DID YOU READ

Tim Grierson on Hollywood’s Snow White Problem

Kristen Stewart in Snow White and the Huntsman

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In an era of reboots and prequels, Hollywood can’t just cart out its musty old franchises — they have to reinvent them. For instance, James Bond is no longer a swingin’ playboy bedding babes and delivering tart one-liners — now, he’s a brooding, grizzled killing machine haunted by the loss of his true love. So it wasn’t that surprising when not one but two studios decided to dust off Snow White for the modern age.

Made popular by the Disney film “Snow White and the Seven Dwarfs,” which hit U.S. theaters in 1938, the Snow White character began life as a folktale approximately 200 years ago. This year’s two Snow White films, “Mirror Mirror” and “Snow White and the Huntsman,” aggressively try to reimagine one of the most famous heroines in fiction and, in the process, show us how we as a society still have a tough time dealing with assertive female main characters.

On one hand, this is a time in which we see more female leads in event movies than in the past. There’s Bella from “Twilight,” Katniss from “The Hunger Games,” Zoe Saldana in “Colombiana,” and Amanda Seyfried in “Red Riding Hood.” Plus, this summer’s “Brave” will be the first Pixar film to feature a female main character. And don’t forget the “Underworld” and “Resident Evil” series. But the two Snow White movies are particularly interesting because they grapple with a character who, as she’s envisioned in the Disney film, is a rather passive person. Yes, Snow White is beautiful and kindhearted — she’s always singing some song — but she’s not a very proactive or compelling individual. In truth, she represents exactly the sort of negative female stereotype that modern women don’t enjoy seeing: She’s pretty but meek, waiting for some Prince Charming to come rescue her. Naturally, “Mirror Mirror” and “Snow White and the Huntsman” want to bring her into the 21st century. But I’m not sure their revamped versions of Ms. White are any less irksome.

In “Mirror Mirror,” the Snow White story is treated with a sort of cheeky, snarky irreverence. Rather than unabashed sweetness, like in the Disney movie, the film (which stars Lily Collins as Snow White) is sarcastic, constantly elbowing us in the ribs to make sure that we know it’s sending up the familiar tale. Ironically, “Mirror Mirror” wants to mock the banality of fairy tales while at the same time being a fairy tale itself. (Love does conquer all in this film, and there’s a happy ending.) But as part of its attempt to revamp White’s story, the movie wants her to develop a little spine. And so we have Collins playing a cutie-pie princess who’s schooled on weapons thanks to her dwarf friends. But more importantly, she’s got some spunk to her now, a self-conscious response to the Disney version’s blissful blandness. If “Mirror Mirror” wants to show young women that they don’t have to grow up to be dainty princesses, then instead it seems like they’re just stuck being sassy. Not that the movie really cares about Snow White that much — the evil queen (played by Julia Roberts) gets the best lines and is way more fun. Of course, she’s also the villain: a bitchy, petty, vain, aging woman who’s supposed to be a hoot because she’s totally mean. In other words, the movie argues that being a proactive, weapon-wielding princess will land you Prince Charming, but the audience will always love you more if you’re simply evil.

“Snow White and the Huntsman” ups the ante by making Snow White not just resourceful but something of a warrior princess. Played by “Twilight’s” Kristen Stewart, Snow White has none of the gentility of the Disney film — barricaded in a tower and waiting to be killed by the evil queen (Charlize Theron), she has to fight for her life to escape, and the rest of the film is a further desperate battle to stay alive. There’s nothing demure about this Snow White or idyllic about her world. The film feels like a knee-jerk attempt to recapture the grimness of the original Brothers Grimm folk tale, but what this mostly translates into is a monotonously joyless film in which Snow White must eventually don a suit of armor and lead men into battle. If the Snow White of “Mirror Mirror” is a hip, cutesy young lady, then the one in “Snow White and the Huntsman” is an unsmiling pseudo-man who has to practically give up her femininity to be a generic action hero. What choices.

Of course, it’s dangerous to look to movies for role models — and it’s ridiculous to assume that young women are so impressionable that they’ll blindly accept portrayals of female characters as guides to living. But for all the criticism that so-called “princess culture” receives, I’m not sure if the responses to the phenomenon in “Mirror Mirror” and “Snow White and the Huntsman” are appreciably better. Sure, these Snow Whites aren’t helpless lasses, but they’re not smart or interesting either. Essentially, they have to become men, taking up arms to prove they’re valuable members of society. Perhaps it’s better than watching movies where the female characters are just wives or girlfriends of the hero. But it would be nice if the fairest of them all could have a few more options other than just being eye candy or an ass-kicker.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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