely by women. It’s a future we’re personally ready for.

Baroness Von Sketch Show premieres later this summer on IFC.

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