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SXSW 2012: “Super Troopers 2″ script “ready to go,” say Broken Lizard stars

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There’s a big argument against Hollywood’s current obsession with tacking a sequel on to every successful film, but some stories are just meant to be revisited. Such is the case with “Super Troopers,” the 2001 cult comedy film that has gone on to have a continued life on home video in the 11 years since its big screen release.

IFC had the chance to catch up with the film’s actor/director Jay Chandrasekhar and actor Kevin Heffernan at SXSW, where they were busy promoting their new film “The Babymakers.” While there have been rumors of a “Super Troopers 2″ for years, Chandrasekhar was able to confirm that the movie is pretty close to becoming an actuality.

“We’re hoping to make ‘Super Troopers 2′ eventually,” he said. “We’ve written the script and as soon as we figure out a little sort of legal thing with Fox, I think we’ll hopefully get a chance to make that.”

“It’s ready to go,” added Heffernan.

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The duo have worked together on many projects, as they are two of the five members of the comedy troupe Broken Lizard. Together with Steve Lemme, Paul Soter and Erik Stolhanske, the group has gone on to make such hilarious films as “Club Dread,” “Beerfest” and, of course, “Super Troopers.”

“The Babymakers” is Broken Lizard’s latest collaboration, and they likely will work on many more projects together in the future. Chandrasekhar joked that he has been using the hope that their next film will be “Super Troopers 2″ to his advantage in trying to get his new movie pitches off the ground.

“It’s great because every time we make another movie, people will hopefully be like, ‘Okay, could be another “Super Troopers,” we better get involved!'” he said with a laugh.

Do you want to one day see “Super Troopers 2″? Tell us in the comments section below or on Facebook and Twitter.

Carol Cate Blanchett

Spirit Guide

Check Out the Spirit Awards Nominees for Best Male and Female Leads

Catch the 2016 Spirit Awards live Feb. 27th at 5P ET/2P PT on IFC.

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Photo Credit: Wilson Webb/©Weinstein Company/Courtesy Everett Collection

From Jason Segel’s somber character study of author David Foster Wallace, to Brie Larson’s devastating portrayal of a mother in captivity, the 2016 Spirit Awards nominees for Best Male and Female Leads represent the finest in the year of film acting. Take a look at the Best Male and Female Leads in action, presented by Jaguar.

Best Male Lead 

Christopher Abbott, James White
Abraham Attah, Beasts of No Nation
Ben Mendelsohn, Mississippi Grind
Jason Segel, The End of the Tour
Koudous Seihon, Mediterranea

Watch more Male Lead nominee videos here.

Best Female Lead 

Cate Blanchett, Carol
Brie Larson, Room
Rooney Mara, Carol
Bel Powley, The Diary of A Teenage Girl
Kitana Kiki Rodriguez, Tangerine

Watch more Female Lead nominee videos here.

IFC at SXSW: Interviews this week with Johnny Knoxville, Willem Dafoe, Ziggy Marley and more

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Can’t attend South by Southwest this year? IFC Fix has got you covered! We’ve set up camp in Austin to bring you the latest and greatest interviews and stories from the film and music festival. Over the next couple of days, you’ll be able to find interviews and performances right here to make it feel like you are actually in the midst of the madness that is SXSW. Want to feel even more like you’re there? Post your questions for our guests in the comments below to be a part of the interviews.

IFC will be catching up with the folks behind “Cabin in the Woods,” Ziggy and Karen Marley and the rest of the people who helped them make “Marley,” the director and writer of “Casa de mi Padre,” and plenty more. If you’re a fan of folks like Nick Offerman, Willem Dafoe, Juan Carlos Fresnadillo, Mumford & Sons, Matt Lucas, Paul Schneider, Johnny Knoxville and Olivia Munn, you should definitely stay tuned over the next few days.

Remember to post your questions for our guests in the comments below! For everything you need regarding SXSW and more, keep checking in to IFC Fix and follow us on Facebook and Twitter.

