DID YOU READ

Exclusive premiere: Hilary Hahn & Hauschka “Bounce Bounce”

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Grammy winning American violinist, Hilary Hahn, and German modernist composer, Hauschka (a.k.a. Volker Bertelmann) met in Iceland to  combine their genius at a place where the North American and Eurasian tectonic plates collide. The result is the collaborative album “Silfra,” which features Hahn’s acclaimed talents (she’s been hailed as one the greatest violinists in the world) and Hauschka’s prepared piano — internally transformed by gaffers tape, bottle tops, bells and all manner of found odds and ends — which create mini rhythm sections within the classic instrument as he plays it.

It’s music to be inspired by, and stop-motion animator and director Hayley Morris‘ video certainly was. It’s her creations and this handmade underwater wonderland with “Bounce Bounce” as it’s score that I most fell in love with. “I really wanted to capture the energetic and spontaneous feeling of the song itself, and honor the collaboration between Hilary Hahn and Hauschka,” Morris told us. “When Hauschka performs he takes different recognizable objects and places them into his piano to alter the sound. I wanted to take the same approach as the music’s creation and have the materials themselves create a narrative and look.”

 

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Morris found her materials hidden in drawers at antique stores and pining for her life giving touch in bins at flea markets around her Brooklyn neighborhood. Crocheted doilies turned into coral creatures. Scraps of fabric formed into two crabs fighting over a wayward snail, and flamboyant starfish dancing with/dueling over a found morsel. The rest of the world was rendered in paper mache, knitting and other hand made brilliance. A wooden bird was born of driftwood she collected over the years.

“For each scene I animated about 10 objects at once frame by frame including the shadows that move across the shot,” Morris emphasized. “I like my work to be tactile and textured and for my art work to pick up the light in interesting ways.” She used no computer effects whatsoever, but created her own. She added atmosphere by shooting glitter floating in water which when applied to the final cut, create depth and little twinkly floaties that occasionally catch the eye.

Morris thought there was a tidal feeling to the song and gave her own adorable take on it. “When I first heard the song I immediately thought of tide pools. Every summer I would go to the coast of Maine and I was always fascinated by the miniature worlds I could find,” she said. “There are so many different creatures and plants compacted into such a small space and I thought it would be an interesting environment to focus on… . It’s timing and feeling is constantly changing and I felt I could choreograph the underwater world beautifully to the song.”

Hahn & Hauschka’s “Silfra,” which is also the name of the rift near Reykjavik (a diver’s paradise) where those two tectonic plates meet, will be released May 22nd on Deutsche Grammophone.

Feel like dancing with starfish now? Let us know in the comments below or on Twitter or Facebook!

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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