DID YOU READ

The top ten bar fights in movies (with video)

030512_roadhouse

Posted by on

Sometimes a situation can’t be handled by anything other than what a young man named Alex once described as a “bit of the old ultra-violence.” Grab a bottle and break it over the head of our list of great cinematic bar brawls.


“Mean Streets” (1973)

This early mini-classic from a young New Yorker by the name of Martin Scorsese (way, way pre-“Hugo”) features what might be the best bar fight of all time. “Mean Streets” is about small-time hoods, not trained assassins or martial arts experts, so there’s a raw, ragged clumsiness to their pool hall fight, as especially showcased in the extended (and rather amazing) steadicam shot that runs the perimeter of the entire room; these guys don’t know “how” to fight, but they’re fighting nonetheless. Robert De Niro has a terrific bit where he uses a pool cue as a club and takes on his attackers with a few swift kicks (that don’t really hit home, but it’s the thought that counts); the fight also ends as abruptly as it begins after the cops show up, with everyone calling a truce and having a drink — and then it almost starts back up again.


“Desperado” (1995)

Robert Rodriguez’s rowdy sequel/remake to his stunning DIY debut, El Mariachi features the super-suave Antonio Banderas as, well, El Mariachi, a rogue musician with a guitar case full of guns hellbent on revenge against the bandito who shot his hand and killed his girl. Rodriguez’s knack for energetic choreography and bait-and-switch editing is on full display here as Banderas makes short work of a tavern full of scumbags, including Cheech Marin, who would go on to become, like Banderas, a Rodriguez Regular (or is that “Regulator?”). We especially like the bit where the guy spins like a top due to the momentum of all the bullets hitting him in his pivot points — and, really, was there a cooler actor in 1995 than Antonio Banderas?


“Road House” (1989)

“Be nice…until it’s time… to not be nice.” “Road House” is the greatest movie ever made, so of course it’s going to feature not one but multiple awesome bar fights. Patrick Swayze rules as James Dalton, a professional “cooler” who’s also got a philosophy degree from NYU to fall back on if the whole bouncer thing doesn’t work out; for now, he’s off to tame the Double Deuce, a hellhole dive in a small Southern town ruled with an iron fist by the corrupt businessman (or something), Brad Wesley (Ben Gazzara, oozing smarmy evil). Sam Elliott plays the Obi-Wan to Swayze’s Luke Skywalker, who’s called in as reinforcement when the Deuce ends up being too big and bad a gig for just one man. “Pain don’t hurt” is another bit of Dalton wisdom; “This movie’s awesome” is one of ours.


“From Dusk Till Dawn” (1996)

More Robert Rodriguez, though Antonio Banderas sat this one out and George Clooney took center stage (and kicked ass) in his first major feature film role. The entire second act of this action-horror hybrid is one long extended bar fight featuring all sorts of bloody vampire mayhem, though one of our favorite moments is a brawl that almost breaks out. Sex Machine (Tom Savini) shows off some fancy mini-lasso work as he snags a dude’s drink, a trick which the thirsty fella doesn’t exactly appreciate; his unsheathed switchblade is countered with Sex Machine’s fully erect (and, we’re assuming, fully loaded) crotch-pistol, which convinces the would-be assailant to let one of the most celebrated special effects makeup artists in the industry just have his damn beer. Rodriguez completists will recognize this “codpiece gun” as a leftover prop from “Desperado.”


“The Boondock Saints” (1999)

The Brothers MacManus (Norman Reedus and Sean Patrick Flanery) answer to a higher power in this cult vigilante thriller, and there’s definitely a higher power at work in the bar fight; how else can you explain a guy being able to finish his insult to a giant Russian mobster (named Boris, notch) even though he gets punched in the face about halfway through telling him that his “pinko commie mother sucks so much dick, her face looks like an egg” (really, ADR department, what’s up with that)? We guess it’s only appropriate that the event in which the Brothers take the leap into becoming two-fisted (or, in this case, two-wine-bottled) ass-kickers for the Lord would have some supernatural elements to it; this free-for-all of Fightin’ Irish versus Russkie thugs also features an old coot behind the bar shadowboxing with enthusiasm as mayhem explodes all over the joint. Red devils, go home!

Continue to next page > >
Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet