DID YOU READ

Adapt This: “WinterWorld” by Chuck Dixon and Jorge Zaffino

winterworld

Posted by on

With Hollywood turning more of its attention to the world of graphic novels for inspiration, I’ll cast the spotlight on a new comic book each week that has the potential to pack a theater or keep you glued to your television screens. At the end of some “Adapt This” columns, you’ll also find thoughts from various comic creators about the books they’d like to see make the jump from page to screen.


This Week’s Book: Winterworld by Chuck Dixon and Jorge Zaffino

The Premise: The world has frozen over from pole to pole, leaving what remains of the human race to forage in the snow and ice for the means to survive. Scully is a trader who travels between outposts, trading what he can scavenge from buried malls and other long-abandoned hubs of civilization. Everything changes when he crosses paths with Wynn, a young girl he rescues from a pair of savage settlers, and Scully and his pet badger Rahrah suddenly find themselves caught between two warring tribes in a battle for resources.

The Pitch: Think “Water World,” but with snow and ice instead of water, and a far better story, too.

WinterWorld actually predates the much-maligned Kevin Costner film by nearly a decade, and after reading this classic 1980s miniseries, there’s reason to believe Dixon and Zaffino could be owed some money from the “Water World” team — though it’s understandable if they opt not to draw any comparisons between their celebrated series and the soggy, 1995 box-office flop.

In WinterWorld, Dixon has crafted a great, post-apocalyptic adventure that manages to be compelling without any of the flashy, sci-fi gimmicks often used to hide lackluster character or story development. There’s very little going on in WinterWorld that doesn’t have roots here in the present-day, sunny world we know, and there’s little need for mutants or monsters to make the story’s setting any more frightening than it already is.

Tonally, WinterWorld is more similar to “The Walking Dead” than “Water World,” with its characters pushed from one seemingly safe place to another in their constant struggle to survive, and forced to deal with a variety of colorful (and dangerous) personalities in order to make it to the next day. There’s very little thought toward the bigger picture here or some world-changing element that could bring the world back to what it used to be — there’s simply the need to live and stay warm.

While Dixon’s original series topped out at a robust 80 pages, there’s still room to expand on the characters of Scully and Wynn in a big-screen adaptation, though the danger would be to shoe-horn in some element of romance where there shouldn’t be any — whether between Scully and an aged-up Wynn or an additional character that wasn’t present in the comic. The pair works as reluctant friends, and more of an uncle-niece dynamic than a father-daughter situation.

As far as other characters go, WinterWorld is a cornucopia of fun villains and other colorful roles for talented actors to chew on, from the burly Big-Bite, chief of the Bear People, to Bossman and his henchmen, who run a massive farm built out of an enclosed sports stadium.

That brings up one of the other appealing elements of a “WinterWorld” movie: the amazing set pieces that such a project would require.

From underground, frozen-over malls to the aforementioned “Tiers” — a farm that fills the field and rows of a covered baseball stadium — there’s ample material for production designers to flex their creative muscles and come up with memorable shots that have never been seen before on the screen.

The Closing Argument: One of the things many critics of “Water World” kept repeating in their reviews is that the film had a lot of potential that was never realized. With an adaptation of WinterWorld, there’s a chance to correct that mistake and give audiences a post-apocalyptic adventure with interesting, realistic characters and a grounded story with real stakes for everyone involved.

Oh, and don’t forget about Scully’s badger pal, either. Badgers are the new wolves.

Seriously, though — if you find a director who can think big without letting the characters be overshadowed by the world they inhabit, there’s a good chance this critically praised comic could find a warm reception on the big screen, too.


This Week’s Comic Creator Recommendation: Knights of the Living Dead by Ron Wolfe and Dusty Higgins (SLG Publishing)

“There is a palm-to-forehead-worthy obviousness to the idea of knights battling zombies. After all, the two hottest shows on TV right now feature the undead (The Walking Dead) and swords and sorcery (Game of Thrones). A story that jams these two genres together is sweet ambrosia for studio execs. What I love about Knights of the Living Dead—written by former Hellraiser scribe Ron Wolfe and illustrated by my Pinocchio collaborator Dusty Higgins—is that, instead of simply resting on the clever premise, it offers one of the most thoughtful meditations on the King Arthur mythos that I’ve yet seen. It could’ve been straight fanboy porn. Instead it is a literary show of force. A literary show of force that features copious amounts of knights slicing through hordes of zombies.”

Van Jensen, author of Pinocchio, Vampire Slayer and Pinocchio, Vampire Slayer and the Great Puppet Theater. The third volume, Pinocchio, Vampire Slayer: Of Wood and Blood, will be released in two volumes in July and August. His new series, Snow White: Through a Glass, Darkly, is serializing digitally.


Would “WinterWorld” make a good movie? Chime in below or on Facebook or Twitter.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

PL_409_MPX-1920×1080

Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

Posted by on
GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

via GIPHY

Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

via GIPHY

Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

via GIPHY

Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

via GIPHY

Self Defense

You can’t throw a download like a ninja star. Think about it.

via GIPHY

If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.