DID YOU READ

Tim Grierson on Leonardo DiCaprio and Kate Winslet’s Remarkable Post-“Titanic” Careers

Leonardo DiCaprio and Kate Winslet

Posted by on

Every once in a while, websites will run one of those “Where Are They Now?” features where they’ll spotlight a beloved old movie or TV show and then let you know what its cast members are up to these days. Normally, one of the actors has remained successful, while the rest of them had OK careers whose highlight was this specific movie or TV show. I realize such features are popular, but they always make me sorta sad. So many of these poor people are, say, 20 years removed from their biggest hit — it must be somewhat difficult to only be remembered for something a lifetime ago.

That’s what makes the 3D re-release of writer-director James Cameron’s “Titanic” this week so unusual. The Oscar-winning romantic drama, which opened December 1997, featured two rising young stars who haven’t been associated with a hit that mammoth since. (To be fair, though, almost no one has: It wasn’t until “Avatar” came around that “Titanic” was knocked off its perch as the highest-grossing movie of all time.) Leonardo DiCaprio and Kate Winslet became household names thanks to “Titanic,” but, somewhat miraculously, neither of them feel hopelessly chained to that film. They’ve gone on to impressive careers. That doesn’t happen that often.

You could argue that lots of people knew DiCaprio and Winslet before “Titanic.” And while that’s true, it’s important to go back and see what each actor’s biggest hit was before “Titanic.” For DiCaprio, it was “Romeo + Juliet,” which made $46 million and was sort of a dry run for Cameron’s high-stakes romantic tragedy. Meanwhile, Winslet had “Sense and Sensibility,” the Jane Austen adaptation that earned Winslet the first of six Oscar nominations and grossed $43 million. By comparison, “Titanic” made $601 million, which was far more than the two stars’ entire filmography combined to that point. Audiences may have been aware of DiCaprio and Winslet, but Cameron’s smash made them superstars.

The challenge, though, is what a superstar does next. Although Winslet was the one to get an Oscar nomination from “Titanic,” DiCaprio was the bigger name, and so his subsequent films had to contend with the expectations that they featured “the star of ‘Titanic.’” “The Man in the Iron Mask” was a modest performer, he had a small (but really funny) part in Woody Allen’s “Celebrity,” and then he was the lead in “The Beach,” a critical and commercial disappointment that, just three years removed from “Titanic,” started to make people wonder if his star was beginning to wane.

But it was then that DiCaprio made a career decision that’s helped him immensely since: aligning himself with A-list filmmakers. In December 2002, he returned with Martin Scorsese’s “Gangs of New York” and Steven Spielberg’s “Catch Me If You Can.” Additionally, DiCaprio, who had one Oscar nomination under his belt already with “What’s Eating Gilbert Grape,” began making the transition from marquee dreamboat to serious actor. That hasn’t always gone smoothly — some still complain that his performances in “J. Edgar” and “The Aviator” lack the necessary authority and grit — but with two Oscar nominations and five $100-million-plus hits in the last 10 years, he’s clearly established himself as a star who earns both critical and commercial respect. That was hardly a sure thing when “Titanic” came out and he was just 23.

Unlike DiCaprio, Winslet never had such pressure after “Titanic.” Maybe it was because DiCaprio already had a reputation as a Hollywood bad boy, but Winslet wasn’t perceived as a “celebrity” in the same way. She was an actress, appearing in acclaimed indies like “Heavenly Creatures,” “Jude” and Kenneth Branagh’s “Hamlet.” If her co-star’s turn in “Titanic” seemed part of a well-designed ascent to stardom, Winslet’s involvement was a bit more out of leftfield.

