Alan Robert’s “Killogy” comic casts famous faces from stage and screen in dark horror story

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So a superhero, a Goodfella, and one of the Ramones go to jail…

Sure, it sounds like the beginning of a weird joke, but it’s actually the unique concept behind Killogy, an upcoming comic book by Life Of Agony’s Alan Robert. But it isn’t Robert’s pedigree in music or comics that makes Killogy a fascinating project. It’s his unique approach to casting the four-issue miniseries, which features the likenesses of three well-known faces as the story’s lead characters.

Chronicling the story of three murderers crammed into a jail cell together, Killogy “stars” (for lack of a better term) “Goodfellas” actor Frank Vincent, former Ramones drummer Marky Ramone, and “Heroes” actress Brea Grant, who have not only given the project their approval, but have taken an active role in promoting it. And Robert isn’t your average celebrity creator either, having already made a name for himself in the comics world as the creator of Wire Hangers and Crawl To Me, a pair of terrifying miniseries he wrote and illustrated.

IFC spoke to Robert about the unique concept behind Killogy, as well as the films based on Wire Hangers and Crawl To Me that are in the works.

IFC: So, first things first — where did the idea for casting Killogy with real people come from?

Alan Robert: It started out without the likeness angle to it, and after we put the publishing deal in place with IDW Publishing, I knew I really wanted to capture a type of “Twilight Zone” feel with it. The more I thought about it, the more it made sense. One of the cool things about “The Twilight Zone” was that you had all these guest stars you’re already familiar with in these new roles, and you got a feel for their characters from their previous acting jobs. You felt like you already knew the characters before the episode even started. So I was thinking about that, and when I was drawing up the characters, they ended up looking a lot like the people we ended up talking to about it. I’m not sure if it’s been done before, but I’ve never seen it done in an original comic like this, so I figured I’d give it a shot. I knew some of the people through mutual friends and we approached them — and one by one it all fell into place.

IFC: Usually when you see this, it’s celebrities putting themselves into comics in order to set up future films or television projects — but this seems like a different situation altogether. How does this type of scenario change the way you made the comics?

Robert: It’s interesting to write, because their dialogue comes kind of naturally. You already know what they sound like, because their voices are in your head. It’s very cool. I’m learning new things every day I work on this, because I don’t usually work with a hard script — I create the art first. I have plot points and timelines of when things should happen, but I don’t work with an actual dialogue script. I do the art first and create the dialogue after that.

IFC: When you first hit the scene with Wire Hangers, I remember being surprised by the series — and then being surprised again when I learned that you studied cartooning in college. You have a bona fide degree in illustration. So it’s not really fair to call you a celebrity comic creator, is it?

Robert: Well, comics is what I wanted to do first. I planned to be an illustrator. I always aspired to be a penciler for Marvel or something like that, but right when I graduated, we got a record deal and the album came out, and I figured this wasn’t going to happen again, so I had to see where it went. Now, 20 years later, here I am. I still have a passion for comics, and I figured this would be a great time to do it.

IFC: For anyone familiar with Wire Hangers and Crawl To Me, how is Killogy different from those two series stylistically?

Robert: It’s actually completely different, because I’m drawing everything digitally now. That’s one of the biggest changes. Stylistically, I wanted it to look different. I’m not really using the atmospheric type of textures I was using in Crawl To Me. The closest thing I can compare it to is Frank Miller meets Mike Mignola — it’s very flat colors and a limited palette, with lots of heavy blacks. It’s distinctly different, look- and feel-wise. And just conceptually it’s a lot different, too.

IFC: This is one of those projects that’s hard to ask too many questions about, because I can tell there are some twists in the story that shouldn’t be spoiled. How do you describe the plot of Killogy to people?

Robert: What’s interesting is that each the stories sort of happen separately, and then I tie them all together. I was talking to a producing partner of mine — we’re doing some film and TV projects and stuff — and we were pitching this voodoo-related project to a network. That’s where the idea for Brea Grant’s story started out. The same goes for the gangster story which Frank Vincent’s character embodies. They all started as separate things, and I worked it out so that it comes full circle, and they’re all connected.

IFC: I can’t help wondering about the Marky Ramone character. He seems like the oddball in that mix, even with Brea Grant and Frank Vincent…

Robert: I wanted to just stick everybody in there who wouldn’t get along. It starts out that they share a tiny prison cell together, so they’re arguing right off the bat about everything. Marky Ramone plays a recovering gambler who’s involved in some kind of heist, and everything goes wrong.

IFC: How much does Marky know about the comic?

