DID YOU READ

The five greatest Martial Arts movies

Bruce Lee in Enter the Dragon

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The recent specialty run of The Raid: Redemption, a remake of an Indonesian language martial arts film, calls to mind all the great, hyper-gory kung fu movies that have come before. After viewing, over the years, hundreds of martial arts films – The Boxer from Shantung, which didn’t quite make the list, especially comes to mind – I’ve narrowed The List down to a stone cold five. Agree or disagree in the comments section with these, my Five Greatest Martial Arts Movies:


5. “Hero” (2002)

Set roughly two centuries before the birth of Christ, in Mandarin with English subtitles and color-coded sequences, Hero is not your typical martial arts film. There are, of course, many types of martial arts movies – comedies, revenge stories, Hong Kong chop sockey, straight-up dramas and, among others, Epics. Hero is an epics epic of a martial arts movie, set to glorious cinematography in pre-unified China during the period of the Warring States. Drenched in sanguinary reds and powerful, vibrating golds, the fighting scenes — mostly aerial — defy gravity and even narrative logic. Not that that matters.

So — what about the fighting? Anyone who doubts that a martial arts fight can be a beautiful experienced would be hard pressed to continue in that mode of thinking after seeing this film. Directed by Yimou Zhang, the fight scenes – particularly the one between Nameless (played by Jet Li) and Sky (played by Donnie Yen) – are masterful dances of death set against stunning scenery and weather to unique camera angles. Jet Li – one of the three great martial arts film legends along with Bruce and Jackie Chan –steals all of his scenes as a nameless protagonist in a fugue to kicking serious ass.


4. “The Legend of Drunken Master” (2000)

The fact that Jackie Chan – the second of the Big Three martial arts film stars — does almost all of the choreography in his films only adds to his legitimacy as the real deal; the fact that this movie is a comedy as well as the best part of a legendary franchise makes it a classic. As Elvis Mitchell wrote in The Times of the film’s climactic final battle scene, “(This sequence is better than anything in ‘The Matrix’ because there are no digital effects and Mr. Chan is seen in almost every frame.) It is fitting that the punch-outs bring dance numbers to mind, since Mr. Chan’s wind-it-up version of drunken boxing looks like a lethal version of the Cabbage Patch.”

Jackie Chan’s low center of gravity is in full effect in Legend of Drunken Master. This is one of the few cases – Godfather II, in another genre, comes to mind – when a sequel (LODM tag line: “Old wine in a new bottle”) actually surpasses a classic original story. Jackie Chan is here in his most elaborately choreographed of Hong Kong chopsockeys. Legend of Drunken Master is also as funny as it is brutal, a rarity.


3. “Ip Man” (2008)

Ip Man is arguably the best choreographed martial arts film of all time, also the one with the most fully realized narrative. Set in the 1930s, Ip Man is based on the true story of real life martial arts Grand Master Yip Man, the man who trained Bruce Lee, arguably the greatest martial artist of all time, in the deadly art of Wing Chun. This film neatly falls into the category of revenge story, one of the most enduring within the martial arts genre, but is also a sweeping epic not unlike Hero. In short, against oppression and injustice coming out of the Japanese invasion of 1947, Ip founds the school of Karate that will eventually beget Bruce Lee – the greatest martial arts film star of all time. The final fight sequence between Ip (played by Donnie Yen, who starred in that other martial arts epic Hero) and the Japanese General Miura is the stuff of legend.

Available on DVD and BluRay, this forgotten classic is highly recommended. From the story of Bruce Lee’s mentor to, appropriately …


2. “Enter the Dragon” (1973)

As elegant as Hero is, Enter the Dragon – the opposite end of the martial arts film spectrum — is as gritty and brutal and awesome. “Life,” Hobbes reminds us in his cynical masterpiece Leviathan, “is solitary, poor, nasty, brutish, and short.” No more so than in this cynical classic. Enter the Dragon’s opening Shaolin Monastery fight sequence.

With a despicable air of Bond villainy – excommunication from the Shaolin order, prostitution, an underground fight club on a private island — a musky-seedy 70s testosteronal vibe that permeates the entire film. Where in Hero the martial arts are almost a well-choreographed dance, in Enter the Dragon, perhaps the first fully realized film of the 1970s, is cynical – the perfect negative antidote to the over idealistic 60s. This, incidentally, was Bruce Lee’s last (and best) film, released six days after his death. Which leads us to, finally …


1. “Five Deadly Venoms” (1978)

Pop-culturally influencing everyone from Quentin Tarantino’s Kill Bill to the Wu Tang Clan (The Mystery of Chessboxin; Shaolin Finger Jab), the Five Deadly Venoms is a symphony of astonishing violence wrapped in what can only be properly construed as the most intriguingly graphic novel-ish sort of narrative ever to be put across in a kung fu movie. There is a thin line indeed between a martial arts movie and a graphic novel, but nowhere more so than in this classic, amazing film.

Here’s the lowdown: Five great martial arts assassins, nicknamed after their fighting styles, based on animals – Toad (impenetrable skin; massive defense skills), Centipede (fast strikes), Lizard (scales walls), Snake (fingers that bit like fangs) and Scorpion (Can paralyze through pressure points) – are sought out by the mysterious Yang, the final student of a noble dying master of “The School of Venoms.” It is, as in all great martial arts films, a matter of honor.

Saying anything else about this film would spoil the fun. But the fight scenes are as elaborate and cartoonish – in the best possible way – as the plot. Toad, in particular, is my favorite of the venoms, because his impenetrable skin allows him to display something very rare in martial arts films – a masterful defensive (not offensive) style. But it is Chiang Sheng’s Yang who steals the show, crafting complex styles on the fly to fight the School of Venoms, who may or may not be the villains of the movie. Two snake fingers up!


What is your favorite martial arts movie? Tell us in the comments below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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