DID YOU READ

Five “Alien” facts to know before you see “Prometheus”

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After months of waiting, the release of Ridley Scott’s “Prometheus is finally here. Having sifted through all the posters, trailers, viral videos and press conferences, all of our theories about what the film will explore and how it connects to “Alien” will be revealed. Before they pull the curtain back, we decided to take one more dive in the the rich history of the science fiction classic that started the franchise and talk about some of the more obscure facts behind “Alien” that appear to be present in promotional materials for “Prometheus.” Note: This article contains spoilers for those who have not seen the original 1979 film.


1.) The temple from “Prometheus” was originally going to be in “Alien”

When Scott and his team first set off to make “Alien,” the egg chamber where John Hurt’s character Kane is infected was supposed to be in a temple separate from the crashed spaceship. In the original screenplay by Dan O’Bannon and Ronald Shusset, the crew lands on the planet and investigates the Space Jockey’s ship, discovering a triangular shape etched in to the vessel’s walls by hand. As the crew begins to explore the planet, they spot the the pyramid, but ignore that the wall etchings were a warning rather than directions. Then 20th Century Fox cut the budget, so the egg chamber had to be built on the same set as the derelict spacecraft’s control room.

Now in “Prometheus,” Scott finally got his temple. It’s an interesting comparison in plot development that “Prometheus” is all about chasing a race that possibly created mankind across the galaxy based on cave drawings and winding up at a temple where horrible dangers may be waiting (which, we totally know it is).


2.) Hieroglyphics played a key role in the original screenplay

In losing the temple set, the film also lost the element from O’Bannon and Shusett’s draft where the evolution of the alien is presented to the crew in the form of hieroglyphics on the temple walls. The description shows the cycle of egg/squid/monster, and the crew don’t put the pieces together until they encounter the full grown xenomorph. They also eventually realize that if the monster has its way, they will transformed by the creature in to eggs, starting the cycle over again for the next victims who come across their craft.

Ridley Scott filmed the scene that shows Ripley finding the creature’s nest in the bowels of the Nostromo, where her crew members are being transformed, but later cut it for the theatrical release.

It’s significant that in the trailer for “Prometheus,” there are hieroglyphics in the temple that depict a creature that looks like H.R. Giger’s alien. It’s almost as if Scott and his writers liked the idea of explorers ignoring the blueprint of their own destruction sitting right in front of them so much that that had to resurrect the juxtaposition 33 years later. Now we’ll get the chance see if the characters are smart enough to figure it out. Anyone want to talk about the odds of that?


3.) Ripley was originally going to be a guy

Horror films have a pretty steady (and appalling) track record for their depictions of women being sexually victimized, but there was something about the string of movies in the later 1970’s that lit a fire under Dan O’Bannon. “Alien” was to be the exact opposite, with an entire male crew encountering a menace that violates its victims orally and impregnates its host, non-biased of gender. When 20th Century Fox brought in Walter Hill and David Giler to re-write the screenplay, they changed the cast around so that there would be both ethnic and gender diversity. In the end, while Ripley is the last member of the crew standing (albeit, after being chased around in her undies), Lambert (played by Veronica Cartwright) is the only one of the creature’s victim’s who ends up stripped and hanging from the ceiling, which defeats the original thesis. Even so, “Alien” and its sequel became praised for their depictions of Ripley as the ultimate sci-fi female protagonist.

I’m guessing from all of the screaming and underwear lurching we see in the “Prometheus” trailer, it doesn’t look like things are going to fair well for either sex in the new movie, but I did also notice that the characters played by Noomi Rapace and Charlize Theron are the only two crew members we see running from the crashing alien ship. We’ll have to wait until the film comes out on the gender equality scale.


4.) The Android was an Add-On

Another change that Walter Hill and David Giler made to their draft of the screenplay was the addition of Ash, the science officer played by Sir Ian Holm that reveals itself to be a menacing android in the third act. After losing their captain to the alien, Ripley uncovers that Ash has been using them all along to get the creature home, and responds to getting caught by trying to murder her with a pornographic magazine (as if “Alien” needed more sexual subtext). In a film that’s all about physical violation, Ash adds even more injury in the betrayal of the crew’s trust, both in their co-worker and the company that employs them. Ash’s entire presence on the crew is to make sure that the cargo makes it home even if the crew doesn’t.

