Our top 20 movies to see at SXSW this year


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By Jordan Hoffman

Last year I saw 26 films at South By Southwest. I also ate a dinner plate-sized donut covered in bacon and maple icing. Yeah, it’s not a festival for the weak.

This year’s lineup looks incredible – and a little intimidating. When you consider that SXSW is also loaded with music events, panels with all sorts of industry mavens and viral interactive opportunities (i.e. gorgeous young women and men smiling and shoving apps in your face) it can seem a bit overwhelming. Luckily, you have us.

I’m gonna’ go easy on you and give you 20 films to see because a) it isn’t, like, your JOB to see as many movies as possible and b) there are a lot of awesome vinyl shops and kimchi taco trucks you need to check out while you are in Austin.

“Cabin in the Woods”

Everything you’ve heard about this movie is true, and if you’ve heard nothing that’s even better. Drew Goddard and Joss Whedon take a lifetime of genre movie love and put it all up on the screen. Richard Jenkins and Bradley Whitford are fantastic as the. . .well, to tell you who they are would be spoiling it. Just trust me – you want to see this movie and you want to see it soon, before the hype (and the spoilers) become unbearable.

“Casa de Mi Padre”

Forbidden love and criminal intrigue set in a family-owned Mexican ranch. Yeah, okay. . .sounds like it could be good, I guess. Did I mention this Spanish-language film stars Will Ferrell and is written and directed by SNL and Funny or Die alum? Okay, who’s ready for tequila shots?

“Los Chidos”

Another Mexican film, this one set in the fabled world of roadside tire repair shops, “Los Chidos” shows how the appearance of a stranger can slowly change the ecosystem of any controlled group. Written and directed by Omar Rodriquez-Lopez, who you may know better as one of the two mad geniuses behind the psychedelic jam/doom-rock band The Mars Volta.

“21 Jump Street”

Up until just a few weeks ago I had little interest in seeing Jonah Hill and Channing Tatum revive “21 Jump Street,” even if it was a comedic take. I mean, what, is it the 90s again? Didn’t we learn anything from the “Beverly Hillbillies” movie? While I haven’t yet seen the movie myself, at least four colleagues whose opinion I deeply trust have seen this and say it is genuinely funny in a clever and creative way.

“Fat Kid Rules The World”

Matthew Lillard (yeah, that’s right, Shaggy from “Scooby-Doo”) directs a movie wherein a suicidal fat kid rises to the top of the Seattle punk scene. It is based on a popular young adult novel by a woman with two initials in her name, so you know it’s going to be big.


If “Trollhunter” taught me anything, it’s that I want more Norwegian movies about mythical beasts. Two slacker-y crime scene cleaners uncover a hidden “Huldra,” (a tailed forest nymph) kept hidden in a cellar. What follows looks to be simultaneously creepy and beautiful.

“The Sheik and I”

Caveh Zahedi’s “I Am A Sex Addict” was one of the great “I can’t tell if this is a documentary or not” films of the last five years, and it looks like he’s got another one up his sleeve. On a commission from a Middle Eastern arts council he is challenged to make a film about “subversive art” on the one condition that he not say anything negative about an underwriting Sheik. Which is, of course, exactly what he does. “The Sheik and I” is probably the only film at this year’s SXSW against which a fatwa has been declared.

“V/H/S “

I’m sure fatwas would be issued against some of the sick things in V/H/S, too, if audiences weren’t having such a good time. I saw this anthology of found footage shorts at Sundance and can’t remember the last time I had such a thorough group gasp. It’s gross, it’s funny and it’s really, really scary – a midnight flick to see with an enthused Austin audience.

“The Source”

Perhaps it is just me, but I’ll be forever fascinated with stories from the hardcore counter-culture of the late 1960s and early 1970s. Yeah, I don’t need another montage of street demonstrations to the tune of “All Along The Watchtower,” but this documentary expose about a California commune that made psychedelic rock and sold vegetarian meals on the Sunset Strip looks fantastic. One of its associate producers is named Isis Aquarian, so you know it is legit.

