DID YOU READ

Chantal Claret talks Bond theme songs, zombies, and how her daddy killed a man

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The first song Chantal Claret wrote after departing as the singer of Morningwood, was the chronicle of a hedonist that Nancy Sinatra and Tina Turner would equally appreciate. The crisp 60’s vibe with a huge low end sets “The Pleasure Seeker,” a daring song about her own father, in a direction 180 degrees from her previous work, but it’s the direction Claret always intended to go.  It was something of a long shot too, she couldn’t find anyone who could mix the record until she sent an email to the general address listed on Mark “Exit” Goodchild’s (Erykah Badu, Cee-Lo) website. Amazingly, within a few hours, she’d won Exit over with her raw material and he was all in.

Claret’s previous “major label fiasco’s” drove her to seek creative satisfaction elsewhere (and new indie label), and she’s finally making music the way she’s always wanted to — as the bad girl of blue-eyed soul. I talked with her about her love for 60’s music and at extreme length about film, her other passion, during which time she gushed about “Labyrinth” and David Bowie. “Hells yeah, that’s the one acceptable use of spandex in the world, David Bowie’s pants!” she raved, accurately. I know she wouldn’t mind living in “A Hard Days Night,” eternally following the Beatles around either. She also proclaimed her undying love for “Meatballs.” It was a discussion about Bond movies though where we stumbled on a take away meant for one Daniel Craig. Chantal Claret’s record comes out June 19th on The End.

 

This is all such a big departure from Morningwood  and what you were known for in the past, how did you come to such a musical reinvention?

Musically it is yes, but this is 100% me.  This is the type of music I grew up listening to. Since I was 15, I would go out to mod clubs — I was a self proclaimed mod — I was in a short film called “American Mod” [laughs]. So I grew up dancing to 60’s music, if anything, it’s Morningwood that was weird for me. The 80’s inspired pop tunes were a switch for me. This is me with no filter.

The song, “The Pleasure Seeker,” is actually about your Dad?

Yeah it’s about my Dad [laughs]. It’s not the most becoming song in the entire world, so I was absolutely petrified about playing for him, like shitting my pants petrified.  And he flipped! He plays it for everyone. There’s a line in it, “a skinny little woman is gonna be your fatal flaw,” which is not a compliment. And that is a quote from him, “a skinny little woman is gonna be my fatal flaw,” he said. That’s not an awesome thing to admit, but he called up one of his girlfriends at the time and was like, “there’s a line about you in it!”

You even sing, “don’t tell him about this, ’cause it’ll go to this head.”

Yeah!  I mean, he’s a character. And I had a lot of issues with him, you know? I wrote a couple songs about him in Morningwood too, and he always seems to take it as a compliment, which is funny, ’cause none of them are that nice. But ultimately, I think he looked past all the negatives and saw the underlying message that, I love him, I do. He’s my dad.

How did he kill a man, or is that a little tongue-in-cheek?

No, it’s a true story, and he took really big pride in it. My father was an art dealer. He told me this whole long story about how a man committed suicide and he thinks he had a part in it, because my dad was telling him stuff. It was horrifying to me.

He talked a man to his death?

He didn’t talk the man into it, but the man was so depressed and my Dad definitely didn’t, you know, help. It wasn’t like, Kevorkian or a mental coercion scenario.

Art dealers, you say? Maybe we shouldn’t say more.

Yeah, my father is an art dealer, or was an art dealer. There’s a lot of shady stuff in the art world.

Are you a fan of “The Walking Dead?”

Yeah! I’m actually friends with Rooker, he’s on it. Michael Rooker [who is rumored to return for season 3].

Right I heard that, and some of the inspiration for “Pop Pop, Bang, Bang” came from shooting guns with him?

Yeah, I took my husband for his birthday, on his private range. We were doing crazy stuff, like walking and shooting and we got out this stuffed animal that we had in the back of our car, and we were shooting it [laughs]. I love guns, I always have. It’s such a great sport, I don’t have any in my house but, I gotta say everybody looks cool with a six shooter…. so he took us shooting and he was saying all this cool gun slang. Ultimately when I was writing, I called him and I was like, hey tell me all that stuff again. But he went into this whole history of guns and .22’s, and proper terminology, and I was like you’re talking too much Rooker!  So that’s why it ended up just being, “Pop Pop, Bang, Bang.”

 

 

What’s your favorite gun?

A .22! I love me some classic old school, six shooter lookin’ .22. It’s bad ass and I love wearing a holster.  I wear a holster as a — I put my microphone in my gun holster.

There’s a weird convergence here, with six shooters and zombies and that connection to the show and you — where did the idea behind the video come from?

Yeah, I’m not too specific if they were zombies or dead. All I know is I wanted them to be snapping their fingers and a little saucy. Basically my friend David Yarovesky, who directed it, [pitched it to me] like, “so there’s all these dead girls in a hotel room.” I was like, I’m in. We got a hotel room, and we got all these girls, and the biggest expense was those white contacts. We were so paranoid about going into this hotel with all these girls that were in zombie makeup because you are not suppose to be filming there without a permit. We had this big plan about how we were gonna get all the girls in the room and then we got there and every single person at the hotel was in costume — we shot at the week of Halloween on October 27th. So, one of the girls went to get coffee and they were like “oh you’re here for the Zombie party?” And she was like, “Yes, yes I am.”

[laughter] What do you think that’s about?  Other than that being during Halloween, the video is a grim reminder of the zombie phenomena in our culture.

You know, vampires have been tapped out. So I just gotta go with zombies.  Plus, the impending 2012 end of the world. What’s left…zombies.

There it is. Zombies.

Nothing can beat “28 Days Later” though, that’s my favorite. Oh and IFC, [sings] I love IFC! I watch “Portlandia” and a ton of other shows! I went to the School of Visual Arts for a couple years, I wanted to be a director. So, I love me some movies.

And you directed some videos before, didn’t you?

Couple, yeah. I did some stop animation ones, and some, like, lo-fi ones. Back when Morningwood was signed to different labels, I felt like my hands were tied. There are things contractually where you can’t make music with other people and things like that. I would get so fucking frustrated! What the fuck can I do? And I’d be like alright, I’m gonna make a claymation video! I  do it when I get frustrated. I’m like, what can I do to do something creative where I’m not gonna contractually get in trouble?

If you could write a soundtrack to a film what would it be?

A classic Bond film, doing a Bond theme is in my top ten dreams!

What’s your favorite Bond film?

“Goldfinger,” I don’t know! It’s hard, I judge them mostly by the theme songs [laughs]. Pussy Galore’s pretty awesome. Yeah, and Shirley Bassey. But I heard that Daniel Craig was a fan, he was a fan of my old band. So, I really want him to hear my new stuff.

There’s an idea!

Uh huh! Ya heard me Daniel Craig!?

 

We found the writer of the next Bond theme. You hear that Daniel Craig? Let us know in the comments below or on Twitter or Facebook!

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.