DID YOU READ

Tim Grierson on the 10th anniversary of “Spider-Man,” the superhero movie that made superhero movies cool again

Spider-Man

Posted by on

As expected, “The Avengers” was a colossal hit this past weekend, cementing the fact that we’ve long lived in an era of comic-book movies. And it’s not going to end any time soon, not when you’ve got “The Amazing Spider-Man,” “The Dark Knight Rises,” “Man of Steel,” “The Wolverine” and several others coming our way in the next few years. (And that’s not even counting films like “Men in Black 3” and “Abraham Lincoln: Vampire Hunter,” which are based on comic books but don’t feature superheroes.) It’s easy to forget that it wasn’t always like this. In fact, 10 years ago, superhero films weren’t nearly the studio staple they are now. But in May 2002, that changed for good thanks to a little film called “Spider-Man.”

Not that long ago, it seemed unlikely that we would ever get a Spider-Man movie in our lifetime. Complicated rights issues over the property and a series of different treatments and scripts — including one written by James Cameron after the success of “Terminator 2” — had kept the project mired in endless pre-production since about 1985. But in the early 21st century, those legal woes got worked out and Sam Raimi (the man behind the “Evil Dead” films and “Darkman”) was brought on board to direct the film.

If the choice of Raimi, a beloved cult-film favorite, seemed risky, than so too was Sony’s pick for Spidey. Before “Spider-Man,” Tobey Maguire was mostly known as an indie actor from films like “The Cider House Rules,” “Wonder Boys” and “The Ice Storm.” By comparison, his co-star, Kirsten Dunst, had enjoyed some major hits in “Interview With the Vampire” and “Jumanji,” but that was back before she was even a teenager. Ultimately, though, the studio probably decided that it had found a respected filmmaker and two seasoned, acclaimed actors, which in the long run would hopefully mean more than their meager box office track record. After all, people were going to go to a Spider-Man movie because it had Spider-Man in it, not because it starred the kid from “Pleasantville.”

The gamble paid off handsomely. Boosted by good reviews, “Spider-Man” opened on May 3, 2002, grossing almost $115 million in the U.S. in its first weekend, crushing the previous record-holder, “Harry Potter and the Sorcerer’s Stone,” which had pulled in a measly $90 million. The film went on to be the year’s top U.S. grosser, behind only “The Lord of the Rings: The Two Towers” and “Harry Potter and the Chamber of Secrets” worldwide. But more than that, it helped make comic-book movies a priority in Hollywood. “Spider-Man” didn’t do this alone, of course — “X-Men” had been one of 2000’s biggest hits — but at a time when Batman and Superman had fallen out of favor with moviegoers, the webslinger argued convincingly that audiences would still flock to a top-shelf superhero franchise.

We’re still feeling the effects of “Spider-Man.” Between 1996 and 2001, we only had one movie starring costumed superheroes end up as one of the year’s top 10 grossing films. From 2002 to the present, there’s only been one year where that hasn’t happened — and even in that case, in 2009, “X-Men Origins: Wolverine” was still the year’s 13th-highest grosser. There had been early-May releases before “Spider-Man” that had been successful, including “The Mummy Returns,” but after “Spider-Man,” summer movie season officially started on that first weekend, often being the launching pad for other Marvel comic-book movies: “X2: X-Men United,” “Spider-Man 3,” “Iron Man,” “X-Men Origins: Wolverine,” “Iron Man 2,” and, this year, “The Avengers.”

Ten years after the success of “Spider-Man,” Peter Parker is coming back to theaters in a rebooted form, “The Amazing Spider-Man,” although it’s funny that Sony seems to be recycling somewhat the strategy of how they put the first version together. Once again, the studio has brought on a director not known for blockbusters — Marc Webb, who previously directed “(500) Days of Summer” — and found a star known for artier fare in the form of Andrew Garfield. But unlike in 2002, “The Amazing Spider-Man” comes into a market where superhero movies are the norm, not the exception. Ten years ago, Sony had to prove that people would come out for a comic-book movie; now, they have to prove that people will come out for a new Spider-Man franchise.

“Spider-Man” provided the template for many future Marvel films, melding light comedy with action. The underlying idea was that, hey, comic books are a blast, and so this movie should be, too. You can feel that blueprint in “Iron Man,” “X-Men” and most certainly “The Avengers.” By comparison, Christopher Nolan’s Batman movies have adopted a much more serious, brooding tone, creating the other template of the modern-day superhero flick. Interestingly, it looks like “The Amazing Spider-Man” is Sony’s way of making their own “Dark Knight” version of Spidey. How things have changed — and that’s not the only way. When it opened in May 2002, “Spider-Man” broke the record for best first-weekend opening ever. After “The Avengers,” it’s now merely the 13th best.

Watch More
Brockmire-Hank-Azaria-characters-blog

Thank Azaria

Best. Characters. Ever.

Our favorite Hank Azaria characters.

Posted by on
GIFs via Giphy

Hank Azaria may well be the most prolific voice and character actor of our time. The work he’s done for The Simpsons alone has earned him a permanent place in the pop culture zeitgeist. And now he’s bringing another character to the mainstream: a washed-up sports announcer named Jim Brockmire, in the aptly titled new series Brockmire.

