DID YOU READ

Malcolm McDowell talks Tom Jones, his legendary career and his new film “Suing The Devil”

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Legendary actor Malcolm McDowell has certainly played his fair share of big screen bad guys. From Alex DeLarge in “A Clockwork Orange” to Dr. Tolian Soran in “Star Trek Generations,” McDowell has turned the cinematic villain into an art form. Perhaps none of his previous characters, however, could match the historically tainted image that his character in Tim Chey’s thriller “Suing the Devil” maintains. In the film, now available On Demand and Digital Download, McDowell plays the Prince of Darkness himself – Satan. When Luke O’Brien (Bart Bronson) decides he’s had enough and sues Satan for eight trillion dollars, the Devil must come to his defense with the help of the country’s greatest lawyers. McDowell was kind enough to sit down with IFC to chat about Tom Jones, his legendary film career, and what it’s like to play Satan.

IFC: We’ll start right in: Do you really think Satan prefers Tom Jones to KISS?

Malcolm McDowell: (Laughter) Well, I put that in because my eight-year-old went through a Tom Jones period. He loves Tom Jones and asked me if I could invite him over for tea. My thought was, well he’s Welsh and he’d probably prefer a nice pint of beer. (Laughter) Yeah, he loved Tom Jones so that’s why I put that in there. I could have said Elvis Presley or someone else, but I just thought it would be fun and so random. (Laughter) I got a chuckle out of it. I just threw it in. There are a lot of ad-libs there, actually, in that part. A LOT. I’d say maybe twenty-five percent I made it up.

IFC: It does seem like they gave you a lot of room to play.

MCDOWELL: It’s the kind of role that you can do anything. When he’s waving the bible at me, I’m pretending it’s his heart or something. I mean, whatever. You can go with anything on this kind of stuff. And it’s such a great role to do that you just make it your own and run with it basically. The thing is, I was there really to entertain the audience. That part had to be bigger than life. Believable? Yes, and it had to really keep the audience entertained. That was what my brief was playing that part. Simple as that.

IFC: It seems like Satan plays it very much like a rock star. I wondered is that more how you viewed him or how you believe Satan would view himself?

MCDOWELL: Yes, it’s the way Satan would love to, of course, appear himself. Sure. [SPOILER REDACTED] Bigger than life. I had to inject a little more in it than normally I would as far as playing a naturalistic sort of part.

IFC: Is that one of the things that first attracted you to the project? The idea that you could really spread your wings a little?

MCDOWELL: Yeah, I could really go for it. You know? Sometimes it’s great to just really go for it. And this is one of those parts. You can’t hold back. You can’t think of the subtleties of playing. You just have to get out and really bare it all and hopefully you don’t fall off the plank. And if you do, hey, pick yourself up, dust yourself down, and start all over again.

IFC: “Suing the Devil” is also a highly religious film. Would you consider yourself a religious person?

MCDOWELL: It is. As for me, I would say that I’m a believer, for sure. I certainly don’t think we are the highest power on the planet.

IFC: Do you think that influences your work and your performances?

MCDOWELL: No. No. It doesn’t in any way, shape, or form. I’m a professional actor. If that were the case, I would never play a murderer or anyone that was immoral. That’s not my call. An actor cannot be a censor. I’m there to interpret. And I don’t have a personal view on the stuff. I don’t make judgments on the characters I play at all. Otherwise, I wouldn’t be able to play them if I did.

IFC: Yeah, the film doesn’t seem to hammer you over the head with the religious aspects of it.

MCDOWELL: You’re right. Of course it is a very religious film. At the end of the day, that’s their audience, but I think it’s a crossover because I think anybody can enjoy this film.

IFC: You got to slap a lot of people in the film. Did that feel good?

MCDOWELL: (Laughter) Yeah, sure. Why not? (Laughter)

IFC: You’ve been in so many great films in so many genres. Is there anything you particularly want to do next?

MCDOWELL: No, there isn’t because, honestly, you can only take what you’re offered and it’s best not to jump ahead. Otherwise you’re going to be disappointed and disillusioned. I just take it as it comes and if I’m not offered something, there’s always a reason, and usually it’s a pretty good one. I’m not worried about it. You know, I’ve had an incredible career and I’m blessed. Yeah, it’s been peaks and valleys, but when you start off with “If…,” “A Clockwork Orange,” and “O Lucky Man!” there’s only one place to go from there. I’m very happy. Very happy.

You can see Malcolm McDowell playing Satan in “Suing the Devil” On Demand and Digital Download now.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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