Kevin Feige has been busy making the media rounds recently to promote “The Avengers.” But with that film nearly a month away from release, it seems like all anyone wants to hear about is Marvel’s future films.
Fortunately, Feige is willing to talk about those as much as he can. During his many recent interviews, he’s talked about everything from “The Avengers 2″ to “Iron Man 3″ to “The Guardians of the Galaxy,” and given us just enough to be appeased on all fronts. And thank goodness for that!
Marvel’s next movie will be “Iron Man 3,” which starts shooting in the next two months. While Feige wouldn’t confirm Ben Kingsley’s involvement, he would talk a bit about the substance of the movie. It turns out that even he knew “Iron Man 2″ kind of sucked, which is why the plan is to return to the winning formula of “Iron Man.”
“Metaphorically, we’re not going back to the cave there’s nothing like that, but we’ve always said let’s get Tony back to the cave, which is he’s stripped of everything, he’s backed up against a wall, and he’s gotta use his intelligence to get out of it,” Feige told Collider. “He can’t call Thor, he can’t call Cap, he can’t call Nick Fury, and he can’t look for the Helicarrier in the sky.”
Up next there will be “Thor 2,” which will see a return of Natalie Portman’s Jane. Though her relationship with the Norse demigod was skimmed over in “The Avengers,” it’s back in the forefront of “Thor 2.”
“We’re acknowledging that that love story in the first movie was sort of a quick crush, essentially, over the course of three quick days in the middle of the desert,” Feige continued to Collider. “And [the heart of the movie is also] the relationship between Thor and Odin, which does change drastically as it did over the course of the first movie, and picks up and continues from there.”
And don’t think that we’ve seen the last of Loki in “The Avengers.”
“Loki has a part, but there will be a different villain, another big villain. But you can’t do a ‘Thor’ movie without Loki,” Feige teased.
We also might meet someone new in “Captain America 2.”The Huffington Post asked Feige whether Captain America would have a new sidekick in his upcoming modern day sequel, and Feige hedged the answer.
“It is interesting that you ask that question. And I’m not going to give you an answer. But I will give you kudos for pointing that out and recognizing that,” he said. When HuffPo commented that they were fans of the “Captain America and the Falcon” era, Feige paused for a second and answered carefully, “That was a fun era.”
Since “The Avengers” is tracking to do so well, it seems to go without saying that Marvel wants to make a sequel. But just to be clear: they do. It turns out that before director Joss Whedon even wrote a word for “The Avengers” script, Feige and Marvel had already optioned him for an “Avengers 2,” so there is a chance he’ll be on board somewhere down the road. Feige offered up a look at how the Marvel film series will get us back to an “Avengers 2.”
“I loved that in comics, you could read all your individual heroes and you could follow their adventures, then every few years there’d be a crossover event that would bring them all together, in one book,” he told The Hollywood Reporter. “Then they’d go their separate ways again, have their own adventures, and a few years later, they’d get back together again. I want to replicate that in movies.”
But even with all these sequels at work, Marvel is also working on adapting some of their standalone properties.
“I think whether it’s Ant-Man, or Dr. Strange, or The Inhumans, or The Guardians of the Galaxy,” Feige said of future projects to CraveOnline. When asked to elaborate which characters we’ll see in “Guardians of the Galaxy,” Feige said “It’s more Star-Lord and Drax and Gamora, and less Vance Astro and that team.”
Which upcoming Marvel movie are you most looking forward to? Tell us in the comments section below or on Facebook and Twitter.
Many fans don’t realize that That ’70s Showis set in an actual historical era. The ’70s really happened, although not in the way that people who lived through them remember it. The show occasionally refers to real 1970s events, social trends, and cultural icons, all through the lens of the Forman family and the gang of basement-dwelling misfits. Here are a few occasions on That ’70s Show when the real world showed through the smoky haze.