Ridley Scott’s next film “Blade Runner” continued to explore the idea of androids meant to serve, but not necessarily fond of their human masters. That “Prometheus” features an android completely undisguised as a crew member in Michael Fassbender’s David 8 is interesting, both to see what Scott does with the character in the story, and also to see why years later Ash has to pretend to be human. Having an android on the crew of a deep space vessel sounds like a great idea, especially when handling biologically hazardous entities. So what does David 8 do in “Prometheus” that the company starts hiding them in plain sight by the time Ash joins the crew of the Nostromo?


5.) Ridley Scott is wrong about the Space Jockeys

For the last few months of press conferences surrounding “Prometheus,” we’ve heard Ridley Scott repeatedly say that the “Alien” franchise focused on the monster and ignored the big dead guy in the chair. And while he’s right about that in regards to the movies, what it doesn’t acknowledge is that in 1988, Dark Horse comics published a sequel to “Aliens” that followed an adult Newt’s journey to the far reaches of the galaxy to find the origins of the creatures that had destroyed her youth, and winds up coming face to face with the Space Jockeys. In the book, it was revealed that the ship the Ripley and her crew mates encountered had been a bomber, sent to deliver the alien eggs as biological weapon that would devastate their enemy’s planet, only the pilot became victim to his own cargo.

“Alien 3” completely knocked this story out of canon (and subsequent re-printings have the changed Newt’s name to avoid confusion), but at the time it was an incredibly popular book with an intriguing theory about how the ship got there. Considering how well versed screenwriter Damon Lindelof is in science fiction and comics, I wouldn’t be surprised if he read those as well, and it will be interesting to see if they impact the back story in “Prometheus.”

Are you excited to watch the mysteries of “Prometheus” unfold this weekend? Tell us in the comments below or on Facebook or Twitter.

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Forget Oscar

Find Your Spirit Animal

The Spirit Awards are LIVE this Saturday at 2p PT/5p ET.

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In just a few precious days, the greatest, most epic, most star-studded awards ceremony of the year comes to IFC.

And please, we’re definitely not talking about the Oscars. We’re talking about the Spirit Awards. Hosted by iconic comedy duo Nick Kroll and John Mulaney, it’s a relatively under-the-radar awards show with serious cred. And if the past is any indicator, we’re in for a wild night.

If you feel like doing your homework, you can find a full list of nominees and performance excerpts here. It reads like a who’s who of everyone that matters – those larger-than-life personalities with status that borders on mythological. Our celebrity spirit animals, if you will.

This isn’t hyperbole. Literally everyone who takes the stage at the awards show is spirit animal material. Let’s see if we can help you find yours…

Do you

Live in someone else’s shadow despite shining like the sun? Do you inexplicably vandalize your pretty-boy good looks with a sloppy-joe man bun and a repellent pubic-hair beard? Do you think sounding stoned and sounding thoughtful are kinda the same thing?

Congratulations, your spirit animal is Casey Affleck.

He’s the self-canonized patron saint of anyone who’s got the goods but doesn’t give a damn.

Do you

Have mid-length hair and exude a certain feminine masculinity that is universally appealing? Are you drawn to situations that promise little to nothing in the way of grooming or hygiene as a transparently self-conscious attempt to conceal your radiant inner glow? Does that fail miserably?

Way to go, your spirit animal is Viggo Mortensen.

He’s the yoga teacher of actors, in that what should make him super nasty only increases his curb appeal.

Do you

Get zero recognition for work that everyone knows is unrivaled? Do you inspire greatness in others yet get shortchanged when it comes to your own acclaim? Are you a goddam B-52 bomber in an industry of biplanes?

Bingo, your spirit animal is Annette Bening.

What does it take for this artist to win an Oscar? Honestly now, if her performance in 20th Century Women doesn’t earn her every award on the planet, consider it proof that the Universe truly is a cold dark void absent of reason or compassion.

Do you

Walk into a room full of strangers and walk out with a room full of friends? Have you been hiding under the radar just waiting for the right moment to leap out into the spotlight and stay there FOREVER? Do you possess the almost messianic ability to elevate Shia LaBeouf’s on-screen charisma?

You guessed it (or not), your spirit animal is 100% Sasha Lane.

If you haven’t seen American Honey, then you haven’t heard of her. She came out of the blue with a performance both subtle and powerful, and now she’s going to be in all the movies from this moment on. Or she should be, at any rate.

Don’t see your spirit animal there? Worry not. There are many more nominees to choose from, and you can see them all (yes, including Shia LaBeouf) during the Independent Spirit Awards, this Saturday at 2pm PT/5pm ET only on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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