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Leslye Headland talks “Bachelorette,” this fall’s sleeper hit comedy

Bachelorette movie

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By Leigh Stein

“Bachelorette,” Leslye Headland’s scathingly funny directorial debut, is likely to be the breakout hit this fall. Starring Kirsten Dunst as the alpha Maid of Honor from hell, the film follows three bridesmaids (played by Dunst, Lizzy Caplan, and Isla Fischer) on the eve of the wedding of their friend Becky (Rebel Wilson), along with groomsmen that include James Marsden and Adam Scott. But this isn’t “Bridesmaids II.” For one thing, there’s a lot more coke. For another, there are no baked goods in sight. Headland’s talent as a playwright (the film is based on her stage production of the same name) shines through in the wicked dialogue, and impeccable pacing of this dark comedy, in which these women destroy (and maybe repair) each other.

We sat down with Leslye at the Provincetown Film Festival, where “Bachelorette” was selected as the opening night film. She wants everyone to know how quiet and demure she was during this interview. It’s not like she said “finger-banging” within the first two minutes or anything like that.


IFC: Was it awkward having your parents at the screening?

LESLYE HEADLAND: No, they loved it. They’d seen a very early version of the Sundance cut, and they’ve seen the play a bunch of times.

When they saw the first play I ever wrote, that was when they were like, “What’s happening? Are you okay?” It was my lust play, so it was all about, you know, finger-banging. My poor father actually got out of his seat in the theater and stood in the back and was pacing.

So that was in 2005. That’s when they got the bomb dropped on them. Now it’s seven years later: they expect some terrible, scatological humor, and some sort of reference to some sex act and all of that… They’re smart enough and hip enough to see that it’s not all mean-spirited. They get that there’s empathy for the characters, and it’s not all terrible. It’s just that…there’s going to be some fucked-up shit happening.

IFC: Well, on the note of mean-spiritedness, the movie is about a commitment to marriage and how this is a big step…

HEADLAND: Yes!

IFC: But I was thinking: girls are committed to each other, and they’re fucking bitches, but they’re committed and they’re loyal.

HEADLAND: Dude, I love that you brought that up. It’s so funny that a lot of people don’t in the interviews, and it’s one of those things where it’s like, “Am I the only person that notices this?” At least with my girlfriends, like my best friend in the world, Melissa, who actually plays the wasted stripper in the movie…we’ve known each other for eight years. I wrote the play on her couch when we were both living in the same studio apartment. And it is like a relationship. We have to sometimes remind each other of why we became friends in the first place, in the same way that you would with a couple. You have to go on dates, and just be like, “Remember when we were living together? And had no money?” We have to constantly go back to the origin story of our friendship because a lot of times, you can get really sick of somebody. You can be very hard on your friends in a way that you wouldn’t be hard on your coworkers, or your family.

IFC: It’s like, “You’re my best friend. This is for life.”

HEADLAND: This is it. This is happening now. And, not to spoil anything for anybody who hasn’t seen the film, but that scene with Rebel and Kirsten towards the end, where you as the audience are finally let in as to why they’re friends, and what connects them…I always thought of it as a love scene, like that moment in a marriage when it’s like, “Remember when you swept me off my feet? And I fell in love with you?” It’s like, “Remember when I covered for you and everyone made fun of me?”

IFC: Remember when we were puking in the bathroom together?

HEADLAND: Remember when we were puking in the bathroom together? God, that was my favorite part of life! (laughter)

Leslye Headland

IFC: One of the things I loved about the movie was the pacing of it. And the dialogue was so excellent, and I think that probably speaks to your talent as a playwright, because that’s all you have: people talking.

HEADLAND: Yes. All you have is people talking, all you have is what the audience knows but the characters don’t know. You have a lot of dramatic irony, a lot of they-saw-something-happen-that-the-other-character-didn’t…maybe that’s why I talk about sex so much because I’m like, “This is getting boring.”

IFC: We need a blow job joke…

HEADLAND: We gotta bone it up with a blow job monologue…that’s probably where it came from: being terrified that people are going to be bored. I used to say that, when I started to write theater and invite people to it, especially in L.A. People would be like, “I don’t know if I really want to go see a play…” And I was like, “No no no, I write plays for people who hate plays.” I’m terrified people are going to get bored. And it’s the same thing with the movie; I think that’s why it’s so fast. And also, I’m obviously just a fast-talking, crazy person.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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