Robert: I actually met with him about it, since he’s based in NY. He loved the idea. He loves comics, and he was thrilled that his character got a baseball bat as a weapon. [Laughs]

IFC: With something like this, it’s hard not to see it as a movie in the making. Is that the idea here? Is this a pitch for a film?

Robert: Sure, this one lends itself to it because it has screen stars involved in it, and it would be great to see it that way, but right now I just want to focus on the comic. It’s always a matter of just getting it out of my system, and then we’ll see what happens.

IFC: Well, what about those movie projects you mentioned? How are things developing with the “Crawl To Me” movie?

Robert: We’ve picked up a team of screenwriters after receiving about a dozen treatments from writers who wanted to give it a crack. We chose these two screenwriters and they really have their head around it. We loved their treatment. So we’re in script mode now and should have the first draft by mid-July.

IFC: What about the “Wire Hangers” movie?

Robert: That’s taken a different path because we wanted to do it mostly in CGI, so it’s taking longer to get the visual effects in place. They’re doing a pre-vis, where they composite the backgrounds before any actors are added to it. They compile everything in the computer, with all the scenes, and you see how it’s going to look before the actors step in. So we’re at that stage now.

IFC: So I’m curious about what you’re reading these days…

Robert: You know what? I just picked up Scott McCloud’s Making Comics. I found a great tutorial of his online on how to do comic lettering in a certain way digitally, and I thought it was a great tip. So once I saw that, I wanted to check out his book.

Alan Robert’s “Killogy” will hit shelves in October (around Halloween). You can find more information about it at www.killogycomic.com. His comics “Wire Hangers” and “Crawl To Me” are available now from IDW Publishing.

Marc Maron – Maron, Gallery Art – Photo Credit: Katrina Marcinowski / IFC.

WTF with Bob & David

Listen to Bob Odenkirk and David Cross Talk Comedy With Marc Maron

Todd Margaret returns January 7th at 10P on IFC.

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For fans of Todd Margaret and Better Call Saul, this week’s episode of WTF with Marc Maron is mandatory listening.

Bob Odenkirk stopped by Marc’s garage to talk about his new Netflix show W/ Bob and David. Not content to have one of comedy’s new legends on hand, Marc got David Cross on the phone so the duo could talk about working with the Mr. Show gang once again on the new project, Bob’s work on Breaking Bad and Better Call Saul, and more. David also dropped some hints about the third season of Todd Margaret, which he calls “quite different” and Bob dubs “mind-blowing.”

Listen to Bob and David on the latest episode of WTF below, and be sure to catch the return of a very, very different Todd Margaret when season three premieres January 7th at 10P on IFC. You can also catch up on seasons one and two of Todd Margaret on Netflix and on IFC this Thanksgiving during our Sweatsgiving Marathon.

Who is Todd Margaret? Find out below.

Want more Todd? Check out the season three trailer below.

Catch up on seasons one and two of Todd Margaret right now on Netflix.


Read Carrie's Book

Carrie Brownstein’s Hunger Makes Me a Modern Girl Is Out Now

Carrie's moving memoir is out now.

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Portlandia star Carrie Brownstein’s memoir, Hunger Makes Me a Modern Girl, is out now at fine local book shops and at online retailers like iBooks, Barnes & Noble, or Amazon.

The book, a “deeply personal and revealing narrative of Brownstein’s life in music,” is getting rave reviews. The Washington Post writes that, “It’s impossible not to like Brownstein” in their review of her “engaging and witty” memoir. The AV Club called the book “engrossing,” adding that “for fans of Sleater-Kinney, it’s immensely compelling, particularly because Brownstein writes crisply, insightfully, and without vanity.” She even dedicated the book to her Sleater-Kinney bandmates (and Portlandiaregulars) Janet Weiss and Corin Tucker.

Pick up a copy of Hunger Makes Me a Modern Girl in stores today, and be sure to catch Carrie on her nationwide book tour at one of the dates below where she will be joined by specials guests like Questlove, Amy Poehler and more.


WORD Bookstore at Saint Vitus Bar

In conversation with Questlove


Barnes & Noble Union Square

In conversation with Gaby Hoffman


Philadelphia Free Library at The Merriam Theater

In conversation with Aidy Bryant


Pitchfork at the Museum of Contemporary Art Chicago

In conversation with Jessica Hopper


BookPeople at Central Presbyterian Church

In conversation with Liz Lambert


Vroman’s Bookstore at Pasadena Presbyterian

In conversation with Amy Poehler


Jewish Community Center of San Francisco

In conversation with Dave Eggers


Powell’s Books at The Newmark Theatre

In conversation with a Special Guest TBA


Elliott Bay Book Company at The Neptune Theater

In conversation with Maria Semple


Drawn & Quarterly at The Rialto Theatre

In conversation with Jessica Hopper


Toronto Public Library’s Appel Salon

In conversation with Johanna Schneller


David Cross in NYC

David Cross Is Coming to NYC’s Live Employee Of The Month Podcast

Todd Margaret returns Jan 7th at 10P on IFC.

