DID YOU READ

Adapt This: “Smoke and Mirrors” by Mike Costa, Jon Armstrong, and Ryan Browne

smoke and mirrors

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With Hollywood turning more of its attention to the world of graphic novels for inspiration, I’ll cast the spotlight on a new comic book each week that has the potential to pack a theater or keep you glued to your television screens. At the end of some “Adapt This” columns, you’ll also find thoughts from various comic creators about the books they’d like to see make the jump from page to screen.


This Week’s Book: Smoke and Mirrors by Mike Costa, Jon Armstrong, and Ryan Browne (IDW Publishing)

The Premise: Stage magician Terry Ward finds himself transported to an alternate world in which magic has replaced technology as the energy fueling civilization, and he must use every trick he knows in order to survive.

The Pitch: Co-created by illusionist and sleight-of-hand artist Jon Armstrong, Smoke and Mirrors only recently debuted on shelves, but its concept already begs for adaptation as a live-action film or television series.

Imagine a world in which Steve Jobs gets on stage to unveil the latest line of motion-based tools for casting spells, or a new line of compact incantation books that let you do more with your home computer or stereo. That’s the world of Smoke and Mirrors. Add the stranger-in-a-strange-land element of someone from our world who ends up in this magic-based alternate reality, and there are endless storytelling possibilities and lots of opportunities for eye-catching tricks of the real and manufactured varieties.

Given that there’s only been one issue of Smoke and Mirrors released so far, it’s hard to say where the story is headed at this point, but if The Walking Dead has taught us anything, it’s that a comic and its adaptation don’t need to sync up precisely. As long as the basic story is strong and both projects keep a consistent narrative tone and theme, they can each find new ways to explore the world created by the source material.

And it’s that world that makes Smoke and Mirrors so appealing for adaptation. From its opening scene, in which the alternate-reality version of a Steve Jobs-like figure introduces a new line of “Gesture” spells, Smoke and Mirrors offers the promise of a universe unlike anything we’ve seen on the big or small screen lately. Magic is as commonplace as electricity, and the story doesn’t unfold in some medieval fantasy world where magic is thrown around by pointy-hatted wizards and wielded against dragons and other creatures. It’s a world in which you change the channel on your TV by reciting a simple spell, and Siri really is a magical entity bonded to your phone.

While we still have a lot to learn about the protagonist of Smoke and Mirrors, the character of Terry Ward also presents quite a bit of cool narrative potential. Seen through his eyes, the magic-powered world will be more easy to absorb, and the mystery of how he got there can provide a strong over-arching thread that propels the story along.

Terry’s presence also allows for some exploration of the world of illusion and sleight-of-hand tricks, as the audience will be privy to the stunts Terry must pull in order to protect himself in this new world. While we can’t expect to learn the secrets of every magic trick, an adaptation of Smoke and Mirrors could provide a nice opportunity to go behind the scenes and get a better understanding of what goes into a stage magician’s performance.

The Closing Argument: Smoke and Mirrors is equal parts magic, science-fiction, and a compelling over-arching mystery all wrapped into a single package that will catch its audience’s attention from the start with its original twist on the world we’re accustomed to living in. Casual audiences will love the easily digestible premise of a world in which magic is real and electricity is fantasy, but the story will also appeal to sci-fi fans and anyone who ponders the broader implications of a world powered by magic instead of our current energy resources. Throw some magic tricks in there for good measure, and… Presto! You’ve got yourself a hit.


This Week’s Comic Creator Recommendation: Dames in the Atomic Age by Chris Ryder (Art of Fiction)

“Of everything I’m reading right now, I’d love to see Dames in the Atomic Age adapted into a feature film. It’s an homage to B-movies and pulp magazines, but told with a brilliant modernist spark by it’s writer, Chris Ryder, and the amazing art team. It’s a small indie from an up-and-coming small press called Art of Fiction, and both should be on everyone’s radar. Most fun I’ve had reading a book in a LONG time.”

Joshua Hale Fialkov, Eisner and Harvey Award nominated writer of Last of the Greats, Echoes, Tumor, and DC’s I, Vampire.


Would “Smoke and Mirrors” make a good movie? Chime in below or on Facebook or Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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