Tim Grierson on the Great Films Already Released This Year

Fran Kranz in "The Cabin in the Woods"

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In a couple weeks, “Marvel’s The Avengers” comes out, which heralds the beginning of the summer movie season. That also means the end of the first portion of the film year — the part that people don’t like all that much. As opposed to the fall (when all the serious Oscar contenders open) and the summer (which is a haven for blockbuster action films), the early part of a new year is normally filled with films that are either being dumped by their studio or aren’t quite big enough to warrant much excitement. Sure, you’ve got your Valentine’s Day date-night movies and your major animated offerings — and, this year, the massive hit “The Hunger Games” — but the pre-summer calendar tends to get overlooked, especially late in the year when people are making their Top-10 lists.

But before “The Avengers,” “Men in Black III” and the rest lay waste to the multiplex, I’d like to point out that there actually were several great movies that have already come out this year. They may not have made it to your town, unfortunately, but they’re definitely worth seeing when they land on DVD.

On the mainstream side, you’ve got “The Cabin in the Woods.” For pure smarts and narrative ingenuity, the horror-comedy directed by Drew Goddard and written by Goddard and Joss Whedon took a potentially one-joke idea — which I won’t reveal in case you don’t know yet — and elevated it into something clever, thoughtful and consistently engaging. But that wasn’t the only superb wide release thus far in 2012: Though a disappointing underperformer commercially, director Steven Soderbergh’s “Haywire” will probably be better than most of the action movies we get this summer. Starring MMA fighter Gina Carano, the thriller was all giddy, kinetic fun as a government operative has to break a lot of skulls to figure out who double-crossed her. Soderbergh has made deeper, more “important” films, but “Haywire” has a level of craft that makes it expert escapism.

Released by Paramount Vantage in a limited number of theaters, “Jeff, Who Lives at Home” demonstrated again why writer-directors Jay and Mark Duplass (“Cyrus”) are such a valuable American filmmaking team. Dismissed by some critics because of its jokey surface, the comedy follows the super-positive loser Jeff (Jason Segel) as he goes through a seemingly normal day, only to discover that there are some cosmic coincidences taking place. Though the Duplass brothers can overdo their indie-cred bona fides — the shaking camera is awfully irritating — this is an unexpectedly graceful and generous look at lives that are out of balance. The whole cast is great, but Susan Sarandon is especially wonderful.

A very different brother tandem, acclaimed Belgian writer-directors Jean-Pierre and Luc Dardenne, returned with another sterling offering, “The Kid With a Bike.” The Dardennes, who previously made such gems as “L’Enfant” and “La Promesse,” tell the story of an angry, abandoned young boy (Thomas Doret) failing to reconnect with his absent father, which forces him to rely on the sympathy of a local hairdresser (Cecile de France). The Dardennes prefer spare, unsentimental stories about rudderless people trying to find some direction, and even if “The Kid With a Bike” isn’t among their very finest works, it’s a beautiful and moving film that could be a great gateway drug for the uninitiated. If you’ve never seen any of their movies, try this one — and if you like it, by all means explore their earlier output.

Turkish director Nuri Bilge Ceylan isn’t well known in the States, but his latest film, “Once Upon a Time in Anatolia,” is highly recommended to those who love their detective stories as unconventional as possible. In this atmospheric drama, a collection of men — including a prosecutor and a detective — travel by car through the night with some unsavory criminals who have confessed to a murder. The only problem is that the killers can’t remember where they buried the body in the vast countryside, putting in motion a tense and occasionally strangely comic search for the corpse. When the film premiered at the Cannes Film Festival last year, it was compared to director David Fincher’s meticulous, brilliant “Zodiac,” another procedural about how a crime slowly affects all those who cross its path. I wouldn’t put “Once Upon a Time in Anatolia” at that level of masterpiece, but for the adventurous filmgoer, it’s a gorgeously shot, emotionally troubling experience.

As you may have noticed, some of 2012’s best films have been foreign-language offerings, and I’d like to conclude with two more. The first is the terrific documentary “This Is Not a Film,” which chronicles the house arrest of Iranian filmmaker Jafar Panahi, who in December 2010 was given a six-year jail sentence. (In addition, the government wouldn’t allow him to give interviews or make films for 20 years.) “This Is Not a Film” points its camera at Panahi, who’s stuck in his home coming to terms with the enormity of his sentence. It’s a fascinating slice-of-life portrait of an artist who has been stripped of his ability to communicate with his audience — but who finds a way regardless.

That brings us to my favorite movie so far released this year. It’s “The Turin Horse,” from Hungarian director Bela Tarr. Slowly making its way around the country — it’ll be in Chicago in May — this austere, absolutely absorbing film dramatizes the harsh 19th century existence of an old man (Janos Derzsi) and his daughter (Erika Bok) who live in a cottage in the middle of nowhere. With very little to eat and surrounded by harsh winds and a desolate landscape, the two seem doomed. And so Tarr takes us through an eventful week in their lives — eventful not because a lot happens, but because the filmmaker’s slow, careful examination of these characters hints that something truly and terribly tragic is about to befall them. With its harsh, demanding tone, “The Turin Horse” is probably not the sort of film you’ll be wanting to see with “The Avengers” about to arrive. But the ambition and audacity of Tarr’s film, which reportedly will be the last one the 56-year-old director will ever make, is heroic and momentous in its own way. The first few months of a new film year tend to be filled with the forgettable. Hopefully, my list suggests that a few great movies managed to slip through the cracks.

Do you have a favorite film already released this year? Let us know in the comments below or on Facebook or Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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