DID YOU READ

Leslye Headland talks “Bachelorette,” this fall’s sleeper hit comedy

Bachelorette movie

Posted by on

By Leigh Stein

“Bachelorette,” Leslye Headland’s scathingly funny directorial debut, is likely to be the breakout hit this fall. Starring Kirsten Dunst as the alpha Maid of Honor from hell, the film follows three bridesmaids (played by Dunst, Lizzy Caplan, and Isla Fischer) on the eve of the wedding of their friend Becky (Rebel Wilson), along with groomsmen that include James Marsden and Adam Scott. But this isn’t “Bridesmaids II.” For one thing, there’s a lot more coke. For another, there are no baked goods in sight. Headland’s talent as a playwright (the film is based on her stage production of the same name) shines through in the wicked dialogue, and impeccable pacing of this dark comedy, in which these women destroy (and maybe repair) each other.

We sat down with Leslye at the Provincetown Film Festival, where “Bachelorette” was selected as the opening night film. She wants everyone to know how quiet and demure she was during this interview. It’s not like she said “finger-banging” within the first two minutes or anything like that.


IFC: Was it awkward having your parents at the screening?

LESLYE HEADLAND: No, they loved it. They’d seen a very early version of the Sundance cut, and they’ve seen the play a bunch of times.

When they saw the first play I ever wrote, that was when they were like, “What’s happening? Are you okay?” It was my lust play, so it was all about, you know, finger-banging. My poor father actually got out of his seat in the theater and stood in the back and was pacing.

So that was in 2005. That’s when they got the bomb dropped on them. Now it’s seven years later: they expect some terrible, scatological humor, and some sort of reference to some sex act and all of that… They’re smart enough and hip enough to see that it’s not all mean-spirited. They get that there’s empathy for the characters, and it’s not all terrible. It’s just that…there’s going to be some fucked-up shit happening.

IFC: Well, on the note of mean-spiritedness, the movie is about a commitment to marriage and how this is a big step…

HEADLAND: Yes!

IFC: But I was thinking: girls are committed to each other, and they’re fucking bitches, but they’re committed and they’re loyal.

HEADLAND: Dude, I love that you brought that up. It’s so funny that a lot of people don’t in the interviews, and it’s one of those things where it’s like, “Am I the only person that notices this?” At least with my girlfriends, like my best friend in the world, Melissa, who actually plays the wasted stripper in the movie…we’ve known each other for eight years. I wrote the play on her couch when we were both living in the same studio apartment. And it is like a relationship. We have to sometimes remind each other of why we became friends in the first place, in the same way that you would with a couple. You have to go on dates, and just be like, “Remember when we were living together? And had no money?” We have to constantly go back to the origin story of our friendship because a lot of times, you can get really sick of somebody. You can be very hard on your friends in a way that you wouldn’t be hard on your coworkers, or your family.

IFC: It’s like, “You’re my best friend. This is for life.”

HEADLAND: This is it. This is happening now. And, not to spoil anything for anybody who hasn’t seen the film, but that scene with Rebel and Kirsten towards the end, where you as the audience are finally let in as to why they’re friends, and what connects them…I always thought of it as a love scene, like that moment in a marriage when it’s like, “Remember when you swept me off my feet? And I fell in love with you?” It’s like, “Remember when I covered for you and everyone made fun of me?”

IFC: Remember when we were puking in the bathroom together?

HEADLAND: Remember when we were puking in the bathroom together? God, that was my favorite part of life! (laughter)

Leslye Headland

IFC: One of the things I loved about the movie was the pacing of it. And the dialogue was so excellent, and I think that probably speaks to your talent as a playwright, because that’s all you have: people talking.

HEADLAND: Yes. All you have is people talking, all you have is what the audience knows but the characters don’t know. You have a lot of dramatic irony, a lot of they-saw-something-happen-that-the-other-character-didn’t…maybe that’s why I talk about sex so much because I’m like, “This is getting boring.”

IFC: We need a blow job joke…

HEADLAND: We gotta bone it up with a blow job monologue…that’s probably where it came from: being terrified that people are going to be bored. I used to say that, when I started to write theater and invite people to it, especially in L.A. People would be like, “I don’t know if I really want to go see a play…” And I was like, “No no no, I write plays for people who hate plays.” I’m terrified people are going to get bored. And it’s the same thing with the movie; I think that’s why it’s so fast. And also, I’m obviously just a fast-talking, crazy person.

Continue to next page >>
IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.