“John Dies At The End”

There are no shortage of places to grab a drink in Austin, so we feel safe in suggesting you have a few rounds with your buddies and then check out Don Coscarelli’s supernatural sci-fi freakout. Based on the beloved cult novel, this dimension-shifting, consciousness-expanding paranormal detective story is the stuff midnight movie dreams are made of. And Paul Giamatti is in it, too.


Not that I spend too much time doing a compare and contrast, but Jeffrey Dahmer is probably the creepiest of all the modern-era serial killers. This documentary takes a look at the people and places that occupied the unhidden side of Dahmer’s life prior to his 1991 arrest. I doubt the Milwaukee Chamber of Commerce is thrilled with this one.

“The Hunter”

Willem Dafoe sent by a (no doubt nefarious) biotech firm to chase down the last surviving Tasmanian tiger. I’d tell you more about it, but I’m trying to keep myself unspoiled. How can this be bad? Sam Neill co-stars.

“Just Like Being There”

There’s no point in going to SXSW if you don’t get the poster. “Just Like Being There” dives deep into the subculture of gig posters with interviews of the artists and their ardent fans. The local heroes behind Mondo, the makers of high end movie prints, make an appearance, which ought to bring the house down in an orgiastic cry of “WANT!”s.

“Degenerate Art: The Art and Culture of Glass Pipes”

But if you want to get into subcultures, I doubt you are gonna’ top this doc. Remember the time you saw a gravity-based bong that looked the hydra from the old “Dungeons and Dragons” cartoon? Now you can meet the artisans behind such functional masterpieces of craft. Screens not included.


The hyper-stylized Canadian film director Guy Maddin is back with what, by his standards, looks like something of a normal film. Jason Patric and Isabella Rossellini star in this moody tale of regret and gangsterism. It also features Kevin McDonald, and considering Maddin’s previous “The Saddest Music in the World” starred Mark McKinney we’d like to salute the director for keeping the former members of The Kids in the Hall employed.


Jack Black, Shirley McLaine and Matthew McCaConaughey team with Austin’s favorite son Richard Linklater for this based-on-truth dark comedy about crime and punishment. If anyone can bring Jack Black from his transformation into the next Robin Williams it’s Linklater.

“The Raid”

This Indonesian action picture concludes its festival tour in Austin after a successful run around the globe. Sony Pictures Classics is releasing it soon and then it will be a frat house favorite for years to come, but you owe it to yourself to see this video game informed, next level of martial arts masterpiece with a late night SXSW crowd. It has some of the most mind blowing, never ending action sequences since John Woo’s “Hard Boiled.”

“Frankie Go Boom”

I have no idea what this movie is about, but I’m just going to quote the blurb from the SXSW site. It makes its own case for being included on this list: “a flik by bruce about his little brother frank who’s a crybaby fuck who shudnt do lame-ass emberrissing shit if he doznt want people 2 see it on the internet”

“The Comedy”

Tim Heidecker stars in a button-pushing non-comedy about a rich, slacker douchebag who behaves terribly and dares you to tell him to go to hell. A divisive, daring film that caused a mini-uproar at Sundance, but hasn’t quite yet shaken me from its spell.


You should see this movie because my friend Chris Bergoch co-wrote it. He’s a really funny, smart guy – and nice, too. I’m sure it is also a good movie (Sean Baker, director of two terrific immigrant stories “Take Out” and “Prince of Broadway” made it with him) but I’d be deceiving you if I didn’t disclose that I’m including this film because I’m proud of my friend. The blurb makes it sound like a “Harold and Maude”-type movie if Harold was a young slacker chick.

Freddy 1920

Freddy Facts

10 Facts You May Not Know About the Nightmare on Elm Street Movies

Catch a Nightmare on Elm Street marathon Friday, November 27th as part of IFC's Sweatsgiving Weekend.

