DID YOU READ

Adapt This: “Smoke and Mirrors” by Mike Costa, Jon Armstrong, and Ryan Browne

smoke and mirrors

Posted by on

With Hollywood turning more of its attention to the world of graphic novels for inspiration, I’ll cast the spotlight on a new comic book each week that has the potential to pack a theater or keep you glued to your television screens. At the end of some “Adapt This” columns, you’ll also find thoughts from various comic creators about the books they’d like to see make the jump from page to screen.


This Week’s Book: Smoke and Mirrors by Mike Costa, Jon Armstrong, and Ryan Browne (IDW Publishing)

The Premise: Stage magician Terry Ward finds himself transported to an alternate world in which magic has replaced technology as the energy fueling civilization, and he must use every trick he knows in order to survive.

The Pitch: Co-created by illusionist and sleight-of-hand artist Jon Armstrong, Smoke and Mirrors only recently debuted on shelves, but its concept already begs for adaptation as a live-action film or television series.

Imagine a world in which Steve Jobs gets on stage to unveil the latest line of motion-based tools for casting spells, or a new line of compact incantation books that let you do more with your home computer or stereo. That’s the world of Smoke and Mirrors. Add the stranger-in-a-strange-land element of someone from our world who ends up in this magic-based alternate reality, and there are endless storytelling possibilities and lots of opportunities for eye-catching tricks of the real and manufactured varieties.

Given that there’s only been one issue of Smoke and Mirrors released so far, it’s hard to say where the story is headed at this point, but if The Walking Dead has taught us anything, it’s that a comic and its adaptation don’t need to sync up precisely. As long as the basic story is strong and both projects keep a consistent narrative tone and theme, they can each find new ways to explore the world created by the source material.

And it’s that world that makes Smoke and Mirrors so appealing for adaptation. From its opening scene, in which the alternate-reality version of a Steve Jobs-like figure introduces a new line of “Gesture” spells, Smoke and Mirrors offers the promise of a universe unlike anything we’ve seen on the big or small screen lately. Magic is as commonplace as electricity, and the story doesn’t unfold in some medieval fantasy world where magic is thrown around by pointy-hatted wizards and wielded against dragons and other creatures. It’s a world in which you change the channel on your TV by reciting a simple spell, and Siri really is a magical entity bonded to your phone.

While we still have a lot to learn about the protagonist of Smoke and Mirrors, the character of Terry Ward also presents quite a bit of cool narrative potential. Seen through his eyes, the magic-powered world will be more easy to absorb, and the mystery of how he got there can provide a strong over-arching thread that propels the story along.

Terry’s presence also allows for some exploration of the world of illusion and sleight-of-hand tricks, as the audience will be privy to the stunts Terry must pull in order to protect himself in this new world. While we can’t expect to learn the secrets of every magic trick, an adaptation of Smoke and Mirrors could provide a nice opportunity to go behind the scenes and get a better understanding of what goes into a stage magician’s performance.

The Closing Argument: Smoke and Mirrors is equal parts magic, science-fiction, and a compelling over-arching mystery all wrapped into a single package that will catch its audience’s attention from the start with its original twist on the world we’re accustomed to living in. Casual audiences will love the easily digestible premise of a world in which magic is real and electricity is fantasy, but the story will also appeal to sci-fi fans and anyone who ponders the broader implications of a world powered by magic instead of our current energy resources. Throw some magic tricks in there for good measure, and… Presto! You’ve got yourself a hit.


This Week’s Comic Creator Recommendation: Dames in the Atomic Age by Chris Ryder (Art of Fiction)

“Of everything I’m reading right now, I’d love to see Dames in the Atomic Age adapted into a feature film. It’s an homage to B-movies and pulp magazines, but told with a brilliant modernist spark by it’s writer, Chris Ryder, and the amazing art team. It’s a small indie from an up-and-coming small press called Art of Fiction, and both should be on everyone’s radar. Most fun I’ve had reading a book in a LONG time.”

Joshua Hale Fialkov, Eisner and Harvey Award nominated writer of Last of the Greats, Echoes, Tumor, and DC’s I, Vampire.


Would “Smoke and Mirrors” make a good movie? Chime in below or on Facebook or Twitter.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.