DID YOU READ

From “Iron Man” to “The Avengers” – A guide to Marvel’s post-credits scenes

030912-avengers-3

Posted by on

You have to hand it to the Marvel Studios team. They know how to keep an audience in the seats right through the credits.

What started as a bonus scene in “Iron Man” has now become the norm for Marvel movies, with each film in the series offering up a brief, extra scene long after the main narrative ends and the credits begin rolling. And what’s more, the extra scenes haven’t simply been outtakes or scenes recovered from the cutting room floor — in nearly every case, they’ve provided the connecting line from one Marvel movie to another, and advanced the over-arching narrative of Marvel’s cinematic universe.

So, just in case you might’ve missed one of these along the way — or simply want a refresher on what each of them entailed — I’ve put together a brief guide to Marvel’s post-credits scenes in each of the six Marvel movies.

Iron Man

Marvel used its very first post-credits scene to introduce the world to Samuel L. Jackson as Nick Fury, who Tony Stark (Robert Downey Jr.) finds waiting for him in his home after he tells the world, “I am Iron Man.” In a wonderful bit of foreshadowing, the director of S.H.I.E.L.D. tells the billionaire superhero, “Mr. Stark, you’ve become part of a bigger universe. You just don’t know it yet.” The scene closes with Fury dropping the tease heard ’round the world: “I’m here to talk to you about The Avengers Initiative.”

The Incredible Hulk

The final scene in this film tied the activities of the famous green behemoth into the greater Marvel cinematic universe, with Tony Stark approaching a drunk, defeated General Thaddeus “Thunderbolt” Ross (William Hurt) after his efforts to take down Bruce Banner’s rampaging alter ego end in failure. “I hate to say I told you so, but that super-soldier program was put on ice for a reason,” Stark tells Ross, a statement that also connects Stark and Ross to the program that originally gave the world Captain America. “What if I told you we were putting a team together?” Stark asks Ross, offering up yet another hint of the crossover to come.

Iron Man 2

This time around, it’s S.H.I.E.L.D. agent Phil Coulson (Clark Gregg) who serves as ambassador of the post-credits crossover, with the agent arriving at the site of a massive crater in New Mexico. “Sir, we found it,” he announces into his phone — most likely to Nick Fury. The camera then pans out to reveal Thor’s mighty hammer Mjolnir resting in the center of the crater.

Thor

Nick Fury returns to the post-credit Marvel movie-verse at the end of “Thor,” introducing scientist Erik Selvig (Stellan Skarsgard) to what we’ll later learn is the Tesseract, a mysterious cube of immense power that features prominently in “Captain America: The First Avenger.” Loki’s appearance at the end of the scene foreshadows his return in “The Avengers” and the role the Tesseract will play in that film as well. This scene also serves as the most direct link to the narrative of “The Avengers,” which picks up during Selvig’s subsequent study of the Tesseract.

Captain America: The First Avenger

In addition to the final scene in the main arc of “Captain America” that features Steve Rogers (Chris Evans) waking up in the modern era, the film’s post-credits scene teased the character’s introduction to The Avengers. “Trying to get me back in the world?” Rogers asks Fury when the S.H.I.E.L.D. director approaches him after a particularly intense workout. “Trying to save it,” responds Fury.

The Avengers

Marvel didn’t cut the post-credits party short after “The Avengers,” though, and dropped not one but two scenes into the credits of the blockbuster team-up film. In the first scene, it’s revealed that Loki’s return and his alliance with the Chitauri invaders was actually orchestrated by a far greater villain: Thanos. As the powerful titan is told that threatening Earth is to “court death,” he smiles — confirming that Marvel’s plans for the superhero team could very well bring them into conflict with one of the universe’s most dangerous beings.

The second post-credits scene in “The Avengers” was significantly lighter, and played on Tony Stark’s earlier line about wanting to try some shawarma. The scene is silent, save for the sounds of the entire team chowing down on shawarama around a large table.

What was your favorite post-credits scene from the Marvel movies? Chime in below or on Facebook or Twitter.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.