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Defining a film genre with a career that spanned five decades, horror auteur Wes Craven sadly passed away two months shy of his 76th Halloween. The spookmaster helmed some of the grittiest, slash-iest films ever to grace video rental shelves — The Hills Have Eyes, The Last House on the Left and of course, A Nightmare on Elm Street.

Released in the genre-packed year of 1984, the first Nightmare on Elm Street flick spawned a very successful franchise and an iconic character that, even 30 years later, is still a costume staple. And while Freddy Krueger and his dreamscape shenanigans have been watched countless times, there are a few facts about the cat nap killer you might not have known.

Before you catch IFC’s Nightmare on Elm Street Sweatsgiving movie marathon, check out 10 facts about the Freddy movies every horror fan ought to be privy to.

1. There’s a true story behind the original film.

1. Freddy Krueger
New Line Cinema

It’s a far-fetched premise: Young and otherwise healthy individuals have a nightmare and die from unknown causes shortly thereafter. But it actually happened to a group of Southeast Asian refugees who fled to America from the despotic rule of Pol Pot. Three men, in three separate cases, had terrifying nightmares and tried to keep themselves awake for as long as possible. After finally succumbing to exhaustion and dozing off, each man woke up screaming and died with no discernible medical cause. Wes Craven took notice of the cases and decided to work the mystery into a compellingly gruesome storyline.

2. The “Blood Geyser” used 500 gallons of blood and malfunctioned spectacularly.

2. Blood Bed
New Line Cinema

Actor Johnny Depp has a pretty dynamic on-screen death for his feature film debut. As high schooler Glen, Depp is sucked into his bedroom mattress and erupts in a huge blood geyser, which was achieved with a rotating set, a mounted camera and 500 gallons of fake bloodpumped through the bed. However, during an early take, the room was rotated the wrong way and caused a wave of fake blood to splash onto the film equipment and electrical sockets. No one was hurt, but the power went out and Craven referred to the malfunction as a “Ferris wheel from hell” in the DVD commentary.

3. Freddy’s famous sweater instills fear through science.

3. Sweater
New Line Cinema

There’s a reason why Christmas decorations trigger fear in the hearts of men and women — and it’s not just from the prospect of spending time with family. While penning the original script, Craven read in Scientific American that red and green were the two most clashing colors to the human eye. (He shared a visual example last year on Twitter.) Therefore, if the scarred flesh and finger blades weren’t upsetting enough, viewers are subliminally unsettled simply by looking at Freddy’s choice in autumn wear.

4. Freddy’s glove was also designed to tap into our deepest fears.

4. Glove
New Line Cinema

Speaking of finger blades, Freddy’s signature weapon was also based on our primal fears. The glove was a product of Craven’s wishes to give his lead a unique weapon that was both cheap and easy to transport. But the director had a eureka moment when he read about early man’s fear of bear claws. The ingredients came together to produce a glove adorned with fishing knives, later changed to steak knives for the shooting script.

5. Freddy was inspired by a bully, a superhero, a homeless person and a pop song.

5. Bully
New Line Cinema

You’d have to make quite the impression on a writer to be immortalized as a serial killer who preys on sleeping children. But apparently, that’s the case for at least two people in Craven’s past. Craven has said he based Freddy on a bully named Fred Kreuger who menaced Craven in his youth who also inspired the character “Krug” in Last House on the Left. Freddy’s famous hat and sweater is said to be influenced by a homeless man whom Craven remembers staring at him through his bedroom window when he was 10. (The colored sweater was also a nod to the DC Comics superhero Plastic Man.) Finally, Gary Wright’s 1976 hit “Dream Weaver” inspired Craven to create a character who “weaved” through people’s dreams.

6. A Nightmare on Elm Street 2: Freddy’s Revenge is about a teen coming to terms with his homosexuality.

6. Freddy 2
New Line Cinema

Since its release, viewers have noticed A Nightmare on Elm Street 2 has homosexual themes and subtext running throughout the story. (Lead character Jesse is noticeably attracted to his best friend Ron; a sign on his bedroom door forbids the entry of “chicks”; Freddy has no female victims; Jesse and his gym teacher engage in a shower room towel-snapping scene that could only be described as “intimate.”) Turns out, it’s no accident. Screenwriter David Chaskin explained in the documentary Never Sleep Again that he conceived the premise of Freddy entering Jesse’s body as a metaphor for the character’s closeted sexuality.

7. Freddy was originally written as a silent killer.

7. Phone Tongue
New Line Cinema

It’s hard to believe anyone would want to tear out the dialogue for the ol’ gloved wiseacre, but when he was conceived, Freddy Krueger wasn’t going to have any lines. As viewers might notice in the original film, Freddy is more subdued (for Freddy) and closer in tone to his mute cohorts Jason Voorhees and Michael Myers. But as the franchise continued, the killer eventually became the throat-slashing one-liner factory we know him as today.

8. The lack of Freddy in the first film was on purpose.

8. Freddy Appearance
New Line Cinema

Wes Craven didn’t need Spielberg’s deft use of a shark to know the unseen is far scarier than the visible, which is why Freddy Krueger only has 7 minutes of screen time in the original film. Obviously, the character quickly became a huge draw for audiences and was given ample time to shine in the sequels.

9. Dick Cavett really wanted Freddy to kill Zsa Zsa Gabor.

9. Dick Cavett
New Line Cinema

In a dream sequence in A Nightmare on Elm Street 3: Dream Warriors, talk show host Dick Cavett interviews the glamour punchline Zsa Zsa Gabor on TV, morphs into Freddy and goes in for the boa-bedecked kill. As it so happened, Cavett was given the choice of who to have on this fantasy show and he chose Gabor because, according to him, he’d never have her on and if there was any guest he’d like to kill off, it would be her.

10. Wes Craven doesn’t like the ending to the first film.

10. Ending
New Line Cinema

If there’s one thing about horror movies, the genre ain’t short of sequels. And while the Nightmare on Elm Street series went back to the Freddy well more than a few times, Craven never wanted to tease a sequel at the end of the first film. Surprisingly, the first movie was to end on a happy, positive note with the plucky teens driving off. But according to the director’s DVD commentary, studio head Bob Shaye insisted that Craven hint at future installments with Freddy appearing as the driver. Craven compromised with the sweater-striped convertible top and Mom being yanked through the front door window.


Super Awkward

The 10 Most Hilariously Awkward Sex Comedies

Get racy with Gigi Does It Mondays at 10:30P.

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Let’s face it: sex is innately funny. Body parts squishing together is always a recipe for potential awkwardness. So it’s only natural that Hollywood has mined the beast with two backs for comedy since the mid-­1950s. With Gigi getting her groove back on this week’s Gigi Does It, we thought we’d spotlight the 10 most hilariously awkward sex comedies ever lensed, from sci­fi parodies to touching teen romances.

10. Porky’s

Set in the 1950s, Bob Clark’s 1981 hit comedy follows a group of high school kids who want to lose their virginity, and travel to a nightclub in the Florida Everglades to do it. This kicks off a string of comical events that includes a “peeping on the girls locker room” scene that has been endlessly homaged and parodied. Porky’s was a massive critical flop on release, but thanks to VHS and cable airings it became a sweaty ’80s classic.

9. The Virginity Hit

The 2010 comedy The Virginity Hit takes the found­ footage approach from flicks like Paranormal Activity and transplants it into the much scarier world of high school sex and YouTube humiliation. This underrated movie laid the groundwork for a potential “third wave” of sex comedies.

8. Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)

Woody Allen took a best­selling advice book and transformed it into this episodic comedy that cast a baleful eye on sex in the Free Love decade. The stellar cast (Gene Wilder! Burt Reynolds! Lynn Redgrave!) deliver some of the bits that rank among the best in Allen’s career. The rapid­-fire pace lets The Woodman touch on all manner of sexual deviancy, and the movie’s climax — in which the director plays a sperm getting ready to blast off into the throes of orgasm –­ is one of cinema’s most iconic moments.

7. Orgazmo

South Park creators Trey Parker and Matt Stone have never shied away from getting explicit, and their NC­-17 sex comedy was an early taste of the duo’s outrageous humor. A young Mormon missionary comes to Los Angeles to try and save souls and winds up getting hired to star in a superhero-­themed porno. When his costar invents a ray gun that gives people orgasms, all Hell (and hilarity) breaks loose.

6. Superbad

This Judd Apatow-produced hit brought teen comedies into the age of the overshare with its mix of teenage awkwardness, uproarious gags and a healthy bromance between leads Michael Cera and Jonah Hill.

5. American Pie

The second great era of sex comedies kicked off in 1999 with this remarkably ribald ensenble flick about a quartet of friends trying to lose their virginity before they graduate high school. American Pie takes its name from the scene where Jason Biggs gets caught in a compromising position with some pastry, but the movie has multiple unforgettable bits, particularly Alyson Hannigan’s reverie about band camp.

4. There’s Something About Mary

The Farrelly Brothers cemented their position as a comedic powerhouse with this still hilarious Ben Stiller/Cameron Diaz rom com. Rarely has a film that involves testicular injury and unfortunate choices in hair gel been so sweet.

3. The 40-Year-Old Virgin

Judd Apatow proved that sex comedies aren’t just for teens with his breakthrough big screen comedy which cast Steve Carell as the titular middle-aged virgin. Although there’s plenty of erotic tomfoolery in this flick, it’s the real sense of heart and emotional consequence that makes it a classic.

2. The Girl Next Door

The normalization of pornography has drastically changed the way we think about sex, and 2004’s The Girl Next Door wrings tons of laughs from what happens when dirty movies hit a little too close to home. Elisha Cuthbert is the not-so-innocent girl next door who helps Emile Hirsch find new purpose in his life. A surprisingly dark and high-­quality outing for a film that was marketed as “American Porn.”

1. The Graduate

Single­-handedly responsible for introducing the concept of the “MILF” to American culture, Mike Nichols’ 1967 comedy features genre­-defining performances from Dustin Hoffman and Anne Bancroft as a recent college graduate and the older woman he hooks up with. Sex is integral to The Graduate‘s plot and premise — it’s the fulcrum of the emotional conflict, not just thrown in for titillation, making for one of the best comedies of all time.

Rocky Horror Picture Show

Frank N' Facts

10 Things You May Not Know About The Rocky Horror Picture Show

Do the Time Warp with Comedy Bang! Bang!

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Aliens! Dancing! Meatloaf! When The Rocky Horror Picture Show hit the big screen all the way back in 1975, no one knew exactly what to make of it. 40 years later, Comedy Bang! Bang! is celebrating the beloved cult movie with an all-out costumed extravaganza. To get you ready for the party, we thought it was high time to jump to the left, take a step to the right, and learn a little bit more about the movie that put the “Time” in Time Warp.

10. Meatloaf Never Rode The Motorcycle


While his character, Eddie, may have been a hog riding badass, in reality a stunt double did all the future Celebrity Apprentice contestant’s bike riding stunts. That is, except for close-ups, when Meatloaf was pushed around in a wheelchair.

9. Rocky Didn’t Have a Belly Button

20th Century Fox

20th Century Fox

The makeup department actually fashioned a plug to cover up Peter Hinwood’s belly button, as his character was grown in a tub, and thus wouldn’t need one.

8. It Was Tim Curry’s First Movie

20th Century Fox

20th Century Fox

Curry actually originated the role of the cross-dressing mad scientist Dr. Frank N. Furter on the stages of London and Los Angeles, before reprising it in his film debut.

