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Marvel Studios’ Kevin Feige talks “Captain America 2” and the Skrulls in “The Avengers”

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It’s official: “The Avengers” was a huge success. But after Marvel finally brought their various superhero properties into one epic ensemble blockbuster, it’s time to send them their own separate ways again.

In an interview with CHUD, Marvel Studios president Kevin Feige said that the next few standalone movies will have the Avengers standing very much on their own.

“If we do an ‘Avengers 2’ it will be after [‘Iron Man 3,’ ‘Thor 2,’ ‘Captain America 2’]. They have to grow, they have to change,” he said. “What they’ve gone through in this movie will impact their state of mind and where they stand in their next movies. Then whatever they go through in those movies is going to affect where we meet them in the next Avengers film. But I think people will be surprised to see, as we go forward – particularly in ‘Iron Man 3’ – the notion of how singular the stories can become. ‘Iron Man 3’ is a very singular Tony Stark story. As is ‘Thor 2.’

The only upcoming movie to really diverge from this will be “Captain America 2,” Feige explained. “Cap, who is stuck in the modern day with no friends or family, there will be some revelations of who is still alive from his days in WWII, but S.H.I.E.L.D. and Nick Fury are kind of his confidants right now,” he said. “So of all these movies, ‘Captain America 2’ will be most closely associated with ‘Avengers.'”

Speaking of S.H.I.E.L.D., it turns out that they almost didn’t appear in the movie — until Feige realized Marvel had the rights to the property.

By now we’ve already heard the story of how Marvel opted to introduce S.H.I.E.L.D. to their movie franchise, but Feige said that he almost knocked the idea down before it was brought to fruition.

“Some of the writers asked, ‘Hey we want to have an agent who is sort of trailing Tony Stark, and is asking questions to add an air of mystery and global consequence to what he’s doing. Can we use S.H.I.E.L.D.?’ And I said, no no, you can’t do that,” Feige said. “I said that as a knee-jerk reaction because that is what I would always say when people writing ‘Fantastic Four’ or ‘X-Men’ or ‘Spider-Man’ or whatever — I’m not saying they all asked for S.H.I.E.L.D., but many of them would ask for something that wasn’t in their contract. So my knee-jerk was no no. But then I thought, oh wait, you can! Of course you can! It’s ours! We have it!”

Something they don’t have, though, is the complete rights to the Skrulls. That’s one of the main reasons the alien race didn’t appear in “The Avengers,” apparently.

“Skrulls have a big connection to ‘Fantastic Four.’ So there are some contractual limitations about who can do what when it comes to Skrulls,” Feige said. “Though that is not why we didn’t do Skrulls. There is already enough going on in this movie.”

Are you glad the next Marvel movies will be more standalone? Are you disappointed the Skrulls didn’t appear? Tell us in the comments section below or on Facebook and Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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