1. The Gas Crisis
During the early 1970s, an oil embargo made gasoline prices skyrocket to over 50 cents per gallon. Americans realized they were at the mercy of foreign oil producers, a situation referred to today as “That’s How It’s Always Been, Right?” In the pilot episode of That ’70s Show, Eric ends up getting the iconic 1969 Oldsmobile Vista Cruiser as a result of what Kitty calls “The Gas Crisis.” Red has been forced to buy a Toyota to save fuel, but Eric is glad to get the old gas-guzzling Cruiser, even if it is a “pump- sucker.” Happily, that phrase did not survive the ’70s.
Running around naked—the norm for 90 percent of human prehistory—experienced a sudden resurgence as a fad in the 1970s. In 1974 there was even a streaker at the Academy Awards, where host David Niven joked about the man showing his “shortcomings.” On That ’70s Show, a visit from President Gerald Ford prompts the gang to give streaking a try. The show used a digitized Smiley Face to hide Topher Grace’s, uh, shortcomings, although for the record, it was a rather large Smiley Face.
Carsey Werner Productions
The 1970s were a time of often shocking transformations and radically changing gender roles—and that’s just David Bowie. In 1973, 55 year-old male tennis star Bobby Riggs lost a “Battle of the Sexes” match to Billie Jean King. That ’70s Show tackled the growing feminist movement in the “Battle of the Sexists” episode. Donna consistently beat Eric in sports and games, leading Eric and his friends to question his masculinity. This was long before society realized that it’s not who wins the game, it’s who gets paid 30 percent more to play it.
Disco fever swept the country in the 1970s, creating a huge boom for suppliers of mirror balls, polyester suits, and tiny glass vials. By 1976, when the first season of That ’70s Show is set, the craze had even infiltrated heartland towns like Kenosha, Wisconsin, where the gang ventured to shake their groove things. By Season Eight — and by 1979 in real life — an anti-disco backlash had led to public burnings of disco records, lending the phrase “Disco Inferno” a literal meaning.
5. Gay Rights
In 1970s Wisconsin, leisure suits weren’t the only things that were kept in the closet. The modern Gay Pride movement took off during the ’70s, when the first Pride Day was celebrated in 1970 in the wake of the Stonewall Riots of the previous year. That first year, marches were held in New York, LA, Chicago, and San Francisco. It took a while longer for Gay Pride to reach Point Place, Wisconsin. When Eric’s new lab partner, Buddy (played by a young Joseph Gordon-Levitt) turns out to have a crush on him, Eric has to deal with something the actor’s fans would be totally fine with now.
6. The Pill
In the ’60s and ’70s, oral contraceptives — or simply “The Pill” — revolutionized sex. Amazingly, contraceptive pills were not available to unmarried women in all states until a 1972 Supreme Court decision. But after that and before the AIDS crisis hit in the ’80s, there existed a golden age of easy and worry-free sex. Of course, on sitcoms, nothing is ever easy or worry-free, especially sex. The episode “The Pill” is an exciting “whodunit,” at least in one sense of the term. The show spoofed parental fears of their daughters’ newfound sexual liberation with an old-timey instructional film with the double entendre title “Open for Business.”
In the world of video games, before anyone hit on the blatantly obvious idea of having two Italian plumbers as the protagonists, there was only Pong, where two upright lines did battle with a moving dot. Oh, it also went “boop.” This concept was too simpleminded even for Kelso, who takes it upon himself to improve Red’s Pong game and turns out to be something of a Pong savant. On the upside, nobody ever accused Pong video games of making kids violent, unless they lashed out from sheer boredom.
8. The Recession
The 1970s were a time of economic stagnation, hardship, and high unemployment… just like now, except in those days you sent a typed resume to the HR department (who were known as Personnel department) and two weeks later you received a typed rejection letter. In Season Two of That ’70s Show, Red loses the job at the plant where he had worked for years. Set adrift, Red joined a whole generation of guys who thought they would work a factory job all their lives, only to end up living in a Bruce Springsteen song.
