DID YOU READ

Has the Sacha Baron Cohen shtick jumped the shark?

sacha_baron_cohen_the_dictator_oscars

Posted by on

Has Sacha Baron Cohen finally exhausted the goodwill of audiences? When “The Ali G Show” made its debut on HBO in 2003 it was as if a meteor struck this planet from the comedic heavens above, alighting us all with the gift of laughter.

That was then, this is now. This week “The Dictator” was, quite frankly, smothered in box office competition by both “The Avengers” and “Battleship,” turning in a lackluster — but not entirely soul-destroying — third place performance in its debut. There could not possibly have been a better time to release such a movie. The Arab Spring is in full flower; dictators are universally reviled. Who among us doesn’t want to see a Quaddafi-ish autocratic ass-hat lampooned?

So — what went wrong? Putting things into proper perspective: bringing in $17.2 million in its first week is not the end of the world or Mr. Cohen’s career. Still, that number, while not fatal to a career trajectory, might just signal the end of Cohen’s pungent brand of reality-flavored satire. Aside from the disappointing, though again not fatal box office, the reviews were quite mixed (59% rating of top critics on Rotten Tomatoes).

What was most surprising, however, was the powerfully negative response from more established media resources, which, one would think, would be firmly Team Cohen. Isn’t Cohen the thinking person’s comedian? Foreign Policy’s Joshua E. Keating writes, in a post titled Is ‘The Dictator’ Racist: “Cohen clearly knows his politics (how many comedies include both extended masturbation jokes and references to Gazprom?), but it’s hard to get past the fact that most of the film’s comedy derives from a British actor playing a crude Arab stereotype.” And while, no, “The Dictator” is not racist, it is, at the very least, clichéd and even more than a little bit stale. And stale, in comedy, carries about it the stink of death. The film belongs in the same bargain bin as that seemingly endless stream of bad SNL skits turned into movies. Perhaps “The Dictator,” like the unburied and unsung “McGruber”, was best left to a five minute skit on the small screen.

Further, Sacha Baron Cohen did some of the more comedically prestigious rounds of the media gauntlet in advance of “The Dictator”’s release as … himself. Sacha being Sacha on the promotional tour is, quite frankly, pretty rare; it makes a statement. How better to garner media and blog buzz for a project than staging an elaborate satirical real time sketch. That has been, in the past, Sacha Baron Cohen’s modus operandi; he perfected the art of promoting his films. But in recent appearances on both Letterman and Howard Stern, two “smart” comedy shows, Cohen went on as himself and not in his gaudy General Aladeen get-up, signaling, perhaps, that the joke – to insiders, at least – no longer packs the same punch. You can’t really fake it to those in-the-know. As Chris Lee reported in The Daily Beast:

Out of respect for [Howard] Stern, who Baron Cohen says inspired him, the comedian spoke straightforwardly and un-ironically in his native British accent, absent the kinky weird beard associated with his Saddam Hussein–esque character, Admiral General Shabazz Aladeen, and spouting none of the faux despot’s characteristically sexist and racist gibberish. “I’ve never really done interviews as myself,” Cohen said. “This is like the third time in my life I’ve done an interview out of character.”

Is this a new beginning? “The Dictator” is also, stylistically if not thematically, an abrupt departure from Cohen’s comfort zone mixing reality with improv, a sort of Jackass-meets-Coltrane piece of satirical comedy that he appears to have invented. And while critics – including this one – found parts of “The Dictator” laugh out loud funny, the general consensus is that it is a thoroughly uneven movie. We are now jaded; the once brilliant comic invention has lost its charm, perhaps in the same way that M. Knight Shyamalan endings no longer fuck up our whole shit. We are all Shymalayan-ed out.

Finally, Sacha Baron Cohen’s next role will be in the Freddy Mercury biopic, which may mean ultimately that he is going the way of Jamie Foxx. The Jamie Foxx Path, which led the former stand-up comedian to an Oscar, provides a difficult route, an escape from the typecasting of comedy. Sacha Baron Cohen, an innovator, an independent voice, certainly deserves another chapter in his career. If there had been a Best Actor in a Comedy Oscar – as I have argued for in this blog – Cohen would have won it in 2007 for “Borat.” But it appears that the simpleton foreigner shtick has, abruptly, run its course. It was a good and lucrative run. That having been said, I cannot wait to see what he becomes in his next act.

What do you think of Sacha Baron Cohen? Let us know in the comments below, or on Twitter or Facebook.

Watch More
JaniceAndJeffrey_102_MPX-1920×1080

Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

Posted by on

She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

JaniceAndJeffrey_106_MPX-1920x1080

IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

Watch More
IFC-Die-Hard-Dads

Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

Posted by on
Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

Watch More
IFC-revenge-of-the-nerds-group

Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

Posted by on
Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

geowash_flat

Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

Watch More
Powered by ZergNet