DID YOU READ

HCFF: George Romero honored by Edgar Wright, Robert Kirkman, Zack Snyder and Simon Pegg

georgeromero

Posted by on

Friday night was zombie night at the Hero Complex Film Festival. The two films (and one TV show sizzle reel) shown all showed very different takes on the zombie genre, but all four special guests present knew that they had one person to thank for making their work possible: George Romero.

“I think the only thing that me and Simon [Pegg] really feel is that George Romero should always be given proper respect for starting the whole thing, which I don’t think he always is,” Edgar Wright said about his passion for zombie films following a screening of “Shaun of the Dead.”

In addition to Wright and Pegg, Zack Snyder and Robert Kirkman were also present for “Dawn of the Dead” and “The Walking Dead,” respectively. Wright, Pegg and Snyder had the most to thank Romero for, as “Shaun of the Dead” was a comedic spin on Romero’s 1978 classic “Dawn of the Dead,” and Snyder’s film was a direct remake.

“Romero having created the genre and, in a weird way, a world that is kind of unique in that, no matter what, you kind of have to go yeah, we acknowledge that it’s a sort of Romero world, we’re just sort of passing through it. Which I think that’s cool,” Snyder said.

Kirkman also acknowledged that Romero was “a huge influence” on “The Walking Dead.” But according to Pegg, he is the only influence.

“[Zombies are] always seen like being vampires or werewolves. They’re not. George came up with this in 1968,” Pegg said. “Zombies existed in a sort of voodoo way, but he combined it with the cannibal and mixed in a little kind of communicability and you’ve got your modern zombie. That was all George’s idea, and it’s been picked up now and run with as if — and by us as well, although we did it actively by eyeing towards him — but like it’s a free for all, and really George needs to be canonized for what he did, I think.”

In fact, Wright and Pegg went as far as to mean for “Shaun of the Dead” to be a part of Romero’s universe. Since “Night of the Living Dead” took place on a farm, “Dawn of the Dead” in a mall and “Day of the Dead” in an army compound in Florida, the writing team said they considered “Shaun” to be taking place at the same time, except in London.

“What we tried to do, I guess similar to Rob’s show, is we tried to set it within George’s universe. That was one of the things that I always loved about the original Romero trilogy is, as far as I could thing, they were the only horror franchise, or only franchise, that took different stories within the same crisis. There were no returning characters,” Wright said. “That was part of the comedy/horror thing, is we tried not to make the zombies to funny. It’s the reactions of the characters that’s nearly all the jokes, and their reactions to the fact the world is ending.”

After they wrapped “Shaun of the Dead,” Wright had Universal reach out to Romero to see if he was interested in giving his blessing to the project. He agreed, and watched the movie in a Florida movie theater with no one but a Universal security guard keeping him company.

“George watched it and we got a call from him later than night and he couldn’t have been sweeter about it,” Wright said.

Wondering about that Universal security guard? Well, apparently he was there to make sure Romero didn’t bootleg the movie or steal the reels of film. “Like we didn’t owe him money for stealing the title,” Wright said with a laugh.

Though their appreciation of George Romero was universal, Snyder, Kirkman, Wright and Pegg had some differing opinions on the fast versus slow zombies debate. “The Walking Dead” features slow zombies (though Kirkman said that sometimes he gets complains that the TV show’s zombies are too fast, so he’s affectionately dubbed them “speedwalking zombies”), and “Shaun of the Dead” does as well. Snyder’s “Dawn of the Dead” had much faster zombies, as opposed to the Romero film that it is based on.

“I don’t have a preference,” Snyder said. “I don’t have a preference either,” added Kirkman.

He continued, “Well seriously, I know sometimes you get some flack for the running zombies, but the thing is there is room for all kinds of zombies, and the zombies in your movie are totally goddamn awesome.”

That’s a nice sentiment, but Wright was not so kind about Snyder’s decision to include fast zombies.

“Since Rob Kirkman’s gone and since Zack is gone, I’m firmly a slow zombies, man,” Wright said. “The original recipe.”

Pegg was even more passionate in his defense.

“I was having this conversation with Max Brooks, who was saying that they made the zombies in ‘World War Z’ fast, which he wasn’t entirely along with, but we were talking about it and how much we love slow zombies and he said it’s the difference between a bullet and a tumor,” Pegg said. “The tumor is far more sinister and scary than a bullet, and I think that’s key to the slow zombie. I think that’s what’s made them so beloved, is this weird eerie ineptness that they have, which makes them sad, it makes them tragic, it makes you feel sorry for them.”

Where do you fall on the fast versus slow zombie debate? Do you agree with all of these sentiments on Romero? Tell us in the comments section below or on Facebook and Twitter.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

PL_409_MPX-1920×1080

Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

Posted by on
GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

via GIPHY

Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

via GIPHY

Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

via GIPHY

Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

via GIPHY

Self Defense

You can’t throw a download like a ninja star. Think about it.

via GIPHY

If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.