DID YOU READ

The difference between movie stars and actors

Leonardo DiCaprio in "Inception"

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Is there a difference between “movie stars” and actors? Both of them act, obviously, but one of them does it as an art form and the other does it – how does one say this? — for the adulation and the box office. There has been endless speculation about psychological motivations. Why would someone need to act on the big screen? Why would someone feel the need to be known by so many people? Did their mothers give them enough love when they were children? Movie stars occasionally do off Broadway – for the craft, for the prestige — but generally they pick their roles not so much for an Oscar or a Screen Actors Guild award so much as for winning the weekend. Tom Cruise, to put it plainly, is a movie star; Willem Dafoe is a – capital “A” — actor. There is a difference.

Recently choleric super-producer Harvey Weinstein – whose muses have, over the years, included Gwyneth Paltrow and Penelope Cruz – was spotted publicly pitching woo at Katy Perry to star in the Paul Potts biopic. From Page Six: “The mogul behind ‘The Artist’ spoke to Perry about playing the wife of Potts — the English mobile-phone salesman who became a singing sensation after winning Simon Cowell’s ‘Britain’s Got Talent’ in 2007. Weinstein was spotted chatting with Perry, who responded, ‘I love a challenge,’ at his pre-Oscar party at Soho House.”

Swell and lovely, Katy. But does loving a challenge make Katy Perry an actress or someone who sometimes acts? Her performance in the “Firework” video notwithstanding, Weinstein was not looking for someone dedicated to the craft for this role. Katy has a fan base; Katy is interesting; Katy sings; Katy can get butts in seats. Katy Perry could conceivably become a movie star. Being a “movie star means being pretty and/or interesting on screen. But the public, to be sure, is fickle.

The pendulum swings. The box office magic doesn’t last. Julia Roberts and Harrison Ford were once stars of such a magnitude as to be in another cosmos altogether. Neither of them is that now. Holding the attention of the public is not easy. What prevailed in the 80s doesn’t hold twenty years later. It is almost like we are in a relationship with movie stars – and all celebrities, really. A one-sided relationship. And when we have had enough of them, when we are no longer interested, we break up. We have essentially fallen out of love with Harrison and Julia. But can we still be friends?

There are, of course, exceptions to the rule. Brad Pitt is both an actor and a movie star and so are Angelina Jolie and Johnny Depp. All are interesting and beautiful and can get people into theaters when they star in the leading role but they also tend to favor serious and complex stories. Angelina Jolie can play Lara Croft in a kick ass role, but she also is also not averse to telling a difficult story about Bosnia or playing the wife of a Wall Street Journal reporter murdered by terrorists. Neither of those films was made to get the maximum number of asses into theater seats. Shia LaBeouf – God bless his heart — would never make such an altruistic calculation. Shia is all about the bottom line – entertaining people with big, shiny movies.

Leo DiCaprio is another example of an actor and a movie star. It is hard to imagine Leo doing an action film or even a slapstick comedy – not that there is anything wrong with that. There is a place for Iron Man and there is a place for J. Edgar in this world. But the stories that Leo wants to tell, the stories that Leo wants to be a part of, involve complicated people in serious situations. And though life has its funny moments and though we love our fantasies, this is what Leo wants to represent.

Capital A – as in art — Actors are not quite in it for the money or the fame. But if you are an actor in the movies you are, ipso facto, famous and rich. It is obviously a complicated relationship; as complicated, really, as an independent film. Obviously an actor could stick to stage work, doing Ibsen off Broadway. But if you are going out an auditioning for films in Los Angeles, fame and/or money are clearly a motivating factor. Not the number one factor, but a big factor nonetheless. So there is clearly a difference between capital a Actors and movie stars. But the difference is not as great as we would like to think.

Who are your favorite movie stars and Actors? Tell us in the comments below or on Facebook and Twitter.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.