So it shouldn’t have been a surprise that after “Titanic,” she went back to indies, very happily doing “Quills” or “Iris” and not worrying if audiences wondered why she wasn’t interesting in the spotlight. She’s done the occasional studio movie, like the romantic comedy “The Holiday,” but mostly the art house has been her domain, and she’s done terrific work in films like “Eternal Sunshine of the Spotless Mind” and “Little Children.” (She also won Best Actress for “The Reader.”) But it’s worth noting that the biggest hit she’s been associated with since “Titanic” was last year’s “Contagion,” which only made $76 million. But wisely, she’s never made box office numbers the way to gauge her success — it’s from the impressive body of work she’s already amassed at age 36.

Ironically, this weekend’s other big release is also beset with nostalgia: “American Reunion.” Looking at the poster for the film, which recreates the group-shot photo from “American Pie,” you can’t help but glance at the different actors and consider which ones have disappeared and which ones have had thriving careers. (Of that bunch, would you have guessed that Alyson Hannigan would be doing as well as any of them?) But with “Titanic,” there’s no such whatever-happened-to-so-and-so? awkwardness. In fact, we almost take it for granted that these two young stars have continued to be major onscreen presences. Honestly, they made it look rather easy. Even when they reunited for “Revolutionary Road” in 2008, the “Titanic” connection (though obvious) wasn’t that big of a deal. They’re two of our most constantly rewarding stars — them being in another movie together seemed natural.

Maybe that’s why both DiCaprio and Winslet have expressed a little embarrassment at seeing “Titanic” again 15 years later. Cameron said that he showed the film to DiCaprio and “[h]e said to me, ‘I’m such a young punk. Look at me.’ He was practically crawling under the seat.” As for Winslet, “I’ve seen little pieces of it,” she said, “but it’s a whole different me and we look much younger and our acting was different, hopefully not as good as now.”

And they’re both right. It’s a nice feather in an actor’s cap to be part of a film as popular and acclaimed as “Titanic.” But perhaps it’s even better to have gone on to do even better work since.

Watch More
The Nutty Professor Eddie Murphy 1996

Weird Science

10 Weird Movie Substances That Had Hilarious Consequences

Catch The Nutty Professor this month on IFC.

Posted by on
Photo Credit: Universal Pictures/Everett Collection

If you’ve ever opened your refrigerator to find some seriously gnarly days-old potato salad, then you know that sometimes the most harmless-seeming things can turn freaky. Movies have conjured up some truly bizarre stuff, often the work of crazed scientists. Before you catch The Nutty Professor on IFC, check out some of the icky-est, gooey-ist and just plain weird substances on the big screen.

10. Flubber

Flubber
Walt Disney Studios

Professor Brainard’s “flying rubber” increases its speed every time it bounces, and increases the chaos, destruction and unlikely basketball-dunkage of anyone who uses it. Thankfully the movie ends before its thermodynamic impossibility cause the incineration of the entire universe.


9. Quantonium, Monsters Vs. Aliens

Monsters Vs Aliens
DreamWorks

In Monsters vs. Aliens, both action-packed parties are battling over Quantonium, an exotic material which massively empowers anyone who holds it. Literally in the case of Susan Murphy, whose exposure turns her into Ginormica and enables her to fight against Gallaxhar’s invasion force.


8. Sustengo, Little Fockers

Sustengo
Universal Pictures

After finally finding favor with his hard-bitten father-in-law, Greg Focker (Ben Stiller) finds himself strapped for cash and starts promoting Sustengo, an erectile dysfunction drug. Which means leaving boxes of ED drugs lying around a family who can’t even use a toilet without triggering a series of hilarious misunderstandings.


7. Iocane, Princess Bride

Iocane
20th Century Fox

Iocane is a deadly poison with no odor or taste that dissolves instantly in any liquid. The perfect tool for murder isn’t usually hilarious, but The Princess Bride makes everything funny. Hero Westley (Cary Elwes) tricks cunning Vizzini (Wallace Shawn) into drinking the poison in a game of wits. Vizzini lost, not knowing that the answer is “Don’t drink anything offered by someone who just talked about how awesome their poison is.”


