DID YOU READ

Exclusive premiere: Caveman “Old Friend”

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Beyond the phone call delivered here, by actor Peter Sarsgaard, is another dimension where New York’s Caveman resides in a strange realm envisioned by director Philip Di Fiore. A dimension of sound, a dimension of sight, a dimension of mind, that would make “Twilight Zone” creator Rod Serling feel warm all over, but strikes a creepy chord for the rest of us.

One can only imagine the group of 5 to 8 year-old’s, whom this was screen tested with, and the effect it had on them — other than inducing nightmares of a soft spoken late night caller. Di Fiore won’t say exactly, but assures me they were “endlessly valid interpretations of what could be happening.”

“I’ve always been fascinated with the concept of time and various cultures’ theories about time,” Di Fiore said. “In my opinion, it’s not as tidy and linear as popular media or popular culture likes to shape it — the past has a way of holding on, and folding itself into the present. There’s evidence of this all around us, relics of different eras co-existing beautifully with modern styles and technologies.”

 

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This is evidenced in “Old Friend” too where, Di Fiore and his DP have used a vintage black and white tube video camera to get that vintage television look. You would be forgiven if you thought it was found footage or original to the early 60’s, although the reappearance of the woman, actress Penny Lynn White, makes it clear when you see her again later on that it cannot be.

“She carries herself in a very dignified manner, but there’s also some secrets and some pain behind her eyes,” Di Fiore, who gathered everyone at an old house in Claryville, NY for the weekend shoot, said. Lauren Sieckowski, who plays the younger woman, helped spark the ideas for the video on a night out in Brooklyn with Di Fiore. The band’s, Sam Hopkins, plays “the man,” and when he wasn’t stalking the hallways in a fedora, he was in the kitchen cooking for everyone — the cast and crew all stayed in the house for the duration. “The voice” is none other than Peter Sarsgaard, whose boyish charm and devilishly good looks are not in play, leaving only a soft spoken menace.

“Peter Sarsgaard and I have become friends over the past year and it’s great to talk music and film with him,” Di Fiore said. “He’s told me about some fascinating acting techniques that he’s learned over the years and I got to witness some of them when he did the voiceover at my studio. He watched the rough cut down, and without me saying a word, he immediately got the tenor of what we were going for.”

Di Fiore compared Sarsgaard’s timing to, “the phrasing of some of the jazz trumpet players” that the two talk about when they’re hanging out. “I should release the rough cut of the video with my voice in there,” the director joked, “Just so people could see how much Peter blew my attempt out of the water.”

Let us know if you’re in our house, in our parlor, walking up our stairs, in the comments below or on Twitter or Facebook!

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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