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Malcolm McDowell talks Tom Jones, his legendary career and his new film “Suing The Devil”

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Legendary actor Malcolm McDowell has certainly played his fair share of big screen bad guys. From Alex DeLarge in “A Clockwork Orange” to Dr. Tolian Soran in “Star Trek Generations,” McDowell has turned the cinematic villain into an art form. Perhaps none of his previous characters, however, could match the historically tainted image that his character in Tim Chey’s thriller “Suing the Devil” maintains. In the film, now available On Demand and Digital Download, McDowell plays the Prince of Darkness himself – Satan. When Luke O’Brien (Bart Bronson) decides he’s had enough and sues Satan for eight trillion dollars, the Devil must come to his defense with the help of the country’s greatest lawyers. McDowell was kind enough to sit down with IFC to chat about Tom Jones, his legendary film career, and what it’s like to play Satan.

IFC: We’ll start right in: Do you really think Satan prefers Tom Jones to KISS?

Malcolm McDowell: (Laughter) Well, I put that in because my eight-year-old went through a Tom Jones period. He loves Tom Jones and asked me if I could invite him over for tea. My thought was, well he’s Welsh and he’d probably prefer a nice pint of beer. (Laughter) Yeah, he loved Tom Jones so that’s why I put that in there. I could have said Elvis Presley or someone else, but I just thought it would be fun and so random. (Laughter) I got a chuckle out of it. I just threw it in. There are a lot of ad-libs there, actually, in that part. A LOT. I’d say maybe twenty-five percent I made it up.

IFC: It does seem like they gave you a lot of room to play.

MCDOWELL: It’s the kind of role that you can do anything. When he’s waving the bible at me, I’m pretending it’s his heart or something. I mean, whatever. You can go with anything on this kind of stuff. And it’s such a great role to do that you just make it your own and run with it basically. The thing is, I was there really to entertain the audience. That part had to be bigger than life. Believable? Yes, and it had to really keep the audience entertained. That was what my brief was playing that part. Simple as that.

IFC: It seems like Satan plays it very much like a rock star. I wondered is that more how you viewed him or how you believe Satan would view himself?

MCDOWELL: Yes, it’s the way Satan would love to, of course, appear himself. Sure. [SPOILER REDACTED] Bigger than life. I had to inject a little more in it than normally I would as far as playing a naturalistic sort of part.

IFC: Is that one of the things that first attracted you to the project? The idea that you could really spread your wings a little?

MCDOWELL: Yeah, I could really go for it. You know? Sometimes it’s great to just really go for it. And this is one of those parts. You can’t hold back. You can’t think of the subtleties of playing. You just have to get out and really bare it all and hopefully you don’t fall off the plank. And if you do, hey, pick yourself up, dust yourself down, and start all over again.

IFC: “Suing the Devil” is also a highly religious film. Would you consider yourself a religious person?

MCDOWELL: It is. As for me, I would say that I’m a believer, for sure. I certainly don’t think we are the highest power on the planet.

IFC: Do you think that influences your work and your performances?

MCDOWELL: No. No. It doesn’t in any way, shape, or form. I’m a professional actor. If that were the case, I would never play a murderer or anyone that was immoral. That’s not my call. An actor cannot be a censor. I’m there to interpret. And I don’t have a personal view on the stuff. I don’t make judgments on the characters I play at all. Otherwise, I wouldn’t be able to play them if I did.

IFC: Yeah, the film doesn’t seem to hammer you over the head with the religious aspects of it.

MCDOWELL: You’re right. Of course it is a very religious film. At the end of the day, that’s their audience, but I think it’s a crossover because I think anybody can enjoy this film.

IFC: You got to slap a lot of people in the film. Did that feel good?

MCDOWELL: (Laughter) Yeah, sure. Why not? (Laughter)

IFC: You’ve been in so many great films in so many genres. Is there anything you particularly want to do next?

MCDOWELL: No, there isn’t because, honestly, you can only take what you’re offered and it’s best not to jump ahead. Otherwise you’re going to be disappointed and disillusioned. I just take it as it comes and if I’m not offered something, there’s always a reason, and usually it’s a pretty good one. I’m not worried about it. You know, I’ve had an incredible career and I’m blessed. Yeah, it’s been peaks and valleys, but when you start off with “If…,” “A Clockwork Orange,” and “O Lucky Man!” there’s only one place to go from there. I’m very happy. Very happy.

You can see Malcolm McDowell playing Satan in “Suing the Devil” On Demand and Digital Download now.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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