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The 10 best Earth in distress movies (with video)

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What chance does our poor planet have against nature and aliens? Here are ten films featuring the Earth taking a licking (and sometimes not continuing with the ticking).


“Armageddon” (1998)

“Bad Boys” was great, but Michael Bay really got to flaunt his genius in what would be the first of his many large-scale sci-fi action adventures. No giant robots in this one, though; here it’s a giant hunk of space rock that’s threatening to collide with the planet, leaving it up to Bruce Willis and his crack team of oil drillers (including Ben Affleck, Owen Wilson, Will Patton, Steve Buscemi and Michael Clarke Duncan) to hop on the next shuttle and blast the Texas-sized thing into a bunch of much less-threatening smaller chunks. It’s the kind of life-or-death situation and seemingly insurmountable task that calls for at least one Aerosmith song on the soundtrack and a few tears from the lead singer’s daughter as she prays for Affleck’s safe return; luckily, the Ground Control to Willis’ Major Tom is played by Billy Bob Thornton, a fella you’d definitely want to have your back if this kind of crazy shit actually happened. And to think, first contact with the asteroid was established by Eddie Griffin and his dog.


“The Core” (2003)

A bunch of disturbances in the Earth’s electromagnetic field are making birds drop dead and random lightning storms wreck havoc; a geology professor (Aaron Eckhart) concludes it’s because the planet’s core has stopped turning, which launches a top-secret mission to drill into the center of the Earth and blow it to kingdom come, which will (in theory) jump-start its rotation. Stop your own brain’s rotation for 135 minutes and “The Core” is actually a lot of fun, thanks mostly to an enthusiastic cast (including Hilary Swank, Delroy Lindo, Tcheky Karyo, Stanley Tucci and the skinny kid from “Road Trip”) that seems totally game for any kind of preposterous sci-fi nonsense. It’s really too bad about the birds — that little tourist kid is probably going to have nightmares about Trafalgar Square for the rest of his damn life.


“The Day After Tomorrow” (2004)

Al Gore finally gets to say “I told you so” before freezing to death in this environmental disaster flick. Some (okay, everyone) may have quibbled about the non-realism of the ultra-speedy climate apocalypse presented in “The Day After Tomorrow,” but scenes of Mother Nature laying waste to some of the world’s great cities are admittedly simply awesome to watch thanks to the film’s cutting-edge special effects (the initial flood that takes out NYC is especially awe-inspiring). “Day” is also commendable for its rather somber and downbeat tone, a far cry from the rah-rah patriotism of Roland Emmerich’s previous planet-in-jeopardy outing, “Independence Day”; after all, Jeff Goldblum’s laptop — or anything else, for that matter — probably isn’t going to be of much help in fighting extreme climate change. This is the middle — and definitely the darkest — installment in Emmerich’s unofficial “Destroy the Earth” trilogy, between “ID4” and “2012.”


“The Day the Earth Stood Still” (2008)

It isn’t the threat of nuclear warfare but rather our own carelessness with the environment that prompts an alien race to threaten us with extermination in this tree-hugging update of the 1951 sci-fi film. Keanu Reeves is actually quite good as Klaatu, the extraterrestrial ambassador who comes to Earth with the imposing GORT, here a much more organic (and shape-shifting) menace than the clunky robot of the original; Jennifer Connelly works her two expressions (wide-eyed, vaguely erotic confusion and wide-eyed, vaguely erotic confusion) as the Princeton professor who tries to talk the handsome visitor out of pulling the trigger. Director Scott Derrickson’s big-budget remake never quite comes together, but it’s not without its apocalyptic pleasures, including a GORT (here an acronym for Genetically Organized Robotic Technology) who turns into a swarm of nanomachines that devours everything in its path — especially Giants Stadium.


“Deep Impact” (1998)

1998’s much more serious and somber disaster movie chronicles the attempts to destroy a seven-mile-wide comet (discovered by a teenage amateur astronomer played by Elijah Wood) that’s set to collide with the Earth and cause mass extinction; unfortunately, the nuclear bomb planted on the thing by the spacecraft “Messiah” (a join venture between the U.S. and Russia, notch) only succeeds in splitting it in two, which means there’s now a pair of 3.5-mile-wide comets en route to kill us all. “Deep Impact” was released in May and received praise for its (relative) scientific credibility; however, “Armageddon” had Bruce Willis, Aerosmith on the soundtrack and a Fourth of July weekend release date, so it ultimately made more money. Directed by Mimi Leder, a protege of Steven Spielberg’s; oddly enough, she’s barely been heard from since.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

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IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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