9. CB Radio
In Season Two, Kelso put a CB radio in his van to meet hot chicks. In the ’70s, CB radio amazed people by allowing them to talk to each other in their vehicles. The technology was so impressive it hardly mattered that most of your conversations were with truckers on a 4-day amphetamine binge. Thanks to the hit 1975 song “Convoy,” the ’70s echoed with trucker CB slang like “Breaker, breaker,” “Bear in the air,” “10-4 Good buddy,” and other things that made modern texting abbreviations like LOL and OMG seem like Marcel Proust.
10. Cable TV
In the 1970s, deregulation of the cable TV industry lead to the rapid expansion of cable to ever-increasing numbers of subscribers. By the end of the decade cable reached over 16 million households. One of them was the household of Red Forman, who finally broke down in Season Six and got cable TV, which was promptly hijacked to the basement by Hyde. Once confined to a handful of broadcast stations, thanks to cable our nation now finally has an adequate supply of WWII documentaries, cooking shows, and airings of That ’70s Show on IFC.
11. Space Invaders
Most of the 1970s was the era of pinball with its silver ball, flippers, buzzers, bells, and lights a-flashing. But as the decade waned, change was in the air, and the age of video arcade games dawned with powerhouse shooting games like Space Invaders. During Season Four of That ’70s Show, Kelso was behind the curve, buying a stake in the pinball machine at The Hub. Fez turned the Bally tables on him by having the pinball machine replaced by a brand new Space Invaders game, which had just launched in 1978. And Space Invaders would continue to delight gamers for decades, at least until the release of the Adam Sandler vehicle Pixels in 2015.
In the era before television shows were streamed, downloaded, or DVR’d, they were watched on a device called a television. Then in the mid-70s, manufacturers introduced the first home video cassette recorders. This enabled viewers to watch the Tony Orlando & Dawn Rainbow Hour while recording Baa Baa Black Sheep (and yes, some sadist actually scheduled those two shows against each other on Tuesdays at 8 in 1976). That ’70s Show paid homage to this era in an episode where Red buys a Betamax videotape recorder. Beta was a doomed technology, beaten out by the technically inferior but better-marketed VHS. Red’s Betamax is undoubtedly in a landfill somewhere alongside his 8-track tape and Laser Disc players.
No, not like today’s marijuana, where you take a doctor’s note to a dispensary and vaporize a pinch of connoisseur cannabis that could incapacitate a herd of wildebeests. In the ’70s, pot was illegal, cheap, and you needed to smoke up a Dust Bowl-sized cloud to get a buzz. And back then, pot was treated just like it was treated in many states today —everybody was obviously smoking it, but it was technically taboo, so it was never mentioned. The gang sat in the famous “Circle” in a cloud of smoke every episode for eight seasons without explicitly saying what they were explicitly doing. Not until the finale of Season Seven did Red catch the kids, and even then it was never flat out stated what he caught them doing. Marijuana goes down as the biggest — and uncredited — star of That ’70s Show.
The deathtraps featured in the Sawmovies are basically what would happen if Rube Goldberg and Hellraiser had a demon hell child. Jigsaw (and his assistants) build devices of such staggering complexity that it’s a wonder what they could actually accomplish if they used their skills for good instead of for ironic punishment.
Before you catch the Saw movie marathon on IFC, check out the most creepiest traps from each movie which, of course, are very NSFW unless you work for Jigsaw.
1. The Reverse Bear Trap, Saw
The Reverse Bear Trap was the most visually distinctive contraption of the original movie and set the macabre template for the rest of the series. A large metal machine is connected to the victim’s face. If they fail the test, powerful motors will open their jaw to a truly fatal degree. It basically takes all of our dental surgery fears to a horrifying new level.
2. The Razor Box, Saw II
The Razor Box presents a serious dilemma: A poisoned victim sees a clear box containing an antidote. But if they reach in to grab it, razors cut into their arms. Just a few seconds of examination would have revealed the trap’s key on top of the box. It turns out that when you’re locked in a filthy pit of death traps by a lunatic, the most obvious solution completely goes out the window.
