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DID YOU READ

Can We Get a Black Widow Movie?

Scarlett Johansson in The Avengers

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Can we get a Black Widow movie up in this? Most of the Avengers – Hulk, Captain America, Thor, and Iron Man – are bankable franchises. And fans of those franchises, to be sure, put their butts in seats to the record-breaking tune of a $200 million opening weekend, beating the previous opening record held by Harry Potter’s final installment. So: obviously there are going to be sequels; we are in a golden age of comic book movies.

That having been said, of all the Avengers, the Black Widow – Natasha Romanoff – was, to me and to others, the most interesting. Granted, this blogger has a thing for gorgeous women who can kick ass. And The Black Widow is one of the toughest and most interesting characters ever to come out of comic books. As Karina Longworth noted in her largely unfavorable view of The Avengers in The Village Voice (you can’t win ‘em all), The Black Widow is the true standout character. “The Avengers hints that this former Russian spy with ‘a very specific skill set’ has a complicated backstory—sordid and shameful, perhaps, but also rife with transformative drama, suggesting an arc that’s much more interesting than anything the characters travel here.”

My favorite incarnation of Natasha Romanoff, who’s backstory is indeed shameful and sordid but also quite interesting, is the Frank Miller run. Frank Miller, now famous as a screenwriter (RoboCop2), a co-director (Sin City, with Robert Rodriguez), and producer (300) is also famous for his Noir-ish comic book art and dark stories. Miller inked this gritty, infinitely beautiful series of Daredevil comics in which Widow and The Man Without Fear team up to fight a shadowy underworld cult organization of Ninjas known as “The Hand.” There is black magic and lots of arrows and poisoned throwing stars and martial arts involved. The storyline reached its apex in the iconic Daredevil #188, which, this blogger cannot fail to note, is one of the most breathtakingly cinematically scripted graphic novels.

Few Marvel characters are as ready-made for a film franchise as Natasha Romanoff, who appeared, all too briefly, in Iron Man 2. At various points in her comic book life Black Widow has been a villain – an antagonist of Iron Man – a secret agent on both sides during the Cold War, and, finally, as a superhero. She has been used – as a pawn in a complex geopolitical chess match – by the East and the West. Her motive for being a superhero is redemption.

Like Captain America and Wolverine, Romanoff has lived a longer-than-human-lifespan, getting mixed up in both World War II and the Cold War. One telling of her origin goes back to the 1940s where she, as a child, was rescued from the Nazis by Captain America. Then things go murky, and she is lost – mixed up with the KGB. She was trained as the ultimate spy in “The Red Room” – the former Soviet Union’s answer to the Super Soldier program that gave us the red-white and blue bedecked Captain America. In the 60s, Natasha wore a veil and evening gowns, a sort of cheesy parody of the scarlet-haired Russian spy/ vixen. Now, in her final incarnation — a skin tight black suit and golden wrist bands that fire deadly energy beams — she is an Olympic caliber athlete highly trained in all forms of the martial arts that is seeking redemption for her past sins. Does this not sound like a story made for Hollywood?

Also: Scarlett Johansson would be wildly interested in the role. “I love her origin story,” Johansson told CBS News. “I think it’s just such a riveting one. It’s just steeped in history and the richness to shoot in Russia, perhaps … I hope that the fans’ voice is loud enough and they want to see a Widow origin story, I know Marvel would be happy to entertain that. We’ve spoken a lot about it.”

Clearly, movies based on comic book characters are not going away, not with this kind of money on the table. Even actors – like Patrick Dempsey in the case of a possible Dr. Strange movie – are making sort-of-public appeals, perhaps in the hope of getting a social media groundswell going. I’d like to add my voice to Scarlett Johansson’s sexy rasp in saying that we need to make a Black Widow origin story.

And while we are on the subject of beautiful women who could kick our asses and are former secret agents: Could we get a Spider-Woman movie up in this as well? Just saying, yo.

Would you like to see a Black Widow movie? Let us know in the comments below, or on Facebook or Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.