DID YOU READ

Our top 20 movies to see at SXSW this year

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By Jordan Hoffman

Last year I saw 26 films at South By Southwest. I also ate a dinner plate-sized donut covered in bacon and maple icing. Yeah, it’s not a festival for the weak.

This year’s lineup looks incredible – and a little intimidating. When you consider that SXSW is also loaded with music events, panels with all sorts of industry mavens and viral interactive opportunities (i.e. gorgeous young women and men smiling and shoving apps in your face) it can seem a bit overwhelming. Luckily, you have us.

I’m gonna’ go easy on you and give you 20 films to see because a) it isn’t, like, your JOB to see as many movies as possible and b) there are a lot of awesome vinyl shops and kimchi taco trucks you need to check out while you are in Austin.


“Cabin in the Woods”

Everything you’ve heard about this movie is true, and if you’ve heard nothing that’s even better. Drew Goddard and Joss Whedon take a lifetime of genre movie love and put it all up on the screen. Richard Jenkins and Bradley Whitford are fantastic as the. . .well, to tell you who they are would be spoiling it. Just trust me – you want to see this movie and you want to see it soon, before the hype (and the spoilers) become unbearable.


“Casa de Mi Padre”

Forbidden love and criminal intrigue set in a family-owned Mexican ranch. Yeah, okay. . .sounds like it could be good, I guess. Did I mention this Spanish-language film stars Will Ferrell and is written and directed by SNL and Funny or Die alum? Okay, who’s ready for tequila shots?


“Los Chidos”

Another Mexican film, this one set in the fabled world of roadside tire repair shops, “Los Chidos” shows how the appearance of a stranger can slowly change the ecosystem of any controlled group. Written and directed by Omar Rodriquez-Lopez, who you may know better as one of the two mad geniuses behind the psychedelic jam/doom-rock band The Mars Volta.


“21 Jump Street”

Up until just a few weeks ago I had little interest in seeing Jonah Hill and Channing Tatum revive “21 Jump Street,” even if it was a comedic take. I mean, what, is it the 90s again? Didn’t we learn anything from the “Beverly Hillbillies” movie? While I haven’t yet seen the movie myself, at least four colleagues whose opinion I deeply trust have seen this and say it is genuinely funny in a clever and creative way.


“Fat Kid Rules The World”

Matthew Lillard (yeah, that’s right, Shaggy from “Scooby-Doo”) directs a movie wherein a suicidal fat kid rises to the top of the Seattle punk scene. It is based on a popular young adult novel by a woman with two initials in her name, so you know it’s going to be big.


“Thale”

If “Trollhunter” taught me anything, it’s that I want more Norwegian movies about mythical beasts. Two slacker-y crime scene cleaners uncover a hidden “Huldra,” (a tailed forest nymph) kept hidden in a cellar. What follows looks to be simultaneously creepy and beautiful.


“The Sheik and I”

Caveh Zahedi’s “I Am A Sex Addict” was one of the great “I can’t tell if this is a documentary or not” films of the last five years, and it looks like he’s got another one up his sleeve. On a commission from a Middle Eastern arts council he is challenged to make a film about “subversive art” on the one condition that he not say anything negative about an underwriting Sheik. Which is, of course, exactly what he does. “The Sheik and I” is probably the only film at this year’s SXSW against which a fatwa has been declared.


“V/H/S “

I’m sure fatwas would be issued against some of the sick things in V/H/S, too, if audiences weren’t having such a good time. I saw this anthology of found footage shorts at Sundance and can’t remember the last time I had such a thorough group gasp. It’s gross, it’s funny and it’s really, really scary – a midnight flick to see with an enthused Austin audience.


“The Source”

Perhaps it is just me, but I’ll be forever fascinated with stories from the hardcore counter-culture of the late 1960s and early 1970s. Yeah, I don’t need another montage of street demonstrations to the tune of “All Along The Watchtower,” but this documentary expose about a California commune that made psychedelic rock and sold vegetarian meals on the Sunset Strip looks fantastic. One of its associate producers is named Isis Aquarian, so you know it is legit.


“John Dies At The End”

There are no shortage of places to grab a drink in Austin, so we feel safe in suggesting you have a few rounds with your buddies and then check out Don Coscarelli’s supernatural sci-fi freakout. Based on the beloved cult novel, this dimension-shifting, consciousness-expanding paranormal detective story is the stuff midnight movie dreams are made of. And Paul Giamatti is in it, too.


“Jeff”

Not that I spend too much time doing a compare and contrast, but Jeffrey Dahmer is probably the creepiest of all the modern-era serial killers. This documentary takes a look at the people and places that occupied the unhidden side of Dahmer’s life prior to his 1991 arrest. I doubt the Milwaukee Chamber of Commerce is thrilled with this one.


“The Hunter”

Willem Dafoe sent by a (no doubt nefarious) biotech firm to chase down the last surviving Tasmanian tiger. I’d tell you more about it, but I’m trying to keep myself unspoiled. How can this be bad? Sam Neill co-stars.


“Just Like Being There”

There’s no point in going to SXSW if you don’t get the poster. “Just Like Being There” dives deep into the subculture of gig posters with interviews of the artists and their ardent fans. The local heroes behind Mondo, the makers of high end movie prints, make an appearance, which ought to bring the house down in an orgiastic cry of “WANT!”s.


“Degenerate Art: The Art and Culture of Glass Pipes”

But if you want to get into subcultures, I doubt you are gonna’ top this doc. Remember the time you saw a gravity-based bong that looked the hydra from the old “Dungeons and Dragons” cartoon? Now you can meet the artisans behind such functional masterpieces of craft. Screens not included.


“Keyhole”

The hyper-stylized Canadian film director Guy Maddin is back with what, by his standards, looks like something of a normal film. Jason Patric and Isabella Rossellini star in this moody tale of regret and gangsterism. It also features Kevin McDonald, and considering Maddin’s previous “The Saddest Music in the World” starred Mark McKinney we’d like to salute the director for keeping the former members of The Kids in the Hall employed.


“Bernie”

Jack Black, Shirley McLaine and Matthew McCaConaughey team with Austin’s favorite son Richard Linklater for this based-on-truth dark comedy about crime and punishment. If anyone can bring Jack Black from his transformation into the next Robin Williams it’s Linklater.


“The Raid”

This Indonesian action picture concludes its festival tour in Austin after a successful run around the globe. Sony Pictures Classics is releasing it soon and then it will be a frat house favorite for years to come, but you owe it to yourself to see this video game informed, next level of martial arts masterpiece with a late night SXSW crowd. It has some of the most mind blowing, never ending action sequences since John Woo’s “Hard Boiled.”


“Frankie Go Boom”

I have no idea what this movie is about, but I’m just going to quote the blurb from the SXSW site. It makes its own case for being included on this list: “a flik by bruce about his little brother frank who’s a crybaby fuck who shudnt do lame-ass emberrissing shit if he doznt want people 2 see it on the internet”


“The Comedy”

Tim Heidecker stars in a button-pushing non-comedy about a rich, slacker douchebag who behaves terribly and dares you to tell him to go to hell. A divisive, daring film that caused a mini-uproar at Sundance, but hasn’t quite yet shaken me from its spell.


“Starlet”

You should see this movie because my friend Chris Bergoch co-wrote it. He’s a really funny, smart guy – and nice, too. I’m sure it is also a good movie (Sean Baker, director of two terrific immigrant stories “Take Out” and “Prince of Broadway” made it with him) but I’d be deceiving you if I didn’t disclose that I’m including this film because I’m proud of my friend. The blurb makes it sound like a “Harold and Maude”-type movie if Harold was a young slacker chick.


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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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