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DID YOU READ

Leslye Headland talks “Bachelorette,” this fall’s sleeper hit comedy

Bachelorette movie

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By Leigh Stein

“Bachelorette,” Leslye Headland’s scathingly funny directorial debut, is likely to be the breakout hit this fall. Starring Kirsten Dunst as the alpha Maid of Honor from hell, the film follows three bridesmaids (played by Dunst, Lizzy Caplan, and Isla Fischer) on the eve of the wedding of their friend Becky (Rebel Wilson), along with groomsmen that include James Marsden and Adam Scott. But this isn’t “Bridesmaids II.” For one thing, there’s a lot more coke. For another, there are no baked goods in sight. Headland’s talent as a playwright (the film is based on her stage production of the same name) shines through in the wicked dialogue, and impeccable pacing of this dark comedy, in which these women destroy (and maybe repair) each other.

We sat down with Leslye at the Provincetown Film Festival, where “Bachelorette” was selected as the opening night film. She wants everyone to know how quiet and demure she was during this interview. It’s not like she said “finger-banging” within the first two minutes or anything like that.


IFC: Was it awkward having your parents at the screening?

LESLYE HEADLAND: No, they loved it. They’d seen a very early version of the Sundance cut, and they’ve seen the play a bunch of times.

When they saw the first play I ever wrote, that was when they were like, “What’s happening? Are you okay?” It was my lust play, so it was all about, you know, finger-banging. My poor father actually got out of his seat in the theater and stood in the back and was pacing.

So that was in 2005. That’s when they got the bomb dropped on them. Now it’s seven years later: they expect some terrible, scatological humor, and some sort of reference to some sex act and all of that… They’re smart enough and hip enough to see that it’s not all mean-spirited. They get that there’s empathy for the characters, and it’s not all terrible. It’s just that…there’s going to be some fucked-up shit happening.

IFC: Well, on the note of mean-spiritedness, the movie is about a commitment to marriage and how this is a big step…

HEADLAND: Yes!

IFC: But I was thinking: girls are committed to each other, and they’re fucking bitches, but they’re committed and they’re loyal.

HEADLAND: Dude, I love that you brought that up. It’s so funny that a lot of people don’t in the interviews, and it’s one of those things where it’s like, “Am I the only person that notices this?” At least with my girlfriends, like my best friend in the world, Melissa, who actually plays the wasted stripper in the movie…we’ve known each other for eight years. I wrote the play on her couch when we were both living in the same studio apartment. And it is like a relationship. We have to sometimes remind each other of why we became friends in the first place, in the same way that you would with a couple. You have to go on dates, and just be like, “Remember when we were living together? And had no money?” We have to constantly go back to the origin story of our friendship because a lot of times, you can get really sick of somebody. You can be very hard on your friends in a way that you wouldn’t be hard on your coworkers, or your family.

IFC: It’s like, “You’re my best friend. This is for life.”

HEADLAND: This is it. This is happening now. And, not to spoil anything for anybody who hasn’t seen the film, but that scene with Rebel and Kirsten towards the end, where you as the audience are finally let in as to why they’re friends, and what connects them…I always thought of it as a love scene, like that moment in a marriage when it’s like, “Remember when you swept me off my feet? And I fell in love with you?” It’s like, “Remember when I covered for you and everyone made fun of me?”

IFC: Remember when we were puking in the bathroom together?

HEADLAND: Remember when we were puking in the bathroom together? God, that was my favorite part of life! (laughter)

Leslye Headland

IFC: One of the things I loved about the movie was the pacing of it. And the dialogue was so excellent, and I think that probably speaks to your talent as a playwright, because that’s all you have: people talking.

HEADLAND: Yes. All you have is people talking, all you have is what the audience knows but the characters don’t know. You have a lot of dramatic irony, a lot of they-saw-something-happen-that-the-other-character-didn’t…maybe that’s why I talk about sex so much because I’m like, “This is getting boring.”

IFC: We need a blow job joke…

HEADLAND: We gotta bone it up with a blow job monologue…that’s probably where it came from: being terrified that people are going to be bored. I used to say that, when I started to write theater and invite people to it, especially in L.A. People would be like, “I don’t know if I really want to go see a play…” And I was like, “No no no, I write plays for people who hate plays.” I’m terrified people are going to get bored. And it’s the same thing with the movie; I think that’s why it’s so fast. And also, I’m obviously just a fast-talking, crazy person.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.