Marvel Studios’ Kevin Feige talks “Spider-Man,” “X-Men” and “Fantastic Four”


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“The Avengers” is finally coming out this Friday, and we largely have Kevin Feige to thank for that.

The Marvel Studios president had a lengthy conversation with Wired recently that touches on a lot of subjects, including the Marvel properties owned by other studios. The magazine asked whether it was difficult assembling the Avengers without such big names as Spider-Man, the X-Men and the Fantastic Four in their arsenal, but Feige said it ultimately worked out to Marvel’s advantage.

“Well, look, clearly we would prefer everything be at home, so to speak. But all the contracts are different. Some of them have very firm reversion dates, and some of them we don’t expect to get back any time soon, let’s put it that way. We’re fine with that,” Feige said. “We have a great relationship with Sony and Fox. Would we like to have them all back? Sure. But we are more than comfortable with the way things stand now, because it worked out pretty well, right?”

He continued, “The Avengers is a gargantuan part of the Marvel Universe, as big a part or bigger than X-Men, bigger than Fantastic Four. There’s no doubt that Spider-Man is the most well-known, but in terms of families of characters, Avengers is bigger. Yes, the book has been around so long that almost every single character has popped in and out at some point. But there was a little bit of planning and a lot of luck that we ended up with Iron Man, Hulk, Thor, Captain America, Hawkeye, Widow, Fury, SHIELD, all within our rights. Because that obviously led up to ‘The Avengers.'”

The whole chat is very interesting, but one of the greatest moments comes at the end when Feige starts talking about how superhero movies got a big boost in 2008. He thanks Christopher Nolan’s “The Dark Knight” for that, but also comments on how studios’ views on the comic book genre has changed over the past decade.

“Chris Nolan’s Batman is the greatest thing that happened because it bolstered everything. Imagine the one-two punch in 2008 of ‘Iron Man’ and ‘Dark Knight’? It was great,” Feige said. “Six years earlier I was having conversations with studio execs where they’d say, ‘Why don’t you come work for us? These comic book movies can’t last forever. It’s probably towards the tail end.’ And I, being with big bright-eyed naiveté would go, ‘I don’t know, I think we can do more. I think there’s more fun to be had.'”

Do you wish that Marvel had control of Spider-Man, the X-Men and the Fantastic Four as well? Tell us in the comments section below or on Facebook and Twitter.

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Weird Roles

Anthony Michael Hall’s Most Rotten Movies

Catch Anthony Michael Hall in Weird Science on Friday at 8P on IFC.

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Photo Credit: Universal/Everett Collection

Anthony Michael Hall was the quintessential ’80s nerd. We love him in classics like The Breakfast Club and National Lampoon’s Vacation. But even the brainiest among us has his weak spots. In honor of Weird Science airing this Rotten Friday, we analyze Hall’s worst movies.

Weird Science (1985) 56%

A low point for John Hughes, Weird Science is way too wacky for its own good. Anthony Michael Hall’s Gary and his pal Wyatt (Ilan Mitchell-Smith) create the “perfect woman.” Supernatural chaos ensues. The film costars a young Bill Paxton, floppy disks, and a general disconnect from all reality.

The Caveman’s Valentine (2001) 46%

This ambitious drama starring Samuel L. Jackson couldn’t live up to its rich premise. Jackson plays Romulus, a Juilliard-educated, paranoid schizophrenic who lives in a cave. Hall co-stars as Bob, a rich man, who wants to see Romulus play the piano. The plot centers around Romulus investigating a murder, but with so much going on, the movie never quite finds its rhythm.

All About the Benjamins (2002) 30%

Ice Cube plays a bounty hunter who teams up with Mike Epps’ con man to catch diamond thieves. Hall plays Lil J, a small-time drug dealer. It’s definitely a role we’ve never seen Hall in, but overall the movie isn’t funny or original enough to justify its violence.

