DID YOU READ

Tim Grierson on the 10th anniversary of “Spider-Man,” the superhero movie that made superhero movies cool again

Spider-Man

Posted by on

As expected, “The Avengers” was a colossal hit this past weekend, cementing the fact that we’ve long lived in an era of comic-book movies. And it’s not going to end any time soon, not when you’ve got “The Amazing Spider-Man,” “The Dark Knight Rises,” “Man of Steel,” “The Wolverine” and several others coming our way in the next few years. (And that’s not even counting films like “Men in Black 3” and “Abraham Lincoln: Vampire Hunter,” which are based on comic books but don’t feature superheroes.) It’s easy to forget that it wasn’t always like this. In fact, 10 years ago, superhero films weren’t nearly the studio staple they are now. But in May 2002, that changed for good thanks to a little film called “Spider-Man.”

Not that long ago, it seemed unlikely that we would ever get a Spider-Man movie in our lifetime. Complicated rights issues over the property and a series of different treatments and scripts — including one written by James Cameron after the success of “Terminator 2” — had kept the project mired in endless pre-production since about 1985. But in the early 21st century, those legal woes got worked out and Sam Raimi (the man behind the “Evil Dead” films and “Darkman”) was brought on board to direct the film.

If the choice of Raimi, a beloved cult-film favorite, seemed risky, than so too was Sony’s pick for Spidey. Before “Spider-Man,” Tobey Maguire was mostly known as an indie actor from films like “The Cider House Rules,” “Wonder Boys” and “The Ice Storm.” By comparison, his co-star, Kirsten Dunst, had enjoyed some major hits in “Interview With the Vampire” and “Jumanji,” but that was back before she was even a teenager. Ultimately, though, the studio probably decided that it had found a respected filmmaker and two seasoned, acclaimed actors, which in the long run would hopefully mean more than their meager box office track record. After all, people were going to go to a Spider-Man movie because it had Spider-Man in it, not because it starred the kid from “Pleasantville.”

The gamble paid off handsomely. Boosted by good reviews, “Spider-Man” opened on May 3, 2002, grossing almost $115 million in the U.S. in its first weekend, crushing the previous record-holder, “Harry Potter and the Sorcerer’s Stone,” which had pulled in a measly $90 million. The film went on to be the year’s top U.S. grosser, behind only “The Lord of the Rings: The Two Towers” and “Harry Potter and the Chamber of Secrets” worldwide. But more than that, it helped make comic-book movies a priority in Hollywood. “Spider-Man” didn’t do this alone, of course — “X-Men” had been one of 2000’s biggest hits — but at a time when Batman and Superman had fallen out of favor with moviegoers, the webslinger argued convincingly that audiences would still flock to a top-shelf superhero franchise.

We’re still feeling the effects of “Spider-Man.” Between 1996 and 2001, we only had one movie starring costumed superheroes end up as one of the year’s top 10 grossing films. From 2002 to the present, there’s only been one year where that hasn’t happened — and even in that case, in 2009, “X-Men Origins: Wolverine” was still the year’s 13th-highest grosser. There had been early-May releases before “Spider-Man” that had been successful, including “The Mummy Returns,” but after “Spider-Man,” summer movie season officially started on that first weekend, often being the launching pad for other Marvel comic-book movies: “X2: X-Men United,” “Spider-Man 3,” “Iron Man,” “X-Men Origins: Wolverine,” “Iron Man 2,” and, this year, “The Avengers.”

Ten years after the success of “Spider-Man,” Peter Parker is coming back to theaters in a rebooted form, “The Amazing Spider-Man,” although it’s funny that Sony seems to be recycling somewhat the strategy of how they put the first version together. Once again, the studio has brought on a director not known for blockbusters — Marc Webb, who previously directed “(500) Days of Summer” — and found a star known for artier fare in the form of Andrew Garfield. But unlike in 2002, “The Amazing Spider-Man” comes into a market where superhero movies are the norm, not the exception. Ten years ago, Sony had to prove that people would come out for a comic-book movie; now, they have to prove that people will come out for a new Spider-Man franchise.

“Spider-Man” provided the template for many future Marvel films, melding light comedy with action. The underlying idea was that, hey, comic books are a blast, and so this movie should be, too. You can feel that blueprint in “Iron Man,” “X-Men” and most certainly “The Avengers.” By comparison, Christopher Nolan’s Batman movies have adopted a much more serious, brooding tone, creating the other template of the modern-day superhero flick. Interestingly, it looks like “The Amazing Spider-Man” is Sony’s way of making their own “Dark Knight” version of Spidey. How things have changed — and that’s not the only way. When it opened in May 2002, “Spider-Man” broke the record for best first-weekend opening ever. After “The Avengers,” it’s now merely the 13th best.

Watch More
JaniceAndJeffrey_102_MPX-1920×1080

Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

Posted by on

She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

JaniceAndJeffrey_106_MPX-1920x1080

IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

Watch More
IFC-Die-Hard-Dads

Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

Posted by on
Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

Watch More
IFC-revenge-of-the-nerds-group

Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

Posted by on
Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

geowash_flat

Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

Watch More
Powered by ZergNet