We’re looking forward to it. So much so that we want to look backward, too, with a short-but-sweet retrospective of some of Azaria’s important characters. Shall we begin?

Half The Recurring Simpsons Characters

He’s Comic Book Guy. He’s Chief Wiggum. He’s Apu. He’s Cletus. He’s Snake. He’s Superintendent Chalmers. He’s the Sea Captain. He’s Kurt “Can I Borrow A Feeling” Van Houten. He’s Professor Frink. He’s Carl. And he’s many more. But most importantly he’s Moe Szyslak, the staple character Azaria has voiced since his very first audition for The Simpsons.

Oh, and He’s Frank Grimes

For all the regular Simpsons characters Azaria has played over the years, his most brilliant performance may have been a one-off: Frank Grimes, the scrappy bootstrapper who worked tirelessly all his life for honest, incremental, and easily-undermined success. Azaria’s portrayal of this character was nuanced, emotional, and simply magical.

Patches O’Houlihan

Dodgeball is a “sport of violence, exclusion and degradation.” as Hank Azaria generously points out in his brief but crucial cameo in Dodgeball. That’s sage wisdom. Try applying his “five D’s” to your life on and off the court and enjoy the results.

Harold Zoid

Of Futurama fame. The crazy uncle of Dr. Zoidberg, Harold Zoid was once a lion (or lobster) of the silver screen until Smell-o-vision forced him into retirement.

Agador

The Birdcage was significant for many reasons, and the comic genius of Hank Azaria’s character “Agador” sits somewhere towards the top of that list. If you haven’t seen this movie, shame on you.

Gargamel

Nobody else could make a live-action Gargamel possible.

Ed Cochran

From Ray Donovan. Great character, great last name [editorial note: the author of this article may be bias].

Kahmunra, The Thinker, Abe Lincoln

All in the Night At The Museum: Battle Of The Smithsonian, a file that let Azaria flex his voice acting and live-action muscles in one fell swoop.

The Blue Raja

Mystery Men has everything, including a fatal case of Smash Mouth. Azaria’s iconic superhero makes the shortlist of redeemable qualities, though.

Dr. Huff

Huff put Azaria in a leading role, and it was good. So good that there is no good gif of it. Internet? More like Inter-not.

Learn more about Hank Azaria’s newest claim to fame right here, and don’t miss the premiere of Brockmire April 5 at 10P on IFC.

Watch More
Sneak_Peek

Flame Out

Brockmire and Other Public Implosions

Brockmire Premieres April 5 at 10P on IFC.

Posted by on

There’s less than a month until the Brockmire premiere, and to say we’re excited would be an insulting understatement. It’s not just that it stars Hank Azaria, who can do no wrong (and yes, that’s including Mystery Men, which is only cringeworthy because of Smash Mouth). It’s that the whole backstory of the titular character, Jim Brockmire, is the stuff of legends. A one-time iconic sportscaster who won the hearts of fans and players alike, he fell from grace after an unfortunate personal event triggered a seriously public meltdown. See for yourself in the NSFW Funny or Die digital short that spawned the IFC series:

See? NSFW and spectacularly catastrophic in a way that could almost be real. Which got us thinking: What are some real-life sports fails that have nothing to do with botched athletics and everything to do with going tragically off script? The internet is a dark and dirty place, friends, but these three examples are pretty special and mostly safe for work…

Disgruntled Sports Reporter

His co-anchor went offsides and he called it like he saw it.

Jim Rome vs Jim “Not Chris” Everett

You just don’t heckle a professional athlete when you’re within striking distance. Common sense.

Carl Lewis’s National Anthem

He killed it! As in murdered. It’s dead.

To see more moments just like these, we recommend spending a day in your pajamas combing through the muckiness of the internet. But to see something that’s Brockmire-level funny without having to clear your browser history, check out the sneak peeks and extras here.

Don’t miss the premiere of Brockmire April 5 at 10P on IFC.

Watch More
POR_710_D1

Mirror, Mirror

Portlandia Season 7 In Hindsight

Portlandia Season 7 Now Available Online and on the IFC App.

Posted by on

Another season of Portlandia is behind us, and oh what a season it was. We laughed. We cried. And we chuckled uncomfortably while glancing nervously around the room. Like every season before it, the latest Portlandia has held a mirror up to ridiculousness of modern American life, but more than ever that same mirror has reflected our social reality in ways that are at once hysterical and sneakily thought-provoking. Here are just a few of the issues they tackled:

Nationalism

So long, America, Portland is out! And yes, the idea of Portland seceding is still less ludicrous than building a wall.

Men’s Rights

We all saw this coming. Exit gracefully, dudes.

Protests

Whatever you stand for, stand for it together. Or with at least one other person.

Free Love

No matter who we are or how we love, deep down we all have the ability to get stalky.

Social Status

Modern self-esteem basically hinges on likes, so this isn’t really a stretch at all.

These moments are just the tip of the iceberg, and much more can be found in the full seventh season of #Portlandia, available right now #online and on the #IFC app.

via GIPHY

Watch More
Powered by ZergNet