DID YOU READ

The 10 best Earth in distress movies (with video)

042412-earth-movies

Posted by on

What chance does our poor planet have against nature and aliens? Here are ten films featuring the Earth taking a licking (and sometimes not continuing with the ticking).


“Armageddon” (1998)

“Bad Boys” was great, but Michael Bay really got to flaunt his genius in what would be the first of his many large-scale sci-fi action adventures. No giant robots in this one, though; here it’s a giant hunk of space rock that’s threatening to collide with the planet, leaving it up to Bruce Willis and his crack team of oil drillers (including Ben Affleck, Owen Wilson, Will Patton, Steve Buscemi and Michael Clarke Duncan) to hop on the next shuttle and blast the Texas-sized thing into a bunch of much less-threatening smaller chunks. It’s the kind of life-or-death situation and seemingly insurmountable task that calls for at least one Aerosmith song on the soundtrack and a few tears from the lead singer’s daughter as she prays for Affleck’s safe return; luckily, the Ground Control to Willis’ Major Tom is played by Billy Bob Thornton, a fella you’d definitely want to have your back if this kind of crazy shit actually happened. And to think, first contact with the asteroid was established by Eddie Griffin and his dog.


“The Core” (2003)

A bunch of disturbances in the Earth’s electromagnetic field are making birds drop dead and random lightning storms wreck havoc; a geology professor (Aaron Eckhart) concludes it’s because the planet’s core has stopped turning, which launches a top-secret mission to drill into the center of the Earth and blow it to kingdom come, which will (in theory) jump-start its rotation. Stop your own brain’s rotation for 135 minutes and “The Core” is actually a lot of fun, thanks mostly to an enthusiastic cast (including Hilary Swank, Delroy Lindo, Tcheky Karyo, Stanley Tucci and the skinny kid from “Road Trip”) that seems totally game for any kind of preposterous sci-fi nonsense. It’s really too bad about the birds — that little tourist kid is probably going to have nightmares about Trafalgar Square for the rest of his damn life.


“The Day After Tomorrow” (2004)

Al Gore finally gets to say “I told you so” before freezing to death in this environmental disaster flick. Some (okay, everyone) may have quibbled about the non-realism of the ultra-speedy climate apocalypse presented in “The Day After Tomorrow,” but scenes of Mother Nature laying waste to some of the world’s great cities are admittedly simply awesome to watch thanks to the film’s cutting-edge special effects (the initial flood that takes out NYC is especially awe-inspiring). “Day” is also commendable for its rather somber and downbeat tone, a far cry from the rah-rah patriotism of Roland Emmerich’s previous planet-in-jeopardy outing, “Independence Day”; after all, Jeff Goldblum’s laptop — or anything else, for that matter — probably isn’t going to be of much help in fighting extreme climate change. This is the middle — and definitely the darkest — installment in Emmerich’s unofficial “Destroy the Earth” trilogy, between “ID4” and “2012.”


“The Day the Earth Stood Still” (2008)

It isn’t the threat of nuclear warfare but rather our own carelessness with the environment that prompts an alien race to threaten us with extermination in this tree-hugging update of the 1951 sci-fi film. Keanu Reeves is actually quite good as Klaatu, the extraterrestrial ambassador who comes to Earth with the imposing GORT, here a much more organic (and shape-shifting) menace than the clunky robot of the original; Jennifer Connelly works her two expressions (wide-eyed, vaguely erotic confusion and wide-eyed, vaguely erotic confusion) as the Princeton professor who tries to talk the handsome visitor out of pulling the trigger. Director Scott Derrickson’s big-budget remake never quite comes together, but it’s not without its apocalyptic pleasures, including a GORT (here an acronym for Genetically Organized Robotic Technology) who turns into a swarm of nanomachines that devours everything in its path — especially Giants Stadium.


“Deep Impact” (1998)

1998’s much more serious and somber disaster movie chronicles the attempts to destroy a seven-mile-wide comet (discovered by a teenage amateur astronomer played by Elijah Wood) that’s set to collide with the Earth and cause mass extinction; unfortunately, the nuclear bomb planted on the thing by the spacecraft “Messiah” (a join venture between the U.S. and Russia, notch) only succeeds in splitting it in two, which means there’s now a pair of 3.5-mile-wide comets en route to kill us all. “Deep Impact” was released in May and received praise for its (relative) scientific credibility; however, “Armageddon” had Bruce Willis, Aerosmith on the soundtrack and a Fourth of July weekend release date, so it ultimately made more money. Directed by Mimi Leder, a protege of Steven Spielberg’s; oddly enough, she’s barely been heard from since.

Continue to next page >>
Watch More
carnotes3_thumbnail

Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

Posted by on

It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

Watch More
MAT_101_blog

Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

Posted by on

This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

Watch More
Quirks_106_MPX-1920×1080

Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

Posted by on

The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

Watch More
Powered by ZergNet