3. Amanda’s Test, Saw III
Amanda survives the Reverse Bear Trap from the first movie and goes on to work with Jigsaw. (And you thought your job interview was bad.) Unfortunately it turns out that most people building death traps don’t actually want their victims to survive. When Amanda shoots someone rather than releasing them from a shotgun collar, Jigsaw explains that that was Amanda’s test. Just after manipulating his other apprentice into shooting her in the neck.
4. See No Evil, Speak No Evil, Saw IV
Two men wake up wearing collars chained to a winding cylinder. One has his eyes sewn shut, the other his mouth, so they’re not really in a condition to take a calm look at the situation. The result is a perfectly brutal tragedy of miscommunication and mutilation.
5. The Fatal Five Teamwork Traps, Saw V
Five victims face a series of traps which can be non-lethally solved with the power of teamwork. (Jigsaw could’ve had a great side career as a corporate trainer.) Unfortunately for the five (then four, then three…) they compete with and kill each other until the final test, where they have to sacrifice a total of ten pints of blood to escape. With only two people left, it doesn’t go well.
6. Breathing Room, Saw VI
A health insurance executive and his company’s heavy-smoker janitor are locked into crushing vices connected to breathing masks. The more they breathe, the tighter the vices close, until only one survives. We’ll be honest; we love this because someone specifically built it so that the “breathing room” pun isn’t the most painful aspect.
7. The Love Triangle, Saw 3D: The Final Chapter
The many Saw sequels meant that Jigsaw and his cohorts had to get even more creative to keep their deathtraps fresh. The Love Triangle took things into the outside world by sticking three actual bodies in a mall display full of actual saws. How did Jigsaw install a murder machine and three actual living humans in a public display booth without being caught? And where is Batman when you need him? Jigsaw is really approaching Joker territory here.
How do you kill that which is already dead? Spectacularly. Zombies aren’t just cannon-fodder — they’re guilt-free target practice for every weapon you can imagine. In celebration of The Walking Dead‘s Robert Kirkman on tonight’s Comedy Bang! Bang!, here are 10 items you definitely want when the inevitable zombie outbreak happens.
10. The Boomstick, Evil Dead franchise
Ash’s trusty sawed-off shotgun, aka the boomstick, is the perfect tool for winning any argument with the undead.
The only thing better than a double-barrelled shotgun? Double-double-barrelled shotguns! Resident Evil‘s Alice shows off her inhuman ex-human killing powers by loading four barrels with quarters for maximum enemy-shredding effect.
8. Chainsaw Hand, Evil Dead franchise
Ash’s chainsaw enhancement gives new meaning to the phrase “lend a hand.”
7. Machine Gun/Grenade Launcher Combo Leg, Planet Terror
When Cherry Darling gets a gun as a replacement left leg she uses it to kick dead ass far harder than any human limb. Especially when she launches the most epic crotch shot of all time.
6. Cricket Bat, Shaun of the Dead
Shaun of the Dead‘s characters attack incoming zombies with anything at hand, be it a handy cricket bat or a box of old vinyl records.
5. Morgan’s Bo staff, The Walking Dead
You can’t get much lower tech than a stick, making Morgan’s weapon the most easily maintained in any post-apocalyptic situation. It’s also the only weapon with a non-lethal option, enabling Morgan to maintain his respect for all living humans while still beating any of those humans idiotic enough to attack him.
4. Grand Piano, Zombieland
Zombieland has amagnificent musical moment when an old lady baits a zombie into a Looney Tunes-esque death by crushing underneath a grand piano. With Woody Harrelson banjoing another brain-eater into oblivion, the movie is an entire orchestra of undead-enders.
