There’s a big argument against Hollywood’s current obsession with tacking a sequel on to every successful film, but some stories are just meant to be revisited. Such is the case with “Super Troopers,” the 2001 cult comedy film that has gone on to have a continued life on home video in the 11 years since its big screen release.
IFC had the chance to catch up with the film’s actor/director Jay Chandrasekhar and actor Kevin Heffernan at SXSW, where they were busy promoting their new film “The Babymakers.” While there have been rumors of a “Super Troopers 2″ for years, Chandrasekhar was able to confirm that the movie is pretty close to becoming an actuality.
“We’re hoping to make ‘Super Troopers 2′ eventually,” he said. “We’ve written the script and as soon as we figure out a little sort of legal thing with Fox, I think we’ll hopefully get a chance to make that.”
“It’s ready to go,” added Heffernan.
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SXSW 2012: “Super Troopers 2″ script “ready to go,” say Broken Lizard stars
The duo have worked together on many projects, as they are two of the five members of the comedy troupe Broken Lizard. Together with Steve Lemme, Paul Soter and Erik Stolhanske, the group has gone on to make such hilarious films as “Club Dread,” “Beerfest” and, of course, “Super Troopers.”
“The Babymakers” is Broken Lizard’s latest collaboration, and they likely will work on many more projects together in the future. Chandrasekhar joked that he has been using the hope that their next film will be “Super Troopers 2″ to his advantage in trying to get his new movie pitches off the ground.
“It’s great because every time we make another movie, people will hopefully be like, ‘Okay, could be another “Super Troopers,” we better get involved!'” he said with a laugh.
Do you want to one day see “Super Troopers 2″? Tell us in the comments section below or on Facebook and Twitter.
Before Todd Margaretreturns to IFC for a third season on Thursday, January 7th, he is taking over New York Comic Con the same way he took over the London office of Thunder Muscle energy drink.
Get ready for the comeback to end all comebacks, because Todd Margaret (David Cross), is back, three years after he blew up the world and he has the panel at NY Comic Con to prove it. On Friday, October 9th at 5:30 PM, stop by Room 1A10 at the Javits Center in New York City for IFC Presents Todd Margaret: A Sneak Peek at the Return of a Cult Hit and watch the first two episodes of the brand new season.
As fans of the series know, total chaos ensued when bumbling American Todd Margaret was sent to London to promote Thunder Muscle. The result was the end of the world, but somehow Todd survived. He’s returning for a third season, but there’s a twist: he’s a very, very different Todd.
See how it all plays out at this sneak peek screening at New York Comic Con before the new season premieres on IFC in 2016. And check back for more updates on the return of Todd Margaret.
Catch Ghostbusters II Thursday, November 12th starting at 5P ET/PT on IFC.
Posted by Brian Steele on Photo credit: Columbia Pictures/Everett Collection.
Before his untimely death in 1982, few in Hollywood could match the sheer comedic force of John Belushi. For a brief moment in 1978, he had the number one album (The Blue Brothers’ Briefcase Full of Blues), the number one show in late night television (SNL), and the number one movie in theaters (Animal House). Drugs and the vagaries of Hollywood didn’t allow Belushi to remain on top for long, but at the time of his death, he had several projects in the pipeline. Before you catch the Ghostbusters movies (a franchise literally haunted by the ghost of Belushi) on IFC, check out a few projects that could’ve been different had they featured Belushi’s singular talent.
10. Ghostbusters, Peter Venkman
Ghostbusters had a long, complicated road to the big screen. When Dan Aykroyd first developed the project, he envisioned it as a follow-up to The Blues Brothers about a team of time traveling ghost hunters in the distant future. But then, just as the project started moving forward, its supposed star died of a drug overdose.
From day one, Belushi was envisioned as Peter Venkman, the smooth talking ladies man/paranormal investigator, but his death threw the project into a tailspin. Richard Pryor was briefly considered for the lead role, before it fell into Bill Murray’s lap. It’s near sacrilege to picture Ghostbusters without Murray’s unique persona steering the ship, but it’s fun to imagine what Belushi would’ve brought to the comedy classic. Aykroyd and director Ivan Reitman have always said that lovable ghoul Slimer is basically a tribute to Belushi in slimy, spectral form.
9. Moon Over Miami (aka American Hustle), Shelly Slutsky
Shortly before Belushi’s death, famed French auteur Louis Malle began developing a script based on the FBI Abscam story, a sting operation in the 1970s that led to the arrest of numerous politicians. If that sounds familiar, it’s because filmmaker David O. Russell mined the same true story in 2013 for his Oscar favorite American Hustle.
Moon Over Miami, as the project was known at the time,would’ve allowed both Malle and Belushi to step outside their comfort zone, creating more of a sharp satire than a flat out comedy or drama. Belushi would’ve played Shelly Slutsky, a slobbish conman similar to the role Christian Bale played in American Hustle. Belushi’s partner in crime, Dan Aykroyd, was also being eyed for the role of Otis Presby, otherwise known as Bradley Cooper’s FBI agent on the edge. If all the pieces had come together, this movie had the potential to be a major turning point for the creative partnership of Belushi and Aykroyd. Playwright John Guare, who penned the script, would stage the screenplay years later, but this version of the story would never make it to the big screen.
8. Fatty Arbuckle biopic
Belushi was the first of many larger than life comedic actors to explore the possibility of playing the legendary silent film star, who all but invented the idea of the chubby comedian on the big screen. The story of Arbuckle’s rise and tragic fall at the dawn of Hollywood could’ve provided Belushi with a chance to be funny, while also exploring the inherent darkness of being the “fat guy who falls down.”
7. Animal House 2, John ‘Bluto’ Blutarsky
Animal House had the biggest box office ever for a comedy when it came out, so it’s no surprise a sequel was immediately put into development. The story would have followed Bluto, Otter and the boys reuniting during the Summer of Love, but Belushi resisted, for fear of being typecast, and the project never came together. Belushi’s passing thankfully spared moviegoers from what would no doubt have been a lesser sequel to a comedy classic.
6. Noble Rot, Johnny Glorioso
This dark comedy about a dysfunctional family of winemakers was a passion project for Belushi, who co-wrote the script with fellow SNL writer/performer Don “Father Guido Sarducci” Novello. Alas, his death would leave the project in limbo, and we would never get to see what a movie co-written by and starring Belushi would’ve looked like.
Set in an alternate universe New York City, where everything has the feel of a 1930s musical, the Lorne Michaels-produced film features cameos from SNL favorites Dan Aykroyd and Bill Murray. Rumor has it Belushi was supposed to cameo, but sadly died six weeks before filming.
4. Spies Like Us, Emmett Fitz-Hume
This cold war comedy is a relic of its time. Not the funniest movie on anyone’s filmography, it’s still good for a few laughs. Belushi was slated to play Emmett Fitz-Hume, the role that eventually went to Chevy Chase. Considering Belushi was reportedly no fan of his former SNL cohort, that casting just seems like adding insult to injury.
3. Fear and Loathing in Las Vegas, Dr. Gonzo
A big screen take on Hunter S. Thompson’s novel starring Dan Aykroyd and John Belushi makes so much sense, it’s a wonder it never came together. Aykroyd’s odd, clipped intensity as Raoul Duke, alongside Belushi’s unhinged, swarthy madness as Dr. Gonzo, is pitch perfect casting. Sadly, the project evaporated with Belushi’s passing and the novel floated around Hollywood for another decade before Terry Gilliam finally made his adaptation.
2. Gangs of New York, Bill “The Butcher” Cutting
Martin Scorsese’s passion project was in development for so long, Belushi was the first choice to play the role that Daniel Day-Lewis later made famous. While the film that Scorsese eventually made has its merits, it surely would’ve provided a drastically different type of part for Belushi to dig into. Even more amazing is the fact that Aykroyd was being considered for the part of Amsterdam Vallon at the time. If only we lived in a world where the The Blues Brothers duked it out in period garb in a Scorsese film.
1. Three Amigos, Ned Nederlander
Yet another in the long line of supposed Aykroyd/Belushi projects that were in development post-Blues Brothers, Belushi was set to play Ned Nederlander before he passed away. Martin Short was brought in as a replacement, giving a wonderful performance, but one that would seem to be the polar opposite of what Belushi would’ve done with the material.
There’s a movie for every holiday (well, maybe not Arbor Day), but Thanksgiving has more than its share. There’s something about a family coming together around an overloaded table that makes for gripping drama and hilarious comedy. Before you tuck into IFC’s Sweatsgiving marathon weekend, take a look at our picks for the best Turkey Day movies of all time. They’re far tastier than Aunt Bertha’s leftover three-bean casserole.
This ultra low-budget horror comedy about a killer Turkey is the perfect NSFW antidote to heartwarming holiday treacle. Fans of the film’s so-bad-its-good charms helped Kickstart a sequel, ThanksKilling 3. What happened to ThanksKilling 2? Guess the killer turkey ate the print.
9. The Ice Storm
Key parties, family secrets and Nixon masks all converge in one particularly eventful Thanksgiving weekend in Ang Lee’s searing look at dysfunctional families in the turbulent days of the early ’70s. And you thought your post-dinner family games of Trivial Pursuit were tense.
8. Pieces of April
Katie Holmes broke free from her teen drama roots with this indie flick about a young urban misfit who invites her straight-laced suburban family to a big city Thanksgiving dinner. An underrated comedy about the importance of families (be they urban or biological) that also answers the age-old holiday question: canned or fresh cranberry sauce?
What is it with Thanksgiving and quasi-incest comedies? 2002’s Tadpole tells the tale of Oscar Grubman, a hyper-intelligent high school boy who has a crippling crush on his stepmother. When he goes home for Thanksgiving, this Oedipal nightmare gets transferred onto a horny cougar chiropractor, and things rapidly spin out of control. A general rule of thumb for the holidays: keep it in your pants, particularly when family is involved.
6. Scent Of A Woman
Al Pacino comes dangerously close to the edge of self-parody in his iconic role as blind ex-Army Ranger Frank Slade, but also scored a Best Actor win in the process. Chris O’Donnell plays the college student who is hired to take care of Slade over Thanksgiving break and finds himself dragged along on an adventure that includes a stop by his brother’s house for a Turkey Day dinner that goes wildly out of control. Hoo-hah! Pass the gravy.
5. The House Of Yes
This psychologically twisted 1997 black comedy helped make Parker Posey a star. She plays “Jackie-O” Pascal, a mentally disturbed young woman who joins her family at their ritzy Virginia estate for Thanksgiving. As a hurricane bears down on the area, Jackie proceeds to go further and further off the rails, capped off by an incestuous encounter with her own brother while they role-play the JFK assassination. With a strong cast and a wickedly sharp script, The House of Yes goes down like a slice of pumpkin pie with a whiskey chaser.
4. The War At Home
This underrated 1996 drama tackled some pretty tough subjects. Jeremy Collier (played by Emilio Estevez, who also directed) is a Vietnam vet back home and dealing with PTSD. Martin Sheen plays his dad, who doesn’t understand that his son came back a little changed. It all comes to a head at the family’s Thanksgiving dinner, where Jeremy pulls a gun on his dad because he wouldn’t loan him the cash he needed to flee the draft. The fact that Estevez and Sheen are father and son in real life only adds to the film’s dramatic tension.
3. Home for the Holidays
Few films capture the mix of dysfunction and warmth that comes with Thanksgiving better than Jodie Foster’s 1995 comedy. Holly Hunter and Robert Downey, Jr. are perfectly cast as a brother and sister weathering uptight siblings, kooky aunts and other family drama with sharp humor and lump-in-your throat tearful moments. We’re not crying. Mom must be cooking her famous onion soup.
2. Hannah and Her Sisters
Widely considered one of the best films in Woody Allen’s vast filmography, Hannah and Her Sisters charts the lives of three very different sisters over the course of three separate Thanksgivings. The holiday serves as a backdrop that reminds us of the ties that bind and also tear us down.
1. Planes, Trains And Automobiles
No movie captures the ups and downs of Thanksgiving quite like this John Hughes classic. Steve Martin plays Neal Page, a high-strung marketing suit who gets paired with John Candy’s slobby salesman Del Griffith as they both try to get back to Chicago in time for the holiday. Hughes was a master of tapping into some very American emotions, and the movie’s climax — where (spoiler alert!) Neal realizes Del has nowhere to go and invites him to come to dinner with his family — is a touching moment that in lesser hands would come off as maudlin.
Writer/actor/rocker Carrie Brownstein recently added another credit to her poly-hyphenated resume: autobiographer. The Portlandia star and Sleater-Kinney musician penned Hunger Makes Me a Modern Girl, a memoir covering her years playing gigs, writing comedy, and producing a sketch show with cohort Fred Armisen.
Brownstein shared an excerpt from her memoir with The New Yorker that details her complicated relationship with her father, his coming to terms with his homosexuality, and how it led up to him coming out to Brownstein in 1988. A compelling and moving read, the essay is highlighted by the final passage wherein her father opened up to her grandmother and the life lesson Brownstein learned by her tragic response.
When my father came out to his mom, my grandmother said, “You waited for your father to die, why couldn’t you have waited for me to die?” I knew then that I never want to contribute to the corrosiveness of wanting someone to stay hidden. Despite all my initial conflicts about trying to reconcile the father I had as a child to the one I have now, I am thankful that he is happy, that he did not waste another second. Now there is someone to know.