DID YOU READ

Judy Greer talks “Jeff, Who Lives At Home” and the return of Kitty Sanchez in “Arrested Development”

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For as far back as we can remember, Judy Greer has been busy stealing scenes in every project she’s been in. Whether she’s been wearing her hair down and glasses off in “Arrested Development” or playing a heartbroken wife who confronts the comatose woman who her husband was cheating on her with in “The Descendants,” Greer always puts a memorable spin on her characters.

The same can be said for her role in the new Duplass brothers film, “Jeff, Who Lives At Home.” IFC recently caught up with the actress to talk about her shift from comedic to dramatic roles and also find out the latest scoop on the “Arrested Development” movie. Read on to find out what she had to say, but beware because some spoilers for “Jeff” do lie ahead.

IFC: You have been in some unhappy relationships in movies recently. Why are you doing this to yourself?

JUDY GREER: Yeah, I think it’s kind of cathartic. I stopped going to therapy. I don’t have to do that anymore because now I can just go to work. [laughs] It’s been fun to do something different. For me, you know, I guess I was sort of thinking of the coincidence just this weekend and doing press for the movie because I wasn’t really considering that, but I did spend some time in my career playing the sidekick role, so at one point I said to my agent and managers, you know, I’d love to maybe, instead of being the friend, be like the wife for a while, so they were like, “Awesome.” So now I’m like the wife now, so that’s good. But at least my wife characters, they have some stuff going on. I’m not just like, “So when are you coming home?” I’m like having [moments].

IFC: You’re mostly known for your comedic roles, so has it been a conscious effort on your part to make the switch to drama?

JG: Yeah, but I don’t feel like that’s the only thing I want to do now. It just was more of I kind of wanted to be challenged, and I feel like I wanted to explore that. I mean, I was going to audition for these roles; if I didn’t get them, then I wouldn’t have done them, you know what I mean?

I mean, “Jeff, Who Lives At Home” I got offered, thankfully, by the Duplass brothers. They were kind of thinking of me for the role from the beginning, but some of the other parts I’ve done that are more dramatic lately, that I’ve auditioned for, I feel like if I audition and I get it, you know, that’s good, right? Then that’s maybe what I should be doing right now.

IFC: Would you ever want to go front and center?

JG: Well, yeah. I don’t know anyone who would be like, “I don’t want to star in a movie.” Sure, yeah, in fantasy land I’d love to be in a romantic comedy where I get to be the girl who, you know, is not getting the guy until the very end when of course she gets the guy and lives happily ever after. I’m also not at all unhappy with the way my career has gone thus far and I feel like I’m really fortunate in that I get to work with awesome people. I get to do great roles and have these great moments in great movies, but I can also, you know, go to Target whenever I want. It’s nice. I feel like I have the best of both worlds.

IFC: What was it about “Jeff, Who Lives At Home” that drew you to it?

JG: I loved the script and then I met [the Duplass brothers] for dinner when we were talking about me doing it and I loved them. Like, they’re just cool guys. They’re just the kind of guys that you want to be in business with forever. I think of them like, if I could make instead of like a theater company a movie-making company, I would love for them to be the in-house writer/directors, and I could be the in-house girl, one of them, and I don’t know. They’re just really good people.

IFC: Was there something about the script itself or something about the character in particular that you were attached to?

JG: Well, I love the idea of fate and sort of destiny, finding signs from the universe and sort of slowing down. I love when [Jason Segel] says to close your eyes and take a deep breath and what do you see? I love that message. I love the message of how every day should be your best day, and I love the relationship between my character and Ed [Helms]‘s character even though it’s very sad and it seems like it’s kind of fallen apart.

I feel like I have seen that happen a lot with people I know and so I thought it was an important story to tell. Like, look how bad it can get. The beginning of the breakdown of communication is the end of your relationship. Once you stop putting in the effort and the time and take each other for granted, you have to really work hard to get it back after that. And so I was interested in that.

IFC: Was it nice to be offered a role outside of your norm?

JG: Yeah, definitely. For me it was, and it was fun to work with [Segel and Helms] because I felt like in a way we were all doing roles that we hadn’t gotten a chance to really do before, so it was cool that we were all doing it together. Like all of us were like, “Here we go, doing something completely different!”

IFC: It seems like you have a pretty even split between your film roles and your TV roles. Do you prefer one over the other?

JG: Not really. I don’t know, it used to be like years ago when you used to have to pick one, and obviously you don’t anymore. There’s things I like about both. I have never been — besides “Arrested Development,” and it was like so tenuous if we were ever coming back or not, and I wasn’t a series regular on that show — but I’ve never been in a real hit show. I’ve never seen what that’s like. And so I feel like there’s a lot of things about being on a successful television show that I’d love to experience, like a little bit of job security, like putting some money in the bank, that kind of stuff. Working with the same people every day, watching a character grow and evolve, and having some say in that.

But, you know, making movies is so awesome. It’s like summer camp. There’s always light at the end of the tunnel, so you feel like you can always throw yourself into a role because it’s going to end in one to three months, depending. I love being in another city for a chunk of time, because you really get to learn cities and people and that’s interesting and informative. But, you know, sometimes the hustle can get tiring and because of the economy and because the business is changing and because of the Internet, the roles are getting fewer and the people who want them, the group is getting bigger.

Whereas before I would audition for a part and get it and my competition would be other actresses like me, now my competition is like movie stars want parts. You know what I mean? They’re just not making as many small movies, they’re just not making as many movies period, and we just don’t know what’s happening and the direction the business is going to go in.

Especially with television, too. The Internet, you don’t have to watch television shows on TV anymore, you can watch them on Hulu and it’s like, who knows? It’s an interesting time, but I think it’s important to kind of be doing both.

IFC: It’s interesting you say that because “Arrested Development” is coming back, but it’s going to be on Netflix. Are we going to see Kitty Sanchez again?

JG: I mean, fingers crossed. I don’t know.

IFC: You haven’t heard anything yet?

JG: I heard probably, but I don’t know, until I’m watching the movie and I’m in it onscreen, I never count on anything.

IFC: What would she be doing now?

JG: I’d like for her to take the whole family down. I feel like Kitty Sanchez should come back with all the secrets and take down the Bluths. But, I probably shouldn’t put it out there, because then they’ll be like, “Well, now we can’t do that!”

Do you plan on checking out “Jeff, Who Lives At Home”? What do you think Kitty Sanchez has been up to? Tell us in the comments section below or on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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