Freddy Got Fingered (2001) 11%

This showcase for Tom Green’s goofy gross-out comedy is often hailed as one of the worst films of all time. Green plays Gord, a 20-something slacker, who dreams of having his own animated series. Hall is Dave Davidson, a CEO of an animation studio who eventually helps Gord find success. Too bad Tom Green wasn’t so lucky.

Johnny Be Good (1988) 0%

Hall plays against type as Johnny Walker, a star quarterback. Robert Downey Jr. is his best friend and Uma Thurman plays his devoted girlfriend. Despite the support of a future A-list cast, the movie lacks central conflict and charm. Or, as TV Guide put it, “Johnny be worthless.” Ouch.

Catch the “Too Rotten to Miss” Weird Science this Friday at 8P on IFC.

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Season 6: Episode 1: Pickathon

Binge Fest

Portlandia Season 6 Now Available On DVD

The perfect addition to your locally-sourced, artisanal DVD collection.

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End of summer got you feeling like:

Portlandia Toni Screaming GIF

Ease into fall with Portlandia‘s sixth season. Relive the latest exploits of Fred Armisen and Carrie Brownstein’s cast of characters, including Doug and Claire’s poignant breakup, Lance’s foray into intellectual society, and the terrifying rampage of a tsukemen Noodle Monster! Plus, guest stars The Flaming Lips, Glenn Danzig, Louis C.K., Kevin Corrigan, Zoë Kravitz, and more stop by to experience what Portlandia is all about.

Pick up a copy of the DVD today, or watch full episodes and series extras now on IFC.com and the IFC app.

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Byrning Down the House

Everything You Need to Know About the Film That Inspired “Final Transmission”

Documentary Now! pays tribute to "Stop Making Sense" this Wednesday at 10P on IFC.

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Photo Credit: Cinecom/courtesy Everett Collection

This week Documentary Now! is with the band. For everyone who’s ever wanted to be a roadie without leaving the couch, “Final Transmission” pulls back the curtain on experimental rock group Test Pattern’s final concert. Before you tune in Wednesday at 10P on IFC, plug your amp into this guide for Stop Making Sense, the acclaimed 1984 Talking Heads concert documentary.

Put on Your Dancing Shoes

Hailed as one of the best concert films ever created, director Jonathan Demme (Silence of the Lambs) captured the energy and eccentricities of a band known for pushing the limits of music and performance.

Make an Entrance

Lead singer David Byrne treats the concert like a story: He enters an empty stage with a boom box and sings the first song on the setlist solo, then welcomes the other members of the group to the stage one song at a time.

Steal the Spotlight

David Byrne Dancing
Cinecom/Everett Collection

Always a physical performer, Byrne infuses the stage and the film with contagious joy — jogging in place, dancing with lamps, and generally carrying the show’s high energy on his shoulders.

Suit Yourself

Byrne makes a splash in his “big suit,” a boxy business suit that grows with each song until he looks like a boy who raided his father’s closet. Don’t overthink it; on the DVD, the singer explains, “Music is very physical, and often the body understands it before the head.”

View from the Front Row

Stop Making Sense Band On Stage
Cinecom/Everett Collection

Demme (who also helmed 1987’s Swimming to Cambodia, the inspiration for this season’s Documentary Now! episode “Parker Gail’s Location is Everything”) films the show by putting viewers in the audience’s shoes. The camera rarely shows the crowd and never cuts to interviews or talking heads — except the ones onstage.

Let’s Get Digital

Tina Weymouth Keyboard
Cinecom/Everett Collection

Stop Making Sense isn’t just a good time — it’s also the first rock movie to be recorded entirely using digital audio techniques. The sound holds up more than 30 years later.

Out of Pocket

Talk about investing in your art: Talking Heads drummer Chris Frantz told Rolling Stone that the members of the band “basically put [their] life savings” into the movie, and they didn’t regret it.

Catch Documentary Now!’s tribute to Stop Making Sense when “Final Transmission” premieres Wednesday, October 12 at 10P on IFC.

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