3. Michonne’s Katana, The Walking Dead
Michonne may be the most badass character in fiction. She doesn’t just defeat zombies, she slices them apart with utter contempt and keeps her own nearest and dearest undead on chains to protect her from the hordes. But only after amputating anything which would make them dangerous.
2. Decapitation Arrow Truck!, Juan of the Dead
The decapitation arrow is one of the most glorious weapons we’ve ever seen, combining every benefit of staying alive — planning, teamwork, tool use, and the ability to shout “duck” — into a weapon that can create entire corpse circles.
1. Daryl’s crossbow, The Walking Dead
Shotguns announce your total victory over anything in front of you. They also announce your edible presence to everything in every other direction for miles. Expert hunter Daryl Dixon solves this problem with a badass crossbow. Silent, brutal, and you can even recover the bolts from collapsed corpses. Daryl knows the importance of recycling in the zombie apocalypse.
Michelle Monaghan stops by Comedy Bang! Bang! tonight at 11P ET/PT on IFC.
Posted by K Thor Jensen on Photo: Summit Entertainment/Courtesy Everett Collection
Here’s an interesting tidbit you might not know about Michelle Monaghan: when she was growing up, her parents also took in foster kids to their Winthrop, Iowa home. They raised a solid dozen of them over as many years, and we can’t help but think that being exposed to different people from so many circumstances helped Michelle build the empathy and eye for character that has made her one of our favorite actresses.
Shane Black’s demented Hollywood noir is on our short list for most underrated flick of all time. Not only did it bring Robert Downey Jr. back to the big screen as petty criminal turned unwitting detective Harry Lockhart, but it features possibly the best post-Iceman Val Kilmer performance of all time. The third player in the film’s triangle is Michelle Monaghan as Harmony Laine, Harry’s childhood friend all grown up. Harmony is the motor that drives the twisted story of lust and revenge, and she does a bang-up (pun intended) job walking the tightrope between small-town innocence and Los Angeles sleaze.
4. Diane Ford, Trucker
The 2008 indie Trucker might have flown beneath your radar, but you should check it out on Netflix because it’s one of Michelle Monaghan’s finest performances. She plays Diane Ford, a long-haul driver who finds her screwed-up life of getting blitzed and having one-night stands upended when her 10-year-old son comes back into her life. It’s a story that could easily get obvious and cliche, but first-time director James Mottern dodges dramatic pitfalls with the aid of his incredible lead, instead producing a deft character study that is very worth watching.
3. Maggie Hart, True Detective
Season one of the acclaimed HBO crime drama was aided by an incredible cast of actors, including Michelle Monaghan’s Maggie Hart. As one of the key female figures in a very male-dominated show, Maggie has to carry a lot of weight. When we found out halfway through that she’d cheated on her husband (Woody Harrelson) with Matthew McConaughey’s Rust Cohle, it served as a new lens to examine their twisted relationship. It’s a challenging role that Monaghan rises to with aplomb.
2. Christina Warren, Source Code
The premise for the 2011 thriller Source Code is pretty ridiculous — a top secret military project gives Jake Gyllenhaal the ability to travel back in time and re-live the last eight minutes of somebody’s life over and over like the world’s worst Groundhog Day — but the end result is a damn fine film. Michelle Monaghan provides an important emotional anchor as Christina Warren, who Gyllenhaal’s character builds a deeper and deeper connection with every time he loops back. Without her, the whole premise would collapse, and the actress rises to the occasion ably.
1. Julia Meade, Mission: Impossible III
Playing the romantic lead in a Tom Cruise-led spy actioner is a pretty thankless job, but director J. J. Abrams gave Monaghan plenty to chew on as Ethan Hunt’s fiancee Julia Meade in the third Mission: Impossible flick. Initially Julia starts out as a clueless damsel in distress, captured by arms dealer Owen Davian to compel Hunt to steal some Macguffin or other. But by the end of the film she’s up to speed with her fiance’s covert career, saves his life with an electric shock and even pops a cap in the ass of IMF traitor John Musgrave.