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DID YOU READ

Tim Grierson on Hollywood’s Snow White Problem

Kristen Stewart in Snow White and the Huntsman

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In an era of reboots and prequels, Hollywood can’t just cart out its musty old franchises — they have to reinvent them. For instance, James Bond is no longer a swingin’ playboy bedding babes and delivering tart one-liners — now, he’s a brooding, grizzled killing machine haunted by the loss of his true love. So it wasn’t that surprising when not one but two studios decided to dust off Snow White for the modern age.

Made popular by the Disney film “Snow White and the Seven Dwarfs,” which hit U.S. theaters in 1938, the Snow White character began life as a folktale approximately 200 years ago. This year’s two Snow White films, “Mirror Mirror” and “Snow White and the Huntsman,” aggressively try to reimagine one of the most famous heroines in fiction and, in the process, show us how we as a society still have a tough time dealing with assertive female main characters.

On one hand, this is a time in which we see more female leads in event movies than in the past. There’s Bella from “Twilight,” Katniss from “The Hunger Games,” Zoe Saldana in “Colombiana,” and Amanda Seyfried in “Red Riding Hood.” Plus, this summer’s “Brave” will be the first Pixar film to feature a female main character. And don’t forget the “Underworld” and “Resident Evil” series. But the two Snow White movies are particularly interesting because they grapple with a character who, as she’s envisioned in the Disney film, is a rather passive person. Yes, Snow White is beautiful and kindhearted — she’s always singing some song — but she’s not a very proactive or compelling individual. In truth, she represents exactly the sort of negative female stereotype that modern women don’t enjoy seeing: She’s pretty but meek, waiting for some Prince Charming to come rescue her. Naturally, “Mirror Mirror” and “Snow White and the Huntsman” want to bring her into the 21st century. But I’m not sure their revamped versions of Ms. White are any less irksome.

In “Mirror Mirror,” the Snow White story is treated with a sort of cheeky, snarky irreverence. Rather than unabashed sweetness, like in the Disney movie, the film (which stars Lily Collins as Snow White) is sarcastic, constantly elbowing us in the ribs to make sure that we know it’s sending up the familiar tale. Ironically, “Mirror Mirror” wants to mock the banality of fairy tales while at the same time being a fairy tale itself. (Love does conquer all in this film, and there’s a happy ending.) But as part of its attempt to revamp White’s story, the movie wants her to develop a little spine. And so we have Collins playing a cutie-pie princess who’s schooled on weapons thanks to her dwarf friends. But more importantly, she’s got some spunk to her now, a self-conscious response to the Disney version’s blissful blandness. If “Mirror Mirror” wants to show young women that they don’t have to grow up to be dainty princesses, then instead it seems like they’re just stuck being sassy. Not that the movie really cares about Snow White that much — the evil queen (played by Julia Roberts) gets the best lines and is way more fun. Of course, she’s also the villain: a bitchy, petty, vain, aging woman who’s supposed to be a hoot because she’s totally mean. In other words, the movie argues that being a proactive, weapon-wielding princess will land you Prince Charming, but the audience will always love you more if you’re simply evil.

“Snow White and the Huntsman” ups the ante by making Snow White not just resourceful but something of a warrior princess. Played by “Twilight’s” Kristen Stewart, Snow White has none of the gentility of the Disney film — barricaded in a tower and waiting to be killed by the evil queen (Charlize Theron), she has to fight for her life to escape, and the rest of the film is a further desperate battle to stay alive. There’s nothing demure about this Snow White or idyllic about her world. The film feels like a knee-jerk attempt to recapture the grimness of the original Brothers Grimm folk tale, but what this mostly translates into is a monotonously joyless film in which Snow White must eventually don a suit of armor and lead men into battle. If the Snow White of “Mirror Mirror” is a hip, cutesy young lady, then the one in “Snow White and the Huntsman” is an unsmiling pseudo-man who has to practically give up her femininity to be a generic action hero. What choices.

Of course, it’s dangerous to look to movies for role models — and it’s ridiculous to assume that young women are so impressionable that they’ll blindly accept portrayals of female characters as guides to living. But for all the criticism that so-called “princess culture” receives, I’m not sure if the responses to the phenomenon in “Mirror Mirror” and “Snow White and the Huntsman” are appreciably better. Sure, these Snow Whites aren’t helpless lasses, but they’re not smart or interesting either. Essentially, they have to become men, taking up arms to prove they’re valuable members of society. Perhaps it’s better than watching movies where the female characters are just wives or girlfriends of the hero. But it would be nice if the fairest of them all could have a few more options other than just being eye candy or an ass-kicker.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.