Our top 20 movies to see at SXSW this year

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By Jordan Hoffman

Last year I saw 26 films at South By Southwest. I also ate a dinner plate-sized donut covered in bacon and maple icing. Yeah, it’s not a festival for the weak.

This year’s lineup looks incredible – and a little intimidating. When you consider that SXSW is also loaded with music events, panels with all sorts of industry mavens and viral interactive opportunities (i.e. gorgeous young women and men smiling and shoving apps in your face) it can seem a bit overwhelming. Luckily, you have us.

I’m gonna’ go easy on you and give you 20 films to see because a) it isn’t, like, your JOB to see as many movies as possible and b) there are a lot of awesome vinyl shops and kimchi taco trucks you need to check out while you are in Austin.


“Cabin in the Woods”

Everything you’ve heard about this movie is true, and if you’ve heard nothing that’s even better. Drew Goddard and Joss Whedon take a lifetime of genre movie love and put it all up on the screen. Richard Jenkins and Bradley Whitford are fantastic as the. . .well, to tell you who they are would be spoiling it. Just trust me – you want to see this movie and you want to see it soon, before the hype (and the spoilers) become unbearable.


“Casa de Mi Padre”

Forbidden love and criminal intrigue set in a family-owned Mexican ranch. Yeah, okay. . .sounds like it could be good, I guess. Did I mention this Spanish-language film stars Will Ferrell and is written and directed by SNL and Funny or Die alum? Okay, who’s ready for tequila shots?


“Los Chidos”

Another Mexican film, this one set in the fabled world of roadside tire repair shops, “Los Chidos” shows how the appearance of a stranger can slowly change the ecosystem of any controlled group. Written and directed by Omar Rodriquez-Lopez, who you may know better as one of the two mad geniuses behind the psychedelic jam/doom-rock band The Mars Volta.


“21 Jump Street”

Up until just a few weeks ago I had little interest in seeing Jonah Hill and Channing Tatum revive “21 Jump Street,” even if it was a comedic take. I mean, what, is it the 90s again? Didn’t we learn anything from the “Beverly Hillbillies” movie? While I haven’t yet seen the movie myself, at least four colleagues whose opinion I deeply trust have seen this and say it is genuinely funny in a clever and creative way.


“Fat Kid Rules The World”

Matthew Lillard (yeah, that’s right, Shaggy from “Scooby-Doo”) directs a movie wherein a suicidal fat kid rises to the top of the Seattle punk scene. It is based on a popular young adult novel by a woman with two initials in her name, so you know it’s going to be big.


“Thale”

If “Trollhunter” taught me anything, it’s that I want more Norwegian movies about mythical beasts. Two slacker-y crime scene cleaners uncover a hidden “Huldra,” (a tailed forest nymph) kept hidden in a cellar. What follows looks to be simultaneously creepy and beautiful.


“The Sheik and I”

Caveh Zahedi’s “I Am A Sex Addict” was one of the great “I can’t tell if this is a documentary or not” films of the last five years, and it looks like he’s got another one up his sleeve. On a commission from a Middle Eastern arts council he is challenged to make a film about “subversive art” on the one condition that he not say anything negative about an underwriting Sheik. Which is, of course, exactly what he does. “The Sheik and I” is probably the only film at this year’s SXSW against which a fatwa has been declared.


“V/H/S “

I’m sure fatwas would be issued against some of the sick things in V/H/S, too, if audiences weren’t having such a good time. I saw this anthology of found footage shorts at Sundance and can’t remember the last time I had such a thorough group gasp. It’s gross, it’s funny and it’s really, really scary – a midnight flick to see with an enthused Austin audience.


