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DID YOU READ

Tim Grierson on Leonardo DiCaprio and Kate Winslet’s Remarkable Post-“Titanic” Careers

Leonardo DiCaprio and Kate Winslet

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Every once in a while, websites will run one of those “Where Are They Now?” features where they’ll spotlight a beloved old movie or TV show and then let you know what its cast members are up to these days. Normally, one of the actors has remained successful, while the rest of them had OK careers whose highlight was this specific movie or TV show. I realize such features are popular, but they always make me sorta sad. So many of these poor people are, say, 20 years removed from their biggest hit — it must be somewhat difficult to only be remembered for something a lifetime ago.

That’s what makes the 3D re-release of writer-director James Cameron’s “Titanic” this week so unusual. The Oscar-winning romantic drama, which opened December 1997, featured two rising young stars who haven’t been associated with a hit that mammoth since. (To be fair, though, almost no one has: It wasn’t until “Avatar” came around that “Titanic” was knocked off its perch as the highest-grossing movie of all time.) Leonardo DiCaprio and Kate Winslet became household names thanks to “Titanic,” but, somewhat miraculously, neither of them feel hopelessly chained to that film. They’ve gone on to impressive careers. That doesn’t happen that often.

You could argue that lots of people knew DiCaprio and Winslet before “Titanic.” And while that’s true, it’s important to go back and see what each actor’s biggest hit was before “Titanic.” For DiCaprio, it was “Romeo + Juliet,” which made $46 million and was sort of a dry run for Cameron’s high-stakes romantic tragedy. Meanwhile, Winslet had “Sense and Sensibility,” the Jane Austen adaptation that earned Winslet the first of six Oscar nominations and grossed $43 million. By comparison, “Titanic” made $601 million, which was far more than the two stars’ entire filmography combined to that point. Audiences may have been aware of DiCaprio and Winslet, but Cameron’s smash made them superstars.

The challenge, though, is what a superstar does next. Although Winslet was the one to get an Oscar nomination from “Titanic,” DiCaprio was the bigger name, and so his subsequent films had to contend with the expectations that they featured “the star of ‘Titanic.’” “The Man in the Iron Mask” was a modest performer, he had a small (but really funny) part in Woody Allen’s “Celebrity,” and then he was the lead in “The Beach,” a critical and commercial disappointment that, just three years removed from “Titanic,” started to make people wonder if his star was beginning to wane.

But it was then that DiCaprio made a career decision that’s helped him immensely since: aligning himself with A-list filmmakers. In December 2002, he returned with Martin Scorsese’s “Gangs of New York” and Steven Spielberg’s “Catch Me If You Can.” Additionally, DiCaprio, who had one Oscar nomination under his belt already with “What’s Eating Gilbert Grape,” began making the transition from marquee dreamboat to serious actor. That hasn’t always gone smoothly — some still complain that his performances in “J. Edgar” and “The Aviator” lack the necessary authority and grit — but with two Oscar nominations and five $100-million-plus hits in the last 10 years, he’s clearly established himself as a star who earns both critical and commercial respect. That was hardly a sure thing when “Titanic” came out and he was just 23.

Unlike DiCaprio, Winslet never had such pressure after “Titanic.” Maybe it was because DiCaprio already had a reputation as a Hollywood bad boy, but Winslet wasn’t perceived as a “celebrity” in the same way. She was an actress, appearing in acclaimed indies like “Heavenly Creatures,” “Jude” and Kenneth Branagh’s “Hamlet.” If her co-star’s turn in “Titanic” seemed part of a well-designed ascent to stardom, Winslet’s involvement was a bit more out of leftfield.

So it shouldn’t have been a surprise that after “Titanic,” she went back to indies, very happily doing “Quills” or “Iris” and not worrying if audiences wondered why she wasn’t interesting in the spotlight. She’s done the occasional studio movie, like the romantic comedy “The Holiday,” but mostly the art house has been her domain, and she’s done terrific work in films like “Eternal Sunshine of the Spotless Mind” and “Little Children.” (She also won Best Actress for “The Reader.”) But it’s worth noting that the biggest hit she’s been associated with since “Titanic” was last year’s “Contagion,” which only made $76 million. But wisely, she’s never made box office numbers the way to gauge her success — it’s from the impressive body of work she’s already amassed at age 36.

Ironically, this weekend’s other big release is also beset with nostalgia: “American Reunion.” Looking at the poster for the film, which recreates the group-shot photo from “American Pie,” you can’t help but glance at the different actors and consider which ones have disappeared and which ones have had thriving careers. (Of that bunch, would you have guessed that Alyson Hannigan would be doing as well as any of them?) But with “Titanic,” there’s no such whatever-happened-to-so-and-so? awkwardness. In fact, we almost take it for granted that these two young stars have continued to be major onscreen presences. Honestly, they made it look rather easy. Even when they reunited for “Revolutionary Road” in 2008, the “Titanic” connection (though obvious) wasn’t that big of a deal. They’re two of our most constantly rewarding stars — them being in another movie together seemed natural.

Maybe that’s why both DiCaprio and Winslet have expressed a little embarrassment at seeing “Titanic” again 15 years later. Cameron said that he showed the film to DiCaprio and “[h]e said to me, ‘I’m such a young punk. Look at me.’ He was practically crawling under the seat.” As for Winslet, “I’ve seen little pieces of it,” she said, “but it’s a whole different me and we look much younger and our acting was different, hopefully not as good as now.”

And they’re both right. It’s a nice feather in an actor’s cap to be part of a film as popular and acclaimed as “Titanic.” But perhaps it’s even better to have gone on to do even better work since.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.