7. Mick Jagger Wanted In On The Fun

Rolling Stones Records
Rolling Stones Records

Jagger was supposedly a fan of the stage production, and made enquiries into playing none other than Dr. Frank N. Furter.

6. The Movie Made Susan Sarandon Sick

20th Century Fox

20th Century Fox

The drafty country house that doubled as Dr. Frank N. Furter’s castle famously had no heat or bathrooms. Susan Sarandon complained, but no one took her seriously until she caught pneumonia while filming a dance number in a freezing pool. Always a pro, she finished the scene.

5. The Crew Used Real Skeletons

20th Century Fox

20th Century Fox

The gothic clock was no mere prop. In fact, the woman who first commissioned it to be made had one request — to be entombed within it. That’s her real skeleton revealed hiding inside.

4. David Bowie’s Makeup Artist Created the Film’s Looks

20th Century Fox
20th Century Fox

Pierre La Roche, who worked on the Ziggy Stardust tour and the Aladdin Sane album cover, designed the iconic makeup for the film. Still, rumor has it he took so long to apply it, nearly four hours, that Tim Curry just ended up doing his own.

3. Magenta and Columbia Started As One Character

20th Century Fox

20th Century Fox

Before production, Magenta and Columbia were split into two separate characters, to create a part for singer Marianne Faithfull to play. She ended up turning the role down, but the characters remained separated.

2. The Corpse Was a Deadly Surprise

20th Century Fox

20th Century Fox

The corpse revealed hiding inside Frank N. Furter’s dinner table was kept a secret from the actors, so their shocked reactions would be as real as possible.

1. RHPS Holds the Record For Longest Release in Film History

20th Century Fox

20th Century Fox

A flop upon release, Rocky Horror gained a following as a midnight movie at New York’s Waverly Theater in the late ’70s. It has since played non-stop for four decades, smashing the record for longest release of a film.

Gigi Does It

Date Gigi

5 Ways to Get Ready for Tonight’s Gigi Does It and Tear Up the Dating Scene

Catch the season finale of Gigi Does It tonight at 10:30P ET/PT on IFC.

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Listen up, widows and widowers: It’s time to stop your sulking! Whip up a beta blocker-and-Metamucil cocktail and hit the club, because it’s time for you to get back out there. But if it’s been awhile since you hit the dating scene, don’t fret. Tonight’s season finale of Gigi Does It at 10:30P ET/PT will guide you in the ways of modern love. Here are five ways to get ready for tonight’s episode and be a hellcat at your next senior singles mixer.

1. Maintain personal boundaries.

Courting rituals have changed quite a bit since the Eisenhower era, with physical relationships starting way before marriage. But no matter how much of a superfreak you are in the sack, don’t let anyone else tell you when you’re ready to show off those skills. Though right after the desert course might not be the best time to propose a public tryst, lest you end up on the receiving end of a drink to the face like Leonard here.

2. Cast a wide net.

As the saying goes, there are plenty of fish in the sea — so why not peruse the market before settling on a catch? Attend a speed dating event and let first impressions do all the work. You deserve a break. And it’s a great opportunity to show off your singing voice and/or share some cat stories.

3. Hide any inappropriate body art.

A first date might not be the best time to reveal your ink or your get-rich-quick scheme. That’s more of a third date thing.

4. Let Gigi keep you up-to-date with the latest trends in vulgarity.

Loose lips may sink ships, but no one wants an old fuddy duddy as a first mate. It’s time to undo that truss and check out this Gigi clip which removes the bleeps and blurs for a NSFW look at the foul-mouthed granny in action.

5. Remember: You’re a grandparent first and a lover second.

Rather than let casual sex rule her life, Gigi knows that being a grandparent trumps a roll in the hay every time. But do those nasty urchins appreciate their bubbes? As a little reminder, Gigi penned a children’s book that puts guilt back into grammar school literature. Give it a read here.

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