DID YOU READ

Tim Grierson on Will Smith, the Last Movie Star

Will Smith in Men in Black 3

Posted by on

In film, there are very few sure things. But for a good long time, Will Smith was one of them. Over the span of 12 years, Smith had 12 movies that made over $100 million, and several of them — “Independence Day,” “Men in Black,” “I Am Legend,” and “Hancock” — grossed more than $200 million. In fact, other than 1999’s “Wild Wild West,” it would be hard to say that any of his hits were commercial underperformers. His home runs didn’t barely clearly the fence; when he set his mind to it, his shots would leave the stadium, landing somewhere in the parking lot.

He wasn’t just a consistent box office success, though. I’d argue that from 1996 to 2008, no star of his magnitude was as dependably exciting an onscreen presence. It’s not that he never made a bad film — “Hitch” and the “Bad Boy” movies aren’t exactly world-class cinema — but even his weakest offerings were boosted by his endless charisma and unflagging belief that being a movie star is both a genuine thrill and a responsibility worth taking seriously. Whether it was his cocksure strut in “Independence Day,” his effortless comic riffing in “Men in Black,” or his focused intensity in “I Am Legend,” Smith never seemed to be phoning it in. Quite the contrary, he was alive and energized by the challenge of each new project. And let’s not ignore his more serious roles, in films like “Ali” and “The Pursuit of Happyness,” where he proved up to the task of delivering layered, full-bodied performances without much difficulty. (As opposed to his pal Tom Cruise, Smith could go from blockbuster to artful drama without making too much of how strenuous it was for him. Where Cruise wants to be sure you see every ounce of his exertion, Smith simply glides.)

Smith’s run was remarkable, not unlike watching Michael Jordan in his prime winning championship after championship. And like with Jordan, I would try to savor it as much as I could, knowing that, someday, it had to end.

Amazingly, that run has been over for four years now. If 2008 contained one of his great commercial triumphs, “Hancock,” it also concluded with one of his rare box office misfires, the drama “Seven Pounds.” In retrospect, the film’s $70 million gross was hardly disastrous — it’s not like they were making “I, Robot 2” — but its self-serious tone and what’s-the-big-twist-going-to-be? storyline inspired a deadly backlash from critics who found “Seven Pounds” unforgivably manipulative and phony.

That was the last time we’ve seen Smith on screen, and I have to say we’ve all been poorer for his absence. It’s not that movie stars have disappeared — Robert Downey Jr. is a fine Iron Man and Sherlock Holmes — but none of his peers have that particular sparkle that Smith brought to his roles. Watching one of his movies, you enjoyed seeing him, and there was an almost visceral electricity that came off him. Even back when he was part of DJ Jazzy Jeff and the Fresh Prince in the late 1980s, he was something of a charm machine. His songs were hokey, but you couldn’t help it: You just liked the guy. Same with his TV show. Though clearly ambitious, Smith never seemed like just an opportunistic hustler; there was this casual I’m-your-buddy air about him that made you root for Will Smith. And from his likable, underrated performance in 1993’s “Six Degrees of Separation” onward, I’ve been rooting for the guy.

After years away promoting his kids Jaden and Willow like they were human spin-off series, Smith returns this weekend with “Men in Black 3.” The decision to do a sequel for a franchise that hasn’t produced a film in 10 years might seem like a safe choice, but in some ways it also reflects a reality: We’ve entered an era in which stars (though still important) aren’t nearly as crucial as the brand name. At least for now, gone are the days when just about any movie Tom Cruise or Tom Hanks starred in would be a huge hit. As big a name as Johnny Depp is, he won’t guarantee you millions of dollars unless he’s doing a “Pirates of the Caribbean.” (I’d even argue that, while Depp was certainly a factor in its success, “Alice in Wonderland” got a bigger boost from people’s familiarity with the story.) More often than not, it seems these days that we go to movies because it’s a sequel or prequel to something we know, not because it stars so-and-so.

That was never the case with a Will Smith film. Although he made films based on existing properties — “I, Robot,” “I Am Legend,” “Men in Black” — he was their selling point and their stamp of approval. In a way, it’s almost like he transcended the films he was in; he himself was the franchise. Starring in “Men in Black 3” signals that perhaps he realizes that he’s like so many of his fellow A-listers who need to make sure they align with a property people know. For folks like me who were drawn to movies because of the characters and the stars who played them, this is a depressing, dehumanizing turn of events.

Smith will be 44 in the fall, and he’s no longer the young buck anymore. If his 12-year run was Jordanesque, then my fear is that his return will be akin to Jordan’s after he canceled his retirement and took another stab at basketball. It’ll still be good to have him around, but that ineffable magic will be gone. I hope I’m wrong. I’m sure Smith does, too.

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet