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HCFF: Rick Baker on designing the “Men In Black 3” aliens

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You know who Rick Baker is even if you’ve never heard his name. The legendary make-up artist is responsible for the look of characters and creatures in movies like “An American Werewolf in London,” “Harry and the Hendersons” or “Men in Black” — or, you know, watched Michael Jackson’s “Thriller” music video — then you’ve seen some of Baker’s amazing creations.

He took the time to swing by the Hero Complex Film Festival on Saturday in a surprise appearance, bringing along one of his “Men in Black” alien masks to show off to the audience. With “Men in Black 3,” his latest endeavor, hitting theaters on Friday, it wasn’t much of a surprise that talk turned to that movie.

“The ‘Men in Black’ movies have a lot of things in them, and sometimes they don’t all make it to the screen. On ‘Men in Black 3,’ we made 127 aliens on last count, so that’s a lot of work. That’s a lot of fun,” he said. “What’s cool about ‘Men in Black’ is I get to do a little bit of everything that I do on all these other films. I mean, we have like likeness makeups, we have crazy aliens, we have puppets and animatronic things. They’re just a blast to work on.”

Baker has plenty of good stories to share from the sets of his many projects, but our favorite was his tale about the making of “Thriller.” He’s the man who’s responsibly for the “werecat” creature that Jackson turns into at the end of the video — an image that has gone on to be almost as iconic as the “Thriller” dance. Baker said that it wasn’t until he was watching the music video film in front of him that he realized how huge it was going to be.

“One of the main memories I have is actually standing in the middle of the night in Vernon, which is downtown Los Angeles,” he said. “I was standing there and it was Michael Jackson and all the zombies that we had just made up doing the ‘Thriller’ dance for the first time, and all of the sudden — up until that point it was craziness in trying to get all this stuff made up and I had all these people to get made up and it was this crazy beat-the-clock thing — and all of the sudden I just sort of saw this and I was like, ‘Oh my god, look at what I’m witnessing here.'”

One audience member asked Baker what his favorite creation he’s ever made was, and his answer shouldn’t surprise fans of Baker’s work.

“I usually say Harry from ‘Harry and the Hendersons’ is one of my favorite creatures that I’ve done. I quite like Harry and feel that he holds up really well,” Baker said. “I mean, that was made in the ’80s and I feel you can show that movie today and people would still accept it. That’s the one I usually say.”

In terms of effects that other people have done, Baker said that the work his protégée Rob Bottin did on “The Thing” is some of his favorite make-up design around.

“We used to sit and talk about, ‘Wouldn’t it be cool to do this and wouldn’t it be cool to do that,’ and then Rob ended up doing ‘The Thing’ and did everything that we ever talked about times a hundred,” he said. “I think the stuff in John Carpenter’s ‘Thing’ that Rob did is outstanding. That’s still the quintessential make-up effects movie.”

Are you intrigued by Baker’s take on the movie-making process? Tell us in the comments section below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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