“The Source”

Perhaps it is just me, but I’ll be forever fascinated with stories from the hardcore counter-culture of the late 1960s and early 1970s. Yeah, I don’t need another montage of street demonstrations to the tune of “All Along The Watchtower,” but this documentary expose about a California commune that made psychedelic rock and sold vegetarian meals on the Sunset Strip looks fantastic. One of its associate producers is named Isis Aquarian, so you know it is legit.


“John Dies At The End”

There are no shortage of places to grab a drink in Austin, so we feel safe in suggesting you have a few rounds with your buddies and then check out Don Coscarelli’s supernatural sci-fi freakout. Based on the beloved cult novel, this dimension-shifting, consciousness-expanding paranormal detective story is the stuff midnight movie dreams are made of. And Paul Giamatti is in it, too.


“Jeff”

Not that I spend too much time doing a compare and contrast, but Jeffrey Dahmer is probably the creepiest of all the modern-era serial killers. This documentary takes a look at the people and places that occupied the unhidden side of Dahmer’s life prior to his 1991 arrest. I doubt the Milwaukee Chamber of Commerce is thrilled with this one.


“The Hunter”

Willem Dafoe sent by a (no doubt nefarious) biotech firm to chase down the last surviving Tasmanian tiger. I’d tell you more about it, but I’m trying to keep myself unspoiled. How can this be bad? Sam Neill co-stars.


“Just Like Being There”

There’s no point in going to SXSW if you don’t get the poster. “Just Like Being There” dives deep into the subculture of gig posters with interviews of the artists and their ardent fans. The local heroes behind Mondo, the makers of high end movie prints, make an appearance, which ought to bring the house down in an orgiastic cry of “WANT!”s.


“Degenerate Art: The Art and Culture of Glass Pipes”

But if you want to get into subcultures, I doubt you are gonna’ top this doc. Remember the time you saw a gravity-based bong that looked the hydra from the old “Dungeons and Dragons” cartoon? Now you can meet the artisans behind such functional masterpieces of craft. Screens not included.


“Keyhole”

The hyper-stylized Canadian film director Guy Maddin is back with what, by his standards, looks like something of a normal film. Jason Patric and Isabella Rossellini star in this moody tale of regret and gangsterism. It also features Kevin McDonald, and considering Maddin’s previous “The Saddest Music in the World” starred Mark McKinney we’d like to salute the director for keeping the former members of The Kids in the Hall employed.


“Bernie”

Jack Black, Shirley McLaine and Matthew McCaConaughey team with Austin’s favorite son Richard Linklater for this based-on-truth dark comedy about crime and punishment. If anyone can bring Jack Black from his transformation into the next Robin Williams it’s Linklater.


“The Raid”

This Indonesian action picture concludes its festival tour in Austin after a successful run around the globe. Sony Pictures Classics is releasing it soon and then it will be a frat house favorite for years to come, but you owe it to yourself to see this video game informed, next level of martial arts masterpiece with a late night SXSW crowd. It has some of the most mind blowing, never ending action sequences since John Woo’s “Hard Boiled.”


“Frankie Go Boom”

I have no idea what this movie is about, but I’m just going to quote the blurb from the SXSW site. It makes its own case for being included on this list: “a flik by bruce about his little brother frank who’s a crybaby fuck who shudnt do lame-ass emberrissing shit if he doznt want people 2 see it on the internet”


“The Comedy”

Tim Heidecker stars in a button-pushing non-comedy about a rich, slacker douchebag who behaves terribly and dares you to tell him to go to hell. A divisive, daring film that caused a mini-uproar at Sundance, but hasn’t quite yet shaken me from its spell.


“Starlet”

You should see this movie because my friend Chris Bergoch co-wrote it. He’s a really funny, smart guy – and nice, too. I’m sure it is also a good movie (Sean Baker, director of two terrific immigrant stories “Take Out” and “Prince of Broadway” made it with him) but I’d be deceiving you if I didn’t disclose that I’m including this film because I’m proud of my friend. The blurb makes it sound like a “Harold and Maude”-type movie if Harold was a young slacker chick.


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