Tim Grierson on “The Hunger Games” and the rise of Hollywood’s next generation of stars


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What were you doing when you were 11? Probably dealing with grade school and possibly still playing with toys. What you probably weren’t doing, though, was being cast as the lead in a movie that a Hollywood studio was hoping would gross about a billion dollars. That’s a lot of pressure for a kid, but that’s what happened to Daniel Radcliffe when Warner Bros. picked him as their Harry Potter. Eight movies and $7.8 billion later, it’s very easy to overlook how incredibly risky that casting choice was: If Radcliffe hadn’t possessed the chops, a cash cow may never have materialized.

It’s funny to think how studios spend so much on their potential franchises — especially on effects and marketing — and even though these movies need good writers, directors, and technicians, in the end a lot of their success hinges on relatively new faces who have never really experienced the media attention this new role will bring them.

Jennifer Lawrence is the latest to face this challenge. Little-known before her breakout two years ago in the acclaimed indie “Winter’s Bone,” Lawrence has seen her profile rise considerably thanks to her subsequent role as Mystique in “X-Men: First Class.” But she was just one of many names in that “X-Men” prequel; for this weekend’s “The Hunger Games,” she’s the main attraction as Katniss Everdeen, the tough, beloved hero of Suzanne Collins’ insanely popular books. In comparison to Radcliffe, Lawrence is a seasoned pro — she’s been acting for seven years, and she’ll be 22 in August — but still Lionsgate is gambling that the world will envision this fresh-faced starlet as Katniss. If audiences don’t, that could seriously derail hopes of sequels and all the many millions of dollars they could generate.

But Lawrence isn’t the only actor whose rising stardom has dovetailed with her attachment to a major studio franchise. The same year that filmgoers were introduced to Lawrence in “Winter’s Bone,” they also discovered Andrew Garfield, who was in “Never Let Me Go” and “The Social Network.” (A few years earlier, he’d been dynamic in the little-seen British drama “Boy A,” playing a young man recently released from prison after a murder conviction.) But can this superb 28-year-old actor become a believable Peter Parker in this summer’s “The Amazing Spider-Man”? Sony had better hope so: He was their pick to star in the comic book reboot that the studio is betting will make people forget all about Tobey Maguire — even though it’s only been five years since Maguire appeared in “Spider-Man 3.” Garfield has proved his ability to play dark, complex characters in sophisticated dramas, but “The Amazing Spider-Man” (despite its brooding trailers to the contrary) is a big summer entertainment catering to as broad a mainstream, worldwide audience as possible, which requires a different sort of performance. Put it this way: Garfield never had to dress up in a costume at Comic-Con when he was promoting “The Social Network,” but he did just that for “The Amazing Spider-Man.”

While it’s unfair to put all the weight of a franchise’s success (or failure) on its star, it’s hard to forget that when an event movie doesn’t pan out commercially, its lead often takes the blame. Consider 2006’s “Superman Returns,” which was supposed to be up-and-coming actor Brandon Routh’s big breakthrough. Instead, when the movie “only” made $391 million worldwide, his career stalled badly, unfairly saddled with the baggage of somehow “ruining” Superman. Likewise, George Clooney may be much older than the other actors we’ve mentioned, but he had to rebound from the debacle of “Batman & Robin,” which threatened to derail his post-“ER” film career.

If Garfield has to contend with oversize commercial expectations, things are a little easier on Benjamin Walker. He’ll play the hero in “Abraham Lincoln: Vampire Hunter,” one of the summer’s possible sleeper hits. Based on the novel by Seth Grahame-Smith, who also wrote “Pride and Prejudice and Zombies,” “Abraham Lincoln: Vampire Hunter” is an action-horror movie that re-imagines our 16th president as a shadowy vampire-slaying machine. Though not as popular as the “Harry Potter” or “Hunger Games” books, “Vampire Hunter” has its passionate cult fans, which makes Walker’s acting job somewhat unique. Playing one of America’s most famous figures, Walker (who previously appeared in “Flags of Our Fathers” and the Broadway musical “Bloody Bloody Andrew Jackson”) has to seem both presidential and an ass-kicker. The entire movie looks like a kooky roll of the dice, and so Walker’s performance could be instrumental in holding the whole thing together — or, if it goes poorly, he could be the face of a badly misguided project.

For all these emerging talents, it’s surely a dream come true to become a superstar in a potential franchise. But there’s a lot of uncertainty attached. Ryan Reynolds had probably hoped that “Green Lantern” would catapult him to the upper echelon of action stars — that didn’t quite happen. So it’s not just enough to play the lead in a big studio film; it has to deliver, too. And when your career has just begun — like in the case of Lawrence or Garfield or Walker — there’s no guarantee there will be a safety net if your big movie tanks. It must be an exciting time for them, knowing that their acting future could be hanging in the balance, but it must also be incredibly stressful as well. By comparison, fighting to the death in the Hunger Games — or web-slinging through New York, or killing vampires — must seem like a breeze.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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