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No one would ever accuse Todd Margaret of being a good employee. After being assigned to the London office of Thunder Muscle, he ended up blowing up the entire world. It’s safe to assume that Todd Margaret isn’t going to get a raise after those shenanigans, but David Cross, who plays Todd in the series, just got named Employee of the Month.

The comedian is appearing at the live talk show event on November 20th at NYC’s Joe’s Pub which will be recorded for an accompanying weekly podcast. Cross will be subjecting himself to host Catie Lazarus‘ trademark unorthodox line of questioning about how he created such an awesome career, including With Bob and David, Arrested Development, Todd Margaret and so much more.

David will be appearing alongside Speedy Ortiz frontwoman Sadie Dupuis and actress Greta Gerwig (Frances Ha, Mistress America) who finally managed to escape from Portlandia‘s Women & Women First bookstore.

Get tickets here. and be sure to catch the return of a very, very different Todd when the third season of Todd Margaret premieres January 7th at 10P ET/PT on IFC. Check out the trailer for more.

What’s Employee of the Month? Watch the video below. 

Rocky Horror Picture Show

Frank N' Facts

10 Things You May Not Know About The Rocky Horror Picture Show

Do the Time Warp with Comedy Bang! Bang!

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Aliens! Dancing! Meatloaf! When The Rocky Horror Picture Show hit the big screen all the way back in 1975, no one knew exactly what to make of it. 40 years later, Comedy Bang! Bang! is celebrating the beloved cult movie with an all-out costumed extravaganza. To get you ready for the party, we thought it was high time to jump to the left, take a step to the right, and learn a little bit more about the movie that put the “Time” in Time Warp.

10. Meatloaf Never Rode The Motorcycle


While his character, Eddie, may have been a hog riding badass, in reality a stunt double did all the future Celebrity Apprentice contestant’s bike riding stunts. That is, except for close-ups, when Meatloaf was pushed around in a wheelchair.

9. Rocky Didn’t Have a Belly Button

20th Century Fox

20th Century Fox

The makeup department actually fashioned a plug to cover up Peter Hinwood’s belly button, as his character was grown in a tub, and thus wouldn’t need one.

8. It Was Tim Curry’s First Movie

20th Century Fox

20th Century Fox

Curry actually originated the role of the cross-dressing mad scientist Dr. Frank N. Furter on the stages of London and Los Angeles, before reprising it in his film debut.

7. Mick Jagger Wanted In On The Fun

Rolling Stones Records
Rolling Stones Records

Jagger was supposedly a fan of the stage production, and made enquiries into playing none other than Dr. Frank N. Furter.

6. The Movie Made Susan Sarandon Sick

20th Century Fox

20th Century Fox

The drafty country house that doubled as Dr. Frank N. Furter’s castle famously had no heat or bathrooms. Susan Sarandon complained, but no one took her seriously until she caught pneumonia while filming a dance number in a freezing pool. Always a pro, she finished the scene.

5. The Crew Used Real Skeletons

20th Century Fox

20th Century Fox

The gothic clock was no mere prop. In fact, the woman who first commissioned it to be made had one request — to be entombed within it. That’s her real skeleton revealed hiding inside.

4. David Bowie’s Makeup Artist Created the Film’s Looks

20th Century Fox
20th Century Fox

Pierre La Roche, who worked on the Ziggy Stardust tour and the Aladdin Sane album cover, designed the iconic makeup for the film. Still, rumor has it he took so long to apply it, nearly four hours, that Tim Curry just ended up doing his own.

3. Magenta and Columbia Started As One Character

20th Century Fox

20th Century Fox

Before production, Magenta and Columbia were split into two separate characters, to create a part for singer Marianne Faithfull to play. She ended up turning the role down, but the characters remained separated.

2. The Corpse Was a Deadly Surprise

20th Century Fox

20th Century Fox

The corpse revealed hiding inside Frank N. Furter’s dinner table was kept a secret from the actors, so their shocked reactions would be as real as possible.

1. RHPS Holds the Record For Longest Release in Film History

20th Century Fox

20th Century Fox

A flop upon release, Rocky Horror gained a following as a midnight movie at New York’s Waverly Theater in the late ’70s. It has since played non-stop for four decades, smashing the record for longest release of a film.

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