DID YOU READ

Adapt This: “27” by Charles Soule and Renzo Podesta

27

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With Hollywood turning more of its attention to the world of graphic novels for inspiration, I’ll cast the spotlight on a new comic book each week that has the potential to pack a theater or keep you glued to your television screens. At the end of some “Adapt This” columns, you’ll also find thoughts from various comic creators and other industry experts about the books they’d like to see make the jump from page to screen.


This Week’s Book: “27” by Charles Soule and Renzo Podesta

The Premise: A popular rock star suffering from a medical condition that could end his career meets a mysterious scientist who offers him a cure. When things go wrong with the experiment, the musician suddenly finds himself saddled with a mysterious device that grants him unpredictable powers and the attention of supernatural forces connected to the “27 Club” — that famous group of artists (Jim Morrison, Jimi Hendrix, Kurt Cobain, etc.) who all died at age 27.

The Pitch: It’s easy to see the appeal of a story that would feature a lead actor who can pass for a rock star and a cast of actors playing some of music’s most famous gone-too-soon artists. Just imagine the buzz that will precede (and follow) every casting decision, with the media debating who should play Jim Morrison or Janis Joplin or any of the other members of the infamous “27 Club,” and an adaptation of this 2010 series seems silly not to make.

In the series, guitarist and songwriter Will Garland agrees to a strange procedure administered by an even stranger “doctor” after trying every other possibly way to heal his crippled hand. Things don’t go as planned, though, and Will ends up with a strange machine embedded in his chest that gives him superhuman abilities. He also finds himself caught up in a struggle between supernatural entities looking to add him to the long list of brilliant, 27-year-old artists who died at their creative peaks.

The first volume of 27 is an origin story of sorts, introducing the main character and setting up both the situation that gives him his weird powers and the constraints of those abilities. It’s a story that would work well as a standalone film, but could also be easily set up as a potential two- or three-part franchise.

The role of Will Garland offers a nice opportunity to bring in a talented young actor capable of wrangling the young, female audience, while the right choices for some of the famous musicians that make cameos in the book — to offer Will advice or help him with his newfound powers — should make the film more than just the typical young-adult fare.

Of course, it’s worth noting that with some clever handling of the narrative, 27 could also work out well as a television series, with certain members of the “27 Club” becoming recurring characters. This would definitely require some tweaking of the original story and its pacing, but it’s not too far of a leap.

There’s also a unique opportunity to make music an active ingredient in a 27 adaptation and feature songs “written” by Will, as well as songs connected to his real-world and supernatural social circles.

The Closing Argument: Handsome rock star as a lead character? Check. Actors portraying famous celebrities idolized by millions? Check. A healthy dose of ghosts and supernatural mystery? Check.

When it comes down to it, there’s very little about 27 that doesn’t scream seat-filling movie (or couch-crowding television series, for that matter). As with all adaptations, proper handling of the source material and script will probably be the deciding factor on the project’s success, but there’s a lot of potential here for a cool, genre-crossing adventure with a lot of material that will catch the public’s attention and keep them intrigued right up until it arrives on the big (or small) screen.


Would “27” make a good movie or television series? Chime in below or on Facebook or Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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