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LAFF: Emory Cohen talks working with Bradley Cooper in “The Place Beyond The Pines”

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With last night’s premiere of “To Rome With Love,” the 2012 Los Angeles Film Festival is officially underway. IFC was on hand at the festivities, and we got a chance to catch up with “Smash” star Emory Cohen on the premiere red carpet. Though Cohen is at the festival this year (the 22-year-old New York’s first time to a festival and to Los Angeles) to promote his upcoming indie “Four,” we could resist asking him about his other big film, “The Place Beyond The Pines.”

The Derek Cianfrance-directed project is already in post-production, and will likely be released in the US at some point in 2013. But we still don’t know much about the flick other than the fact it follows a motorcycle stunt driver played by Ryan Gosling who considers committing a crime in order to help support his family. This puts him on a “collision course” with a cop-turned-politician played by Bradley Cooper.

Cohen plays AJ, the son of Cooper’s character Avery Cross. We asked him to tell us about his character, and he explained some of AJ’s motivations in the movie — which, as it turns out, are surprisingly relevant to this upcoming Father’s Day weekend.

“[AJ] kind of moves to the town to be closer to his dad. It’s really about fathers and sons and the disconnect sand the distance sometimes in those relationships. It’s heavy stuff. It was good stuff,” he said. “There were some parts of it… it was more of an extreme level, but for me, as a son, I understood some of the stuff that this guy goes through. Not the neglect, just the desire for more, which I think is a natural need of a child.”

In addition to Cooper and Gosling, “The Place Beyond The Pines” has an impressive ensemble cast. Rose Byrne and Eva Mendes play the two men’s wives, respectively, and Ray Liotta, Dane DeHaan and Ben Mendelsohn all also have roles in the film. Cohen spent most of his time on set filming opposite Cooper, but he still felt the pressures of working with such an established cast.

“I worked with Cooper, and it was really helpful for me because the character AJ comes to a new school and essentially wants to prove himself, and I was a new kid on the block and I came to prove myself. I’m not going to lie to you,” he said with a laugh.

In his LAFF film “Four,” Cohen plays a closeted homosexual named June who comes out to himself and to another man both sexually and emotionally on one Fourth of July night. The film also stars “The Wire’s” Wendell Pierce. Cohen and director Joshua Sanchez have been working on the project for years, and he said he owed it to himself and to the movie to come to LAFF to represent it.

“Me and Josh became very close and I worked very hard with Josh, so there’s a lot of love in this film, so it’s really important for me to represent this along with Josh,” he said.

Are you looking forward to seeing “The Place Beyond The Pines”? Are you intrigued by the premise of “Four”? Tell us in the comments section below or on Facebook and Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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