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DID YOU READ

Adapt This: “The Executor” by Jon Evans & Andrea Mutti

the executor

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With Hollywood turning more of its attention to the world of graphic novels for inspiration, I’ll cast the spotlight on a cool comic book each week that has the potential to pack a theater or keep you glued to your television screens. At the end of some “Adapt This” columns, you’ll also find thoughts from various comic creators and other industry experts about the books they’d like to see make the jump from page to screen.


This Week’s Book: The Executor by Jon Evans and Andrea Mutti (Vertigo Crime)

The Premise: When washed-up hockey goon Joe Ullen learns that he’s been named the executor of his high-school girlfriend’s will, he decides to return home to troubled town where he grew up. Soon he finds himself caught up in the mystery of her death and the grisly connection between her murder and a dark secret from his past.

The Pitch: As we take a break from the superhero stories for a bit, it’s worth noting that The Executor is just one of several great stories to come out of DC’s line of Vertigo Crime graphic novels. Written by award-winning novelist Jon Evans (Dark Places), The Executor is a dark, disturbing story that unfolds in the fictional Elohra, NY — a backwater town mired in economic troubles and a longstanding land dispute with the nearby Mohawk tribal reservation.

While it’s always nice to see a flashy superhero story make the leap from page to screen, The Executor offers some great source material for a tense, gritty mystery that will leave audiences talking well after the credits roll. Evans provides ample amounts of misdirection while gradually seeding the story with the clues to the truth, and the entire tale culminates in dramatic, cinema-friendly fashion once everything stands revealed.

Like any good mystery, there’s no shortage of likely suspects in the murder that lies at the heart of The Executor, and each of the characters has a lot of potential for the right actor to make the role his (or her) own. Even though the story focuses on Joe Ullen, there’s real depth in the supporting cast — something that translates to strong foundations and room for talented actors to put their own spins on the characters.

At a time when every movie seems to rely on a gimmicky angle or eye-catching special effects that often hide flaws in the script, The Executor is a simple, ready-made story that doesn’t require any storytelling tricks or fancy visual elements to hold your attention. It’s the sort of story that could just as easily provide the big break for an up-and-coming filmmaker as offer a nice opportunity for an established director to make a solid, character-driven drama.

Potential Casting: If the film is able to go the big-budget route, actors like Christian Bale or Daniel Day-Lewis would probably find a lot to like in the Joe Ullen role, as the character has more than a few skeletons in his closet and a lot of inner turmoil that he’s working through over the course of the story. It would also be nice to see someone like Tom Hardy take on a quieter role like this, too. A lesser-known actor who comes to mind as a good fit for Joe Ullen is Ryan Hurst from “Sons of Anarchy,” who seems to have a good grasp on the balance between physicality and emotion.

Keeping in line with that Batman theme, Christopher Nolan’s “Insomnia” shares some tonal similarities with The Executor, as well as films like Clint Eastwood’s “Mystic River” and Ben Affleck’s “Gone Baby Gone,” which also share a similar vibe with Evans’ story — so any of those directors would likely do a great job translating the graphic novel to the screen.

The cultural implications of the story would also offer a nice chance to cast the film with prominent Native American actors across a wide range of ages, and there’s no shortage of talent to be found in that pool these days. “Apocalypto” actor Raoul Trujillo is an easy choice for Irkar, one of the locals Joe clashes with during his time in Elohra, and someone like Graham Greene (“Dances With Wolves”) or Wes Studi (“Last of the Mohicans”) could bring some real weight to the role of Jacob Tarbell, the reservation’s tribal chief.


Would “The Executor” make a good movie? Chime in below or on Facebook or Twitter.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.