DID YOU READ

Exclusive premiere: Caveman “Old Friend”

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Beyond the phone call delivered here, by actor Peter Sarsgaard, is another dimension where New York’s Caveman resides in a strange realm envisioned by director Philip Di Fiore. A dimension of sound, a dimension of sight, a dimension of mind, that would make “Twilight Zone” creator Rod Serling feel warm all over, but strikes a creepy chord for the rest of us.

One can only imagine the group of 5 to 8 year-old’s, whom this was screen tested with, and the effect it had on them — other than inducing nightmares of a soft spoken late night caller. Di Fiore won’t say exactly, but assures me they were “endlessly valid interpretations of what could be happening.”

“I’ve always been fascinated with the concept of time and various cultures’ theories about time,” Di Fiore said. “In my opinion, it’s not as tidy and linear as popular media or popular culture likes to shape it — the past has a way of holding on, and folding itself into the present. There’s evidence of this all around us, relics of different eras co-existing beautifully with modern styles and technologies.”

 

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This is evidenced in “Old Friend” too where, Di Fiore and his DP have used a vintage black and white tube video camera to get that vintage television look. You would be forgiven if you thought it was found footage or original to the early 60’s, although the reappearance of the woman, actress Penny Lynn White, makes it clear when you see her again later on that it cannot be.

“She carries herself in a very dignified manner, but there’s also some secrets and some pain behind her eyes,” Di Fiore, who gathered everyone at an old house in Claryville, NY for the weekend shoot, said. Lauren Sieckowski, who plays the younger woman, helped spark the ideas for the video on a night out in Brooklyn with Di Fiore. The band’s, Sam Hopkins, plays “the man,” and when he wasn’t stalking the hallways in a fedora, he was in the kitchen cooking for everyone — the cast and crew all stayed in the house for the duration. “The voice” is none other than Peter Sarsgaard, whose boyish charm and devilishly good looks are not in play, leaving only a soft spoken menace.

“Peter Sarsgaard and I have become friends over the past year and it’s great to talk music and film with him,” Di Fiore said. “He’s told me about some fascinating acting techniques that he’s learned over the years and I got to witness some of them when he did the voiceover at my studio. He watched the rough cut down, and without me saying a word, he immediately got the tenor of what we were going for.”

Di Fiore compared Sarsgaard’s timing to, “the phrasing of some of the jazz trumpet players” that the two talk about when they’re hanging out. “I should release the rough cut of the video with my voice in there,” the director joked, “Just so people could see how much Peter blew my attempt out of the water.”

Let us know if you’re in our house, in our parlor, walking up our stairs, in the comments below or on Twitter or Facebook!

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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