DID YOU READ

Leslye Headland talks “Bachelorette,” this fall’s sleeper hit comedy

Bachelorette movie

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By Leigh Stein

“Bachelorette,” Leslye Headland’s scathingly funny directorial debut, is likely to be the breakout hit this fall. Starring Kirsten Dunst as the alpha Maid of Honor from hell, the film follows three bridesmaids (played by Dunst, Lizzy Caplan, and Isla Fischer) on the eve of the wedding of their friend Becky (Rebel Wilson), along with groomsmen that include James Marsden and Adam Scott. But this isn’t “Bridesmaids II.” For one thing, there’s a lot more coke. For another, there are no baked goods in sight. Headland’s talent as a playwright (the film is based on her stage production of the same name) shines through in the wicked dialogue, and impeccable pacing of this dark comedy, in which these women destroy (and maybe repair) each other.

We sat down with Leslye at the Provincetown Film Festival, where “Bachelorette” was selected as the opening night film. She wants everyone to know how quiet and demure she was during this interview. It’s not like she said “finger-banging” within the first two minutes or anything like that.


IFC: Was it awkward having your parents at the screening?

LESLYE HEADLAND: No, they loved it. They’d seen a very early version of the Sundance cut, and they’ve seen the play a bunch of times.

When they saw the first play I ever wrote, that was when they were like, “What’s happening? Are you okay?” It was my lust play, so it was all about, you know, finger-banging. My poor father actually got out of his seat in the theater and stood in the back and was pacing.

So that was in 2005. That’s when they got the bomb dropped on them. Now it’s seven years later: they expect some terrible, scatological humor, and some sort of reference to some sex act and all of that… They’re smart enough and hip enough to see that it’s not all mean-spirited. They get that there’s empathy for the characters, and it’s not all terrible. It’s just that…there’s going to be some fucked-up shit happening.

IFC: Well, on the note of mean-spiritedness, the movie is about a commitment to marriage and how this is a big step…

HEADLAND: Yes!

IFC: But I was thinking: girls are committed to each other, and they’re fucking bitches, but they’re committed and they’re loyal.

HEADLAND: Dude, I love that you brought that up. It’s so funny that a lot of people don’t in the interviews, and it’s one of those things where it’s like, “Am I the only person that notices this?” At least with my girlfriends, like my best friend in the world, Melissa, who actually plays the wasted stripper in the movie…we’ve known each other for eight years. I wrote the play on her couch when we were both living in the same studio apartment. And it is like a relationship. We have to sometimes remind each other of why we became friends in the first place, in the same way that you would with a couple. You have to go on dates, and just be like, “Remember when we were living together? And had no money?” We have to constantly go back to the origin story of our friendship because a lot of times, you can get really sick of somebody. You can be very hard on your friends in a way that you wouldn’t be hard on your coworkers, or your family.

IFC: It’s like, “You’re my best friend. This is for life.”

HEADLAND: This is it. This is happening now. And, not to spoil anything for anybody who hasn’t seen the film, but that scene with Rebel and Kirsten towards the end, where you as the audience are finally let in as to why they’re friends, and what connects them…I always thought of it as a love scene, like that moment in a marriage when it’s like, “Remember when you swept me off my feet? And I fell in love with you?” It’s like, “Remember when I covered for you and everyone made fun of me?”

IFC: Remember when we were puking in the bathroom together?

HEADLAND: Remember when we were puking in the bathroom together? God, that was my favorite part of life! (laughter)

Leslye Headland

IFC: One of the things I loved about the movie was the pacing of it. And the dialogue was so excellent, and I think that probably speaks to your talent as a playwright, because that’s all you have: people talking.

HEADLAND: Yes. All you have is people talking, all you have is what the audience knows but the characters don’t know. You have a lot of dramatic irony, a lot of they-saw-something-happen-that-the-other-character-didn’t…maybe that’s why I talk about sex so much because I’m like, “This is getting boring.”

IFC: We need a blow job joke…

HEADLAND: We gotta bone it up with a blow job monologue…that’s probably where it came from: being terrified that people are going to be bored. I used to say that, when I started to write theater and invite people to it, especially in L.A. People would be like, “I don’t know if I really want to go see a play…” And I was like, “No no no, I write plays for people who hate plays.” I’m terrified people are going to get bored. And it’s the same thing with the movie; I think that’s why it’s so fast. And also, I’m obviously just a fast-talking, crazy person.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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