6. PX-41, Despicable Me 2

PX41
Universal Pictures

The mutation compound engineered by PX-Labs turns anything into a purple, fluffy, indestructible killing machine. And when Despicable Me‘s famous Minions are dosed with it, look out. Dr. Nefario (Russell Brand) crafts an antidote, PX-41 Antidote, proving he’s much better with chemicals than he is with names.


5. Mood Slime, Ghostbusters II

Mood Slime
Columbia Pictures

When the Ghostbusters came back for their 1989 sequel, the slime they encountered was sillier and scarier. The “Mood Slime” was a special form of ectoplasm utterly saturated in the emotions of everyone and everything around it. And while our heroes energize some positive vibes with Aretha Franklin tunes, the entire city of New York’s psychic outpourings are filling the sewers with something distinctly less positive.


4. The Stuff

The Stuff
New World Pictures

A science fiction soft-serve satire, The Stuff is about an oddly organic treat which is utterly delicious and zero calories. In fact it’s negative calories, because if you eat enough it’ll take over your brain and hollow you out from the inside.


3. Miracle Weight Loss Serum, The Nutty Professor

Buddy Love
Universal Pictures

The core component of The Nutty Professor‘s plot is a miraculous weight loss serum, a simple fluid which re-engineers human DNA all by itself. This allows sweet but sizable Sherman Klump (Eddie Murphy) to transform into the tight, toned and turbocharged Buddy Love (Murphy again). The serum is revealed to be fatally dangerous, but anything which allows Eddie Murphy to play himself cranked up to the max is pure comedy gold.


2. Cobalt Thorium G, Dr. Strangelove

Dr Strangelove
Columbia Pictures

Dr Strangelove or: How I Learned To Stop Worrying and Love The Bomb is about a bomb built with Cobalt Thorium G. It’s a doomsday device designed to annihilate all human civilization and is, slightly worryingly, based on the least fictional materials on this list. Cobalt and thorium both have applications in nuclear weapon design. Luckily we haven’t got them up to G yet.


1. Ectoplasm, Ghostbusters

Ghostbusters
Columbia Pictures

The Ghostbusters live in a world where ghosts are real but physics is still in charge. So while the ghouls are flung around with proton packs, they get the boys in grey back with their appalling ectoplasm, or slime, trail. As Venkman says, getting covered in the stuff will make you feel all funky.

Watch More
Fast Times Jennifer Jason Leigh

Retro Grades

The 11 Best Movie Comedies of the ’80s

Catch Fast Times at Ridgemont High during IFC's '80s Weekend.

Posted by on
Photo Credit: Universal/Everett Collection

The ’80s gave us so many great things (Tab, anyone?), but when it comes to movie comedies, the Reagan years were a golden age of funny. In honor of IFC’s ’80s Weekend, we’ve selected the best big screen comedies from the decade that gave us Bill Murray, Eddie Murphy and other comedy greats. And like one of the movies featured below, this list goes to 11.

1. Back to the Future

“A high school slacker goes back in time, takes his mother to a dance, and gets dangerously close to becoming his own father.” The elevator pitch for Back to the Future doesn’t sound so charming, but the 1985 flick starring Michael J. Fox, Christopher Lloyd, Lea Thompson and Crispin Glover is declared by many as being the perfect movie. (Though we can’t officially say if the Eric Stoltz version would’ve been better.)


2. Ghostbusters

The sheer number of childhoods that were professed to be ruined by the recent reboot should tell you how beloved the original film is. A perfect blend of comedy, horror and fantasy, Ghostbusters has an indelible cast at the top of its game and a heap of one-liners worthy of countless casual references. They have the tools, and they have the talent.


3. Airplane!

Speaking of one-liners, it doesn’t get much more quotable than the 1980 Zucker-Abrahams-Zucker classic Airplane!. Almost a one-to-one parody of the 1957 disaster film Zero Hour!, Airplane! works so well because of how straight faced the zaniness is played — which is something its many imitators fail to notice.


4. This Is Spinal Tap

Rob Reiner, Christopher Guest, Michael McKean and Harry Shearer created the de facto mockumentary film with the hilarious 1984 rock diary This Is Spinal Tap. Heralded as one of the most accurate depictions of backstage life by actual real-life bands, the movie showcases an aging glam metal band struggling for the spotlight while keeping the group intact (especially the spontaneously combustible drummers).


5. National Lampoon’s Vacation

While Caddyshack and Fletch are quintessential Chevy Chase films, nothing beats the bumbling patriarch of the Griswold clan losing his mind en route to Wally World, America’s favorite family fun park. Yes, the sequels saw diminishing returns (aside from Christmas Vacation), but the one that started them all is endlessly watchable. Amen, let’s go!


6. Fast Times at Ridgemont High

Director Amy Heckerling and writer Cameron Crowe managed to capture exactly what high school life was like in the early-’80s. The awkwardness, the frustrations, the scares, the search for purpose and gratification, Fast Times presents its young characters as fully fleshed-out individuals (even the designated stoner shows nuance) and doesn’t talk down to its audience like many teen movies do. (Click here to see all airings of Fast Times at Ridgemont High on IFC.)


7. Beverly Hills Cop

A reminder of the days when Eddie Murphy was the edgiest comedian in showbiz, the one-two punch of Beverly Hills Cop and 48 Hrs. set the template for modern action comedies. We wouldn’t have the Rush Hour franchise and every Kevin Hart film without Axel Foley.


8. Trading Places

A treatise on the Nature vs. Nurture argument at the height of Reagan-era excess, Trading Places depicts the lives that are held in the balance when the mega-rich make friendly $1 wagers and just how joyous the retribution can be. Dan Aykroyd, Eddie Murphy and Jamie Lee Curtis are terrific as the leads, the Duke Brothers are delightfully evil, and in all seriousness, that is a nice purse.


9. Better Off Dead

This 1985 Savage Steve Holland movie is teen angst at its most surreal and affably goofy. John Cusack stars as Lane Meyer, a high schooler still reeling from the loss of his girlfriend to a cocky champion skier. (Is there any other kind in an ’80s movie?) With bloodthirsty paperboys, foreign-exchange street races and stop-motion hamburger interludes, Better Off Dead doesn’t let realism get in the way of accurately portraying pure teen heartbreak.


10. Midnight Run

Of all the critically acclaimed pairings that actor Robert De Niro has had through the years, few are as entertaining as his reluctant team-up with a persnickety Charles Grodin in 1988’s Midnight Run. Perfect foils, the bounty hunter and mob accountant race against time, the Feds and mafia hits until mutual Stockholm Syndrome kicks in and the partnership stops becoming merely professional. (The counterfeit bill scene alone is worth the watch.)


11. Heathers

Heathers is the kind of pitch-black comedy that would never get a major release in 2016. Unflinching in its satire of school shootings, teen suicide and the tragedies that come with the need to fit in, the movie remains relevant to the kids currently growing up in a cruel and judgmental world. And the fact that it’s laugh-out-loud funny while also making a sharp point about youth culture is a testament to how great the movie really is.

Watch More
Bill Hader in Conan Star Wars Audition Sketch

Acts of Wars

Watch Bill Hader, Melissa McCarthy and More Audition to Play Young Han Solo

The Documentary Now! star shows off his best Han and Chewie.

Posted by on
Photo Credit: TBS/YouTube

Thanks in large part to The Force Awakens not sucking, the Star Wars universe is about to get a lot more expansive. Sequels, spin-offs, TV shows, and more are underway — which means a helluva lotta casting calls. Fortunately, Conan O’Brien got his hands on a few audition tapes of celebrities trying out for a role as a young Han Solo.

Check out Documentary Now!’s Bill Hader, Melissa McCarthy, Portlandia favorite Jeff Goldblum, Todd Margaret star Will Arnett and other funny folks offering their takes on what that younger, brasher space swashbuckler would be like.

Watch More
Powered by ZergNet