DID YOU READ

Alan Robert’s “Killogy” comic casts famous faces from stage and screen in dark horror story

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So a superhero, a Goodfella, and one of the Ramones go to jail…

Sure, it sounds like the beginning of a weird joke, but it’s actually the unique concept behind Killogy, an upcoming comic book by Life Of Agony’s Alan Robert. But it isn’t Robert’s pedigree in music or comics that makes Killogy a fascinating project. It’s his unique approach to casting the four-issue miniseries, which features the likenesses of three well-known faces as the story’s lead characters.

Chronicling the story of three murderers crammed into a jail cell together, Killogy “stars” (for lack of a better term) “Goodfellas” actor Frank Vincent, former Ramones drummer Marky Ramone, and “Heroes” actress Brea Grant, who have not only given the project their approval, but have taken an active role in promoting it. And Robert isn’t your average celebrity creator either, having already made a name for himself in the comics world as the creator of Wire Hangers and Crawl To Me, a pair of terrifying miniseries he wrote and illustrated.

IFC spoke to Robert about the unique concept behind Killogy, as well as the films based on Wire Hangers and Crawl To Me that are in the works.

IFC: So, first things first — where did the idea for casting Killogy with real people come from?

Alan Robert: It started out without the likeness angle to it, and after we put the publishing deal in place with IDW Publishing, I knew I really wanted to capture a type of “Twilight Zone” feel with it. The more I thought about it, the more it made sense. One of the cool things about “The Twilight Zone” was that you had all these guest stars you’re already familiar with in these new roles, and you got a feel for their characters from their previous acting jobs. You felt like you already knew the characters before the episode even started. So I was thinking about that, and when I was drawing up the characters, they ended up looking a lot like the people we ended up talking to about it. I’m not sure if it’s been done before, but I’ve never seen it done in an original comic like this, so I figured I’d give it a shot. I knew some of the people through mutual friends and we approached them — and one by one it all fell into place.

IFC: Usually when you see this, it’s celebrities putting themselves into comics in order to set up future films or television projects — but this seems like a different situation altogether. How does this type of scenario change the way you made the comics?

Robert: It’s interesting to write, because their dialogue comes kind of naturally. You already know what they sound like, because their voices are in your head. It’s very cool. I’m learning new things every day I work on this, because I don’t usually work with a hard script — I create the art first. I have plot points and timelines of when things should happen, but I don’t work with an actual dialogue script. I do the art first and create the dialogue after that.

IFC: When you first hit the scene with Wire Hangers, I remember being surprised by the series — and then being surprised again when I learned that you studied cartooning in college. You have a bona fide degree in illustration. So it’s not really fair to call you a celebrity comic creator, is it?

Robert: Well, comics is what I wanted to do first. I planned to be an illustrator. I always aspired to be a penciler for Marvel or something like that, but right when I graduated, we got a record deal and the album came out, and I figured this wasn’t going to happen again, so I had to see where it went. Now, 20 years later, here I am. I still have a passion for comics, and I figured this would be a great time to do it.

IFC: For anyone familiar with Wire Hangers and Crawl To Me, how is Killogy different from those two series stylistically?

Robert: It’s actually completely different, because I’m drawing everything digitally now. That’s one of the biggest changes. Stylistically, I wanted it to look different. I’m not really using the atmospheric type of textures I was using in Crawl To Me. The closest thing I can compare it to is Frank Miller meets Mike Mignola — it’s very flat colors and a limited palette, with lots of heavy blacks. It’s distinctly different, look- and feel-wise. And just conceptually it’s a lot different, too.

IFC: This is one of those projects that’s hard to ask too many questions about, because I can tell there are some twists in the story that shouldn’t be spoiled. How do you describe the plot of Killogy to people?

Robert: What’s interesting is that each the stories sort of happen separately, and then I tie them all together. I was talking to a producing partner of mine — we’re doing some film and TV projects and stuff — and we were pitching this voodoo-related project to a network. That’s where the idea for Brea Grant’s story started out. The same goes for the gangster story which Frank Vincent’s character embodies. They all started as separate things, and I worked it out so that it comes full circle, and they’re all connected.

IFC: I can’t help wondering about the Marky Ramone character. He seems like the oddball in that mix, even with Brea Grant and Frank Vincent…

Robert: I wanted to just stick everybody in there who wouldn’t get along. It starts out that they share a tiny prison cell together, so they’re arguing right off the bat about everything. Marky Ramone plays a recovering gambler who’s involved in some kind of heist, and everything goes wrong.

IFC: How much does Marky know about the comic?

Robert: I actually met with him about it, since he’s based in NY. He loved the idea. He loves comics, and he was thrilled that his character got a baseball bat as a weapon. [Laughs]

IFC: With something like this, it’s hard not to see it as a movie in the making. Is that the idea here? Is this a pitch for a film?

Robert: Sure, this one lends itself to it because it has screen stars involved in it, and it would be great to see it that way, but right now I just want to focus on the comic. It’s always a matter of just getting it out of my system, and then we’ll see what happens.

IFC: Well, what about those movie projects you mentioned? How are things developing with the “Crawl To Me” movie?

Robert: We’ve picked up a team of screenwriters after receiving about a dozen treatments from writers who wanted to give it a crack. We chose these two screenwriters and they really have their head around it. We loved their treatment. So we’re in script mode now and should have the first draft by mid-July.

IFC: What about the “Wire Hangers” movie?

Robert: That’s taken a different path because we wanted to do it mostly in CGI, so it’s taking longer to get the visual effects in place. They’re doing a pre-vis, where they composite the backgrounds before any actors are added to it. They compile everything in the computer, with all the scenes, and you see how it’s going to look before the actors step in. So we’re at that stage now.

IFC: So I’m curious about what you’re reading these days…

Robert: You know what? I just picked up Scott McCloud’s Making Comics. I found a great tutorial of his online on how to do comic lettering in a certain way digitally, and I thought it was a great tip. So once I saw that, I wanted to check out his book.

Alan Robert’s “Killogy” will hit shelves in October (around Halloween). You can find more information about it at www.killogycomic.com. His comics “Wire Hangers” and “Crawl To Me” are available now from IDW Publishing.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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