DID YOU READ

The Top 10 Kidnapping Scenes in Movies (with video)

Liam Neeson in Taken

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You’d think movie kidnappers would’ve caught on by now that movie kidnappings never, ever go according to plan; in fact, if you want to experience complete and total disaster, then by all means go kidnap somebody. Here are some kidnapping scenes that start a domino effect of cinematic chaos.


“Bananas” (1971)

One of Woody Allen’s silliest — and laugh-out-loud funniest — comedies, “Bananas” stars the writer-director himself as Fielding Mellish (one of the most character names of all time), a neurotic New Yorker (natch) whose attempts to impress a cute activist (Louise Lasser) end up leading him to the fictional South American country of San Marcos, where he gets involved with a group of revolutionaries. There’s lots of crazy (and oh so ’70s) goings-on in “Bananas,” including a truly bizarre courtroom sequence featuring a middle-aged African American woman who believes she’s J. Edgar Hoover, but one of the best sight gags is this bit of physical comedy in which the chaotic struggle during an attempted person-snatching causes Woody to inject knock-out drugs to everyone involved — including his co-conspirators. It’s the kind of situation that Lt. Frank Drebin of Police Squad! and The Naked Gun might’ve found himself in, once upon a time.


“Fargo” (1996)

The title of the Coen Brothers’ bittersweet love letter to their home state of Minnesota actually refers to a town in the neighboring state of North Dakota, where struggling car salesman Jerry Lundegaard (William H. Macy) meets with bumbling criminals Carl Showalter (Steve Buscemi) and Gaear Grimsrud (Peter Stormare) to discuss the kidnapping of Jerry’s wife — a scheme bound for disaster as it’s wrought with contradictions and complications from the start as the kidnappers insist their meeting was supposed to start an hour before Jerry’s arrival. The fact that these two clowns actually succeed in snatching poor Mrs. Lundegaard (in broad daylight and from her own house, in fact) is pretty remarkable, ’cause that’s pretty much the only thing that ends up being checked off from the list of How It’s All Supposed to Go.


“Labyrinth” (1986)

Jim Henson and Frank Oz’s follow-up to the still-astonishing “The Dark Crystal” hasn’t aged nearly as well as its now-classic predecessor, but it’s still quite the enjoyable nostalgia piece; you just can’t help but crack a whimsical smile whenever you think of the first time you noticed that rather prominent bulge coming from the nether regions of David Bowie’s Goblin King costume. Surely, “Labyrinth” still makes for a fine fairy tale, with young Sarah (Jennifer Connelly, mega-hot even before she was old enough for that to be mentioned) wishing that the Goblins would come and take her meddlesome baby brother away; the scene where she says just the right words for this to actually happen makes for one of the scariest moments in the film, thanks to a rather robust thunderstorm and the excitable Greek Chorus commentary coming from the Goblins themselves as they huddle together in some sort of Hensonian limbo state. Shudder!


“Man on Fire” (2004)

The second of what would end up being many collaborations between Denzel Washington and director Tony Scott (and the first since 1995’s “Crimson Tide”), “Man on Fire” features Denzel as a former CIA operative saved from alcoholic despair and self-loathing by becoming the bodyguard of a young American girl (Dakota Fanning) in Mexico City; when the little tyke is kidnapped, he embarks on the kind of “roaring rampage of revenge” that would make even Liam Neeson blush as he stabs, shoots and blows up everyone even vaguely involved with the snatching of his ward. The scene where Dakota is kidnapped makes for one of the most harrowing moments in the film, cranked up to panic mode all the more by the hyper-aggressive visual style in which Tony Scott loves to indulge.


“The Nightmare Before Christmas” (1993)

Tim Burton’s much-celebrated 1993 stop-motion double-holiday classic might now look a little, well, quaint compared to some of the more contemporary films that feature the animation technique (including Burton’s own “Corpse Bride”), but “A Nightmare Before Christmas” is still a triumph of character and storytelling; indeed, Jack Skellington might now very well be as popular a Christmas figure as ol’ Saint Nick himself. Speaking of Saint Nick (or “Sandy Claws,” as he’s mistakably referred to for the first two acts of this dark fable), he’s been targeted for kidnapping by Jack as he attempts to merge both Halloween and Christmas, a task which the Pumpkin King has entrusted to Halloween Town’s trio of troublemakers, Lock, Shock and Barrel. This scene features the ghoulish whippersnappers psyching themselves up to snatch the jolly old elf, complete with rather macabre lyrics that help to paint a rather grim Christmas portrait.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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