DID YOU READ

Five “Alien” facts to know before you see “Prometheus”

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After months of waiting, the release of Ridley Scott’s “Prometheus is finally here. Having sifted through all the posters, trailers, viral videos and press conferences, all of our theories about what the film will explore and how it connects to “Alien” will be revealed. Before they pull the curtain back, we decided to take one more dive in the the rich history of the science fiction classic that started the franchise and talk about some of the more obscure facts behind “Alien” that appear to be present in promotional materials for “Prometheus.” Note: This article contains spoilers for those who have not seen the original 1979 film.


1.) The temple from “Prometheus” was originally going to be in “Alien”

When Scott and his team first set off to make “Alien,” the egg chamber where John Hurt’s character Kane is infected was supposed to be in a temple separate from the crashed spaceship. In the original screenplay by Dan O’Bannon and Ronald Shusset, the crew lands on the planet and investigates the Space Jockey’s ship, discovering a triangular shape etched in to the vessel’s walls by hand. As the crew begins to explore the planet, they spot the the pyramid, but ignore that the wall etchings were a warning rather than directions. Then 20th Century Fox cut the budget, so the egg chamber had to be built on the same set as the derelict spacecraft’s control room.

Now in “Prometheus,” Scott finally got his temple. It’s an interesting comparison in plot development that “Prometheus” is all about chasing a race that possibly created mankind across the galaxy based on cave drawings and winding up at a temple where horrible dangers may be waiting (which, we totally know it is).


2.) Hieroglyphics played a key role in the original screenplay

In losing the temple set, the film also lost the element from O’Bannon and Shusett’s draft where the evolution of the alien is presented to the crew in the form of hieroglyphics on the temple walls. The description shows the cycle of egg/squid/monster, and the crew don’t put the pieces together until they encounter the full grown xenomorph. They also eventually realize that if the monster has its way, they will transformed by the creature in to eggs, starting the cycle over again for the next victims who come across their craft.

Ridley Scott filmed the scene that shows Ripley finding the creature’s nest in the bowels of the Nostromo, where her crew members are being transformed, but later cut it for the theatrical release.

It’s significant that in the trailer for “Prometheus,” there are hieroglyphics in the temple that depict a creature that looks like H.R. Giger’s alien. It’s almost as if Scott and his writers liked the idea of explorers ignoring the blueprint of their own destruction sitting right in front of them so much that that had to resurrect the juxtaposition 33 years later. Now we’ll get the chance see if the characters are smart enough to figure it out. Anyone want to talk about the odds of that?


3.) Ripley was originally going to be a guy

Horror films have a pretty steady (and appalling) track record for their depictions of women being sexually victimized, but there was something about the string of movies in the later 1970’s that lit a fire under Dan O’Bannon. “Alien” was to be the exact opposite, with an entire male crew encountering a menace that violates its victims orally and impregnates its host, non-biased of gender. When 20th Century Fox brought in Walter Hill and David Giler to re-write the screenplay, they changed the cast around so that there would be both ethnic and gender diversity. In the end, while Ripley is the last member of the crew standing (albeit, after being chased around in her undies), Lambert (played by Veronica Cartwright) is the only one of the creature’s victim’s who ends up stripped and hanging from the ceiling, which defeats the original thesis. Even so, “Alien” and its sequel became praised for their depictions of Ripley as the ultimate sci-fi female protagonist.

I’m guessing from all of the screaming and underwear lurching we see in the “Prometheus” trailer, it doesn’t look like things are going to fair well for either sex in the new movie, but I did also notice that the characters played by Noomi Rapace and Charlize Theron are the only two crew members we see running from the crashing alien ship. We’ll have to wait until the film comes out on the gender equality scale.


4.) The Android was an Add-On

Another change that Walter Hill and David Giler made to their draft of the screenplay was the addition of Ash, the science officer played by Sir Ian Holm that reveals itself to be a menacing android in the third act. After losing their captain to the alien, Ripley uncovers that Ash has been using them all along to get the creature home, and responds to getting caught by trying to murder her with a pornographic magazine (as if “Alien” needed more sexual subtext). In a film that’s all about physical violation, Ash adds even more injury in the betrayal of the crew’s trust, both in their co-worker and the company that employs them. Ash’s entire presence on the crew is to make sure that the cargo makes it home even if the crew doesn’t.

Ridley Scott’s next film “Blade Runner” continued to explore the idea of androids meant to serve, but not necessarily fond of their human masters. That “Prometheus” features an android completely undisguised as a crew member in Michael Fassbender’s David 8 is interesting, both to see what Scott does with the character in the story, and also to see why years later Ash has to pretend to be human. Having an android on the crew of a deep space vessel sounds like a great idea, especially when handling biologically hazardous entities. So what does David 8 do in “Prometheus” that the company starts hiding them in plain sight by the time Ash joins the crew of the Nostromo?


5.) Ridley Scott is wrong about the Space Jockeys

For the last few months of press conferences surrounding “Prometheus,” we’ve heard Ridley Scott repeatedly say that the “Alien” franchise focused on the monster and ignored the big dead guy in the chair. And while he’s right about that in regards to the movies, what it doesn’t acknowledge is that in 1988, Dark Horse comics published a sequel to “Aliens” that followed an adult Newt’s journey to the far reaches of the galaxy to find the origins of the creatures that had destroyed her youth, and winds up coming face to face with the Space Jockeys. In the book, it was revealed that the ship the Ripley and her crew mates encountered had been a bomber, sent to deliver the alien eggs as biological weapon that would devastate their enemy’s planet, only the pilot became victim to his own cargo.

“Alien 3” completely knocked this story out of canon (and subsequent re-printings have the changed Newt’s name to avoid confusion), but at the time it was an incredibly popular book with an intriguing theory about how the ship got there. Considering how well versed screenwriter Damon Lindelof is in science fiction and comics, I wouldn’t be surprised if he read those as well, and it will be interesting to see if they impact the back story in “Prometheus.”

Are you excited to watch the mysteries of “Prometheus” unfold this weekend? Tell us in the comments below or on Facebook or Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.