“Beasts of the Southern Wild” director Benh Zeitlin on the score, his young star and creating the Bath Tub


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“Beasts of the Southern Wild” is already this year’s little indie that could. It won the Grand Jury Prize at Sundance, the Caméra D’Or at the Cannes Film Festival and most recently the Audience Award at the Los Angeles Film Festival. And for good reason. The movie is a spectacular hat tip to the resilience of those who live in Louisiana as well as being a grander folk tale told through the eyes of a six-year-old.

IFC got the chance to catch up with director Benh Zeitlin when he was in Los Angeles to promote the movie before its premiere at the LA Film Festival. We chatted about everything from the movie’s fantastic young lead, Quvenzhane Wallis, to the impressive score he and his best friend Dan Romer wrote in their Brooklyn basement, and everything in between.

IFC: How did you construct a fantasy location that felt as real as the Bath Tub?

BEN ZEITLIN: It’s all built out of real things. It’s not like an imagined place. It’s a series of things that don’t necessarily co-exist at once, but which all exist within the region. I sort of think of it as the island of Louisiana that encompasses New Orleans culture, Creole culture, Cajun culture, and sort of combines a rural mentality and a city mentality in a way that doesn’t exist but all those places have this sort of commonality in their fearlessness, and so certain things about it just made me feel like they could blend.

But there are places, at least 40 years ago. The island where we shot, Isle de Jean Charles, was this completely self-sufficient [community]. Fishing, farming, raising livestock, totally French-speaking, own educational system, just totally off the grid, and it’s shot there, and I think the difference is just that that was a Native American population with a very specific culture that this film isn’t about, it’s about a certain kind of culture, but certainly it’s inspired by those people and people all facing kind of the extinction of their land and their place.

The reason it feels real is because it’s all built with real stuff. We don’t paint things to look like bricks. We put the bricks there.

IFC: And yet at the same time it is this fable, in a way. What about you as a filmmaker made you interested in this blend of fantasy and firmly rooted reality?

BZ: Well I started in animation, so I think that’s part of it. I think I’ve always been interested in telling sort of these like epic folk tales or myths, so that’s probably the way my head works a bit. My parents are folklorists, they probably filled my head with a bunch of nonsense. I’m interested in mythology and big stories that take on huge questions that can kind of speak universally. I don’t want things to be rooted in kind of the specifics of politics or the specifics of anything. I want to sort of talk broadly and tell kind of Bible stories, or something like that.

The reality and fantasy in this movie, to me, is actually all really just about it’s a film from the reality of a six-year-old. It’s from a time when you don’t really parse out what’s in your imagination and what’s happening, so I just wanted to make a film that respected that. I love kids and I think that they’re smarter than adults 80 or 90 percent of the time, so I wanted to make a film that respected that reality and that perspective and didn’t question, oh, she’s just imagining that or that’s not real. Just give her the movie.

IFC: Speaking of which, Quvenzhane is a little powerhouse in this movie and it’s the first time that she’s acted, so how did you find her and how were you able to draw that performance out of her?

BZ: We just looked real hard. We looked at 4000 kids across eight parishes, tried to see every kid in Louisiana basically, but it’s in her. The very first time I saw her, she was like fierce and defiant and wise beyond her years. She was five years old when she came in and she had this focus that we hadn’t seen from kids twice her age. She’s some sort of supernatural creature that came to us. The performance is like a real collaboration. You don’t have to sort of talk down to her like a kid or trick her into feeling things. She can act and we have a sort of like brother/sister relationship which it’s unclear who’s the older brother and who’s the younger one, but you can take her aside.

You always have to play on set, you’ve got to sort of defy the stress of a movie set and make it fun but you can, when things are going wrong, take her aside and say, here’s what your character’s thinking, here’s where what they’re thinking changes, when you look over here, I want you to squint your eyes because and feel like the sun’s in them — she can do all that stuff. She’s incredible. No one in the film had ever acted before at all, and she, yeah, I don’t know, she’s born to do this.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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