DID YOU READ

Judy Greer talks “Jeff, Who Lives At Home” and the return of Kitty Sanchez in “Arrested Development”

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For as far back as we can remember, Judy Greer has been busy stealing scenes in every project she’s been in. Whether she’s been wearing her hair down and glasses off in “Arrested Development” or playing a heartbroken wife who confronts the comatose woman who her husband was cheating on her with in “The Descendants,” Greer always puts a memorable spin on her characters.

The same can be said for her role in the new Duplass brothers film, “Jeff, Who Lives At Home.” IFC recently caught up with the actress to talk about her shift from comedic to dramatic roles and also find out the latest scoop on the “Arrested Development” movie. Read on to find out what she had to say, but beware because some spoilers for “Jeff” do lie ahead.

IFC: You have been in some unhappy relationships in movies recently. Why are you doing this to yourself?

JUDY GREER: Yeah, I think it’s kind of cathartic. I stopped going to therapy. I don’t have to do that anymore because now I can just go to work. [laughs] It’s been fun to do something different. For me, you know, I guess I was sort of thinking of the coincidence just this weekend and doing press for the movie because I wasn’t really considering that, but I did spend some time in my career playing the sidekick role, so at one point I said to my agent and managers, you know, I’d love to maybe, instead of being the friend, be like the wife for a while, so they were like, “Awesome.” So now I’m like the wife now, so that’s good. But at least my wife characters, they have some stuff going on. I’m not just like, “So when are you coming home?” I’m like having [moments].

IFC: You’re mostly known for your comedic roles, so has it been a conscious effort on your part to make the switch to drama?

JG: Yeah, but I don’t feel like that’s the only thing I want to do now. It just was more of I kind of wanted to be challenged, and I feel like I wanted to explore that. I mean, I was going to audition for these roles; if I didn’t get them, then I wouldn’t have done them, you know what I mean?

I mean, “Jeff, Who Lives At Home” I got offered, thankfully, by the Duplass brothers. They were kind of thinking of me for the role from the beginning, but some of the other parts I’ve done that are more dramatic lately, that I’ve auditioned for, I feel like if I audition and I get it, you know, that’s good, right? Then that’s maybe what I should be doing right now.

IFC: Would you ever want to go front and center?

JG: Well, yeah. I don’t know anyone who would be like, “I don’t want to star in a movie.” Sure, yeah, in fantasy land I’d love to be in a romantic comedy where I get to be the girl who, you know, is not getting the guy until the very end when of course she gets the guy and lives happily ever after. I’m also not at all unhappy with the way my career has gone thus far and I feel like I’m really fortunate in that I get to work with awesome people. I get to do great roles and have these great moments in great movies, but I can also, you know, go to Target whenever I want. It’s nice. I feel like I have the best of both worlds.

IFC: What was it about “Jeff, Who Lives At Home” that drew you to it?

JG: I loved the script and then I met [the Duplass brothers] for dinner when we were talking about me doing it and I loved them. Like, they’re just cool guys. They’re just the kind of guys that you want to be in business with forever. I think of them like, if I could make instead of like a theater company a movie-making company, I would love for them to be the in-house writer/directors, and I could be the in-house girl, one of them, and I don’t know. They’re just really good people.

IFC: Was there something about the script itself or something about the character in particular that you were attached to?

JG: Well, I love the idea of fate and sort of destiny, finding signs from the universe and sort of slowing down. I love when [Jason Segel] says to close your eyes and take a deep breath and what do you see? I love that message. I love the message of how every day should be your best day, and I love the relationship between my character and Ed [Helms]‘s character even though it’s very sad and it seems like it’s kind of fallen apart.

I feel like I have seen that happen a lot with people I know and so I thought it was an important story to tell. Like, look how bad it can get. The beginning of the breakdown of communication is the end of your relationship. Once you stop putting in the effort and the time and take each other for granted, you have to really work hard to get it back after that. And so I was interested in that.

IFC: Was it nice to be offered a role outside of your norm?

JG: Yeah, definitely. For me it was, and it was fun to work with [Segel and Helms] because I felt like in a way we were all doing roles that we hadn’t gotten a chance to really do before, so it was cool that we were all doing it together. Like all of us were like, “Here we go, doing something completely different!”

IFC: It seems like you have a pretty even split between your film roles and your TV roles. Do you prefer one over the other?

JG: Not really. I don’t know, it used to be like years ago when you used to have to pick one, and obviously you don’t anymore. There’s things I like about both. I have never been — besides “Arrested Development,” and it was like so tenuous if we were ever coming back or not, and I wasn’t a series regular on that show — but I’ve never been in a real hit show. I’ve never seen what that’s like. And so I feel like there’s a lot of things about being on a successful television show that I’d love to experience, like a little bit of job security, like putting some money in the bank, that kind of stuff. Working with the same people every day, watching a character grow and evolve, and having some say in that.

But, you know, making movies is so awesome. It’s like summer camp. There’s always light at the end of the tunnel, so you feel like you can always throw yourself into a role because it’s going to end in one to three months, depending. I love being in another city for a chunk of time, because you really get to learn cities and people and that’s interesting and informative. But, you know, sometimes the hustle can get tiring and because of the economy and because the business is changing and because of the Internet, the roles are getting fewer and the people who want them, the group is getting bigger.

Whereas before I would audition for a part and get it and my competition would be other actresses like me, now my competition is like movie stars want parts. You know what I mean? They’re just not making as many small movies, they’re just not making as many movies period, and we just don’t know what’s happening and the direction the business is going to go in.

Especially with television, too. The Internet, you don’t have to watch television shows on TV anymore, you can watch them on Hulu and it’s like, who knows? It’s an interesting time, but I think it’s important to kind of be doing both.

IFC: It’s interesting you say that because “Arrested Development” is coming back, but it’s going to be on Netflix. Are we going to see Kitty Sanchez again?

JG: I mean, fingers crossed. I don’t know.

IFC: You haven’t heard anything yet?

JG: I heard probably, but I don’t know, until I’m watching the movie and I’m in it onscreen, I never count on anything.

IFC: What would she be doing now?

JG: I’d like for her to take the whole family down. I feel like Kitty Sanchez should come back with all the secrets and take down the Bluths. But, I probably shouldn’t put it out there, because then they’ll be like, “Well, now we can’t do that!”

Do you plan on checking out “Jeff, Who Lives At Home”? What do you think Kitty Sanchez has been